The Complete Works of Katherine Mansfield. Katherine Mansfield
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He was introduced again, and then Janey and the stewardess disappeared into the passage. He heard whisperings. She was getting the tipping business over, he supposed. He sat down on the striped sofa and took his hat off. There were the rugs she had taken with her; they looked good as new. All her luggage looked fresh, perfect. The labels were written in her beautiful little clear hand—"Mrs. John Hammond."
"Mrs. John Hammond!" He gave a long sigh of content and leaned back, crossing his arms. The strain was over. He felt he could have sat there for ever sighing his relief—the relief at being rid of that horrible tug, pull, grip on his heart. The danger was over. That was the feeling. They were on dry land again.
But at that moment Janey's head came round the corner.
"Darling—do you mind? I just want to go and say good-bye to the doctor."
Hammond started up. "I'll come with you."
"No, no!" she said. "Don't bother. I'd rather not. I'll not be a minute."
And before he could answer she was gone. He had half a mind to run after her; but instead he sat down again.
Would she really not be long? What was the time now? Out came the watch; he stared at nothing. That was rather queer of Janey, wasn't it? Why couldn't she have told the stewardess to say good-bye for her? Why did she have to go chasing after the ship's doctor? She could have sent a note from the hotel even if the affair had been urgent. Urgent? Did it—could it mean that she had been ill on the voyage—she was keeping something from him? That was it! He seized his hat. He was going off to find that fellow and to wring the truth out of him at all costs. He thought he'd noticed just something. She was just a touch too calm—too steady. From the very first moment—
The curtains rang. Janey was back. He jumped to his feet.
"Janey, have you been ill on this voyage? You have!"
"Ill?" Her airy little voice mocked him. She stepped over the rugs, and came up close, touched his breast, and looked up at him.
"Darling," she said, "don't frighten me. Of course I haven't! Whatever makes you think I have? Do I look ill?"
But Hammond didn't see her. He only felt that she was looking at him and that there was no need to worry about anything. She was here to look after things. It was all right. Everything was.
The gentle pressure of her hand was so calming that he put his over hers to hold it there. And she said:
"Stand still. I want to look at you. I haven't seen you yet. You've had your beard beautifully trimmed, and you look—younger, I think, and decidedly thinner! Bachelor life agrees with you."
"Agrees with me!" He groaned for love and caught her close again. And again, as always, he had the feeling that he was holding something that never was quite his—his. Something too delicate, too precious, that would fly away once he let go.
"For God's sake let's get off to the hotel so that we can be by ourselves!" And he rang the bell hard for some one to look sharp with the luggage.
Walking down the wharf together she took his arm. He had her on his arm again. And the difference it made to get into the cab after Janey—to throw the red-and-yellow striped blanket round them both—to tell the driver to hurry because neither of them had had any tea. No more going without his tea or pouring out his own. She was back. He turned to her, squeezed her hand, and said gently, teasingly, in the "special" voice he had for her: "Glad to be home again, dearie?" She smiled; she didn't even bother to answer, but gently she drew his hand away as they came to the brighter streets.
"We've got the best room in the hotel," he said. "I wouldn't be put off with another. And I asked the chambermaid to put in a bit of a fire in case you felt chilly. She's a nice, attentive girl. And I thought now we were here we wouldn't bother to go home to-morrow, but spend the day looking round and leave the morning after. Does that suit you? There's no hurry, is there? The children will have you soon enough... I thought a day's sight-seeing might make a nice break in your journey—eh, Janey?"
"Have you taken the tickets for the day after?" she asked.
"I should think I have!" He unbuttoned his overcoat and took out his bulging pocket-book. "Here we are! I reserved a first-class carriage to Cooktown. There it is—'Mr. and Mrs. John Hammond.' I thought we might as well do ourselves comfortably, and we don't want other people butting in, do we? But if you'd like to stop here a bit longer—?"
"Oh, no!" said Janey quickly. "Not for the world! The day after to-morrow, then. And the children—"
But they had reached the hotel. The manager was standing in the broad, brilliantly-lighted porch. He came down to greet them. A porter ran from the hall for their boxes.
"Well, Mr. Arnold, here's Mrs. Hammond at last!"
The manager led them through the hall himself and pressed the elevator-bell. Hammond knew there were business pals of his sitting at the little hall tables having a drink before dinner. But he wasn't going to risk interruption; he looked neither to the right nor the left. They could think what they pleased. If they didn't understand, the more fools they—and he stepped out of the lift, unlocked the door of their room, and shepherded Janey in. The door shut. Now, at last, they were alone together. He turned up the light. The curtains were drawn; the fire blazed. He flung his hat on to the huge bed and went towards her.
But—would you believe it!—again they were interrupted. This time it was the porter with the luggage. He made two journeys of it, leaving the door open in between, taking his time, whistling through his teeth in the corridor. Hammond paced up and down the room, tearing off his gloves, tearing off his scarf. Finally he flung his overcoat on to the bedside.
At last the fool was gone. The door clicked. Now they were alone. Said Hammond: "I feel I'll never have you to myself again. These cursed people! Janey"—and he bent his flushed, eager gaze upon her—"let's have dinner up here. If we go down to the restaurant we'll be interrupted, and then there's the confounded music" (the music he'd praised so highly, applauded so loudly last night!). "We shan't be able to hear each other speak. Let's have something up here in front of the fire. It's too late for tea. I'll order a little supper, shall I? How does that idea strike you?"
"Do, darling!" said Janey. "And while you're away—the children's letters—"
"Oh, later on will do!" said Hammond.
"But then we'd get it over," said Janey. "And I'd first have time to—"
"Oh, I needn't go down!" explained Hammond. "I'll just ring and give the order... you don't want to send me away, do you?"
Janey shook her head and smiled.
"But you're thinking of something else. You're worrying about something," said Hammond. "What is it? Come and sit here—come and sit on my knee before the fire."
"I'll just unpin my hat," said Janey, and she went over to the dressing-table. "A-ah!" She gave a little cry.
"What is it?"
"Nothing, darling. I've just found the children's letters. That's all right! They will keep. No hurry now!" She turned to him, clasping them. She tucked them into her frilled blouse. She cried quickly, gaily: "Oh, how typical this dressing-table is of you!"
"Why?