discord is music."
"Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster?
Sleep when he wakes? and creep into the jaundice
By being peevish?"
Who are the "lemon squeezers of society"? They are people who predict evil, extinguish hope, and see only the worst side,—"people whose very look curdles the milk and sets your teeth on edge." They are often worthy people who think that pleasure is wrong; people, said an old divine, who lead us heavenward and stick pins into us all the way. They say depressing things and do disheartening things; they chill prayer-meetings, discourage charitable institutions, injure commerce, and kill churches; they are blowing out lights when they ought to be kindling them.
A man without mirth is like a wagon without springs, in which one jolts over every pebble; with mirth, he is like a chariot with springs, riding over the roughest roads and scarcely feeling anything but a pleasant rocking motion.
"Difficulties melt away before the man who carries about a cheerful spirit and persistently refuses to be discouraged, while they accumulate before the one who is always groaning over his hard luck and scanning the horizon for clouds not yet in sight."
"To one man," says Schopenhauer, "the world is barren, dull, and superficial; to another, rich, interesting, and full of meaning." If one loves beauty and looks for it, he will see it wherever he goes. If there is music in his soul, he will hear it everywhere; every object in nature will sing to him. Two men who live in the same house and do the same work may not live in the same world. Although they are under the same roof, one may see only deformity and ugliness; to him the world is out of joint, everything is cross-grained and out of sorts: the other is surrounded with beauty and harmony; everybody is kind to him; nobody wishes him harm. These men see the same objects, but they do not look through the same glasses; one looks through a smoked glass which drapes the whole world in mourning, the other looks through rose-colored lenses which tint everything with loveliness and touch it with beauty.
Take two persons just home from a vacation. "One has positively seen nothing, and has always been robbed; the landlady was a harpy, the bedroom was unhealthy, and the mutton was tough. The other has always found the coziest nooks, the cheapest houses, the best landladies, the finest views, and the best dinners."
"WHAT IS AN OPTIMIST?"
This is the question a farmer's boy asked of his father.
"Well, John," replied his father, "you know I can't give ye the dictionary meanin' of that word any more 'n I can of a great many others. But I've got a kind of an idee what it means. Probably you don't remember your Uncle Henry; but I guess if there ever was an optimist, he was one. Things was always comin' out right with Henry, and especially anything hard that he had to do; it wa' n't a-goin' to be hard,—'t was jest kind of solid-pleasant.
"Take hoein' corn, now. If anything ever tuckered me out, 'twas hoein' corn in the hot sun. But in the field, 'long about the time I begun to lag back a little, Henry he'd look up an' say:—
"'Good, Jim! When we get these two rows hoed, an' eighteen more, the piece'll be half done.' An' he'd say it in such a kind of a cheerful way that I couldn't 'a' ben any more tickled if the piece had been all done,—an' the rest would go light enough.
"But the worst thing we had to do—hoein corn was a picnic to it—was pickin' stones. There was no end to that on our old farm, if we wanted to raise anything. When we wa'n't hurried and pressed with somethin' else, there was always pickin' stones to do; and there wa'n't a plowin' but what brought up a fresh crop, an' seems as if the pickin' had all to be done over again.
"Well, you'd' a' thought, to hear Henry, that there wa'n't any fun in the world like pickin' stones. He looked at it in a different way from anybody I ever see. Once, when the corn was all hoed, and the grass wa'n't fit to cut yet, an' I'd got all laid out to go fishin', and father he up and set us to pickin' stones up on the west piece, an' I was about ready to cry, Henry he says:—
"'Come on, Jim. I know where there's lots of nuggets.'
"An' what do you s'pose, now? That boy had a kind of a game that that there field was what he called a plasser mining field; and he got me into it, and I could 'a' sworn I was in Californy all day,—I had such a good time.
"'Only,' says Henry, after we'd got through the day's work, 'the way you get rich with these nuggets is to get rid of 'em, instead of to get 'em.'
"That somehow didn't strike my fancy, but we'd had play instead of work, anyway, an' a great lot of stones had been rooted out of that field.
"An', as I said before, I can't give ye any dictionary definition of optimism; but if your Uncle Henry wa'n't an optimist, I don't know what one is."
At life's outset, says one, a cheerful optimistic temperament is worth everything. A cheerful man, who always "feels first-rate," who always looks on the bright side, who is ever ready to snatch victory from defeat, is the successful man.
Everybody avoids the company of those who are always grumbling, who are full of "ifs" and "buts," and "I told you so's." We like the man who always looks toward the sun, whether it shines or not. It is the cheerful, hopeful man we go to for sympathy and assistance; not the carping, gloomy critic,—who always thinks it is going to rain, and that we are going to have a terribly hot summer, or a fearful thunder-storm, or who is forever complaining of hard times and his hard lot. It is the bright, cheerful, hopeful, contented man who makes his way, who is respected and admired.
Gloom and depression not only take much out of life, but detract greatly from the chances of winning success. It is the bright and cheerful spirit that wins the final triumph.
LIVING UP THANKSGIVING AVENUE.
"I see our brother, who has just sat down, lives on Grumbling street," said a keen-witted Yorkshireman. "I lived there myself for some time, and never enjoyed good health. The air was bad, the house bad, the water bad; the birds never came and sang in the street; and I was gloomy and sad enough. But I 'flitted.' I got into Thanksgiving avenue; and ever since then I have had good health, and so have all my family. The air is pure, the house good; the sun shines on it all day; the birds are always singing; and I am happy as I can live. Now, I recommend our brother to 'flit.' There are plenty of houses to let on Thanksgiving avenue; and he will find himself a new man if he will only come; and I shall be right glad to have him for a neighbor."
This world was not intended for a "vale of tears," but as a sweet Vale of Content. Travelers are told by the Icelanders, who live amid the cold and desolation of almost perpetual winter, that "Iceland is the best land the sun shines upon." "In the long Arctic night, the Eskimo is blithe, and carolsome, far from the approach of the white man; while amid the glorious scenery and Eden-like climate of Central America, the native languages have a dozen words for pain and misery and sorrow, for one with any cheerful signification."
When a Persian king was directed by his wise men to wear the shirt of a contented man, the only contented man in the kingdom had no shirt. The most contented man in Boston does not live on Commonwealth avenue or do business on State street: he is poor and blind, and he peddles needles and thread, buttons and sewing-room supplies, about the streets of Boston from house to house. Dr. Minot J. Savage used to pity this man very much, and once in venturing to talk with him about his condition, he was utterly amazed to find that the man was perfectly happy. He said that he had a faithful wife, and a business by which he earned sufficient for his wants; and, if he were to complain of his lot, he should feel mean and contemptible. Surely, if there are any "solid men" in Boston, he is one.
