The Best Short Stories of 1920, and the Yearbook of the American Short Story. Various
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"Yes, deadly poisons, too," agreeing with a sort of exultation, so blithely, indeed, that the calmly moving fingers of the mistress of Heartholm were suddenly arrested. A feeling as powerful and associative as the scent of a strong perfume stole over Evelyn Strang.
Before she could speak Berber had resumed his weeding. "It's good to get dictatorship over all this fight of growing," looking up for her sympathy with hesitance, which, seen in the light of his acknowledged genius, was the more significant. "You don't mind my taking Michael's place? He was very busy this morning. I have no credentials, but my mother seems to think I am a born gardener."
This lack of conceit, this unassuming practicality, the sort of thing with which Gargoyle's mind had been carefully inoculated for a long time, baffled, while it reassured Mrs. Strang. Also the sense of sacred trust placed in her hands made her refrain from any psychic probing.
For a long while she found it easy to exert this self-control. The lonely woman, impressed by the marvelous "cure" of John Berber, magnetized by his youth and sunny enthusiasms back to the old dreaming pleasure in the Heartholm gardens, might in the absorbed days to come have forgotten—only there was a man's photograph in her bedroom, placed where her eyes always rested on it, her hand could bring it to her lips; the face looking out at her seemed to say but one thing:
"You knew me—I knew you. What we knew and were to each other had not only to do with our bodies. Men call me 'dead' but you know that I am not. Why do you not study and work and pray to learn what I am become, that you may turn to me, that I may reach to you?"
Mockwooders, dropping in at Heartholm for afternoon tea, began to accustom themselves to finding Mrs. Strang sitting near some flower-bed where John Berber worked, or going with him over his great books of specimens. The smirk the fashionable world reserves for anything not usual in its experience was less marked in this case than it might have been in others. Even those who live in "residential parks" are sometimes forced (albeit with a curious sense of personal injury) to accept the idea that they who have greatly suffered find relief in "queer" ways. Mockwooders, assisting at the Heartholm tea-hour, and noting Berber among other casual guests, merely felt aggrieved and connoted "queerness."
For almost a year, with the talking over of plans for John Strang's long-cherished idea of a forest garden at Heartholm, there had been no allusion between mistress and gardener to that far-off fantasy, the life of little Gargoyle. During the autumn the two drew plans together for those spots which next spring were to blossom in the beech glade. They sent to far-off countries for bulbs, experimented in the Heartholm greenhouses with special soils and fertilizers, and differences of heat and light; they transplanted, grafted, and redeveloped this and that woodland native. Unconsciously all formal strangeness wore away, unconsciously the old bond between Gargoyle and his mistress was renewed.
Thus it was, without the slightest realization as to what it might lead, that Evelyn Strang one afternoon made some trifling allusion to Berber's association with the famous Doctor Mach. As soon as she had done so, fearing from habit for some possible disastrous result, she tried immediately to draw away from the subject. But the forbidden spring had been touched—a door that had long been closed between them swung open. Young Berber, sorting dahlia bulbs into numbered boxes, looked up; he met her eyes unsuspiciously.
"I suppose," thoughtfully, "that that is the man to whom I should feel more grateful than to any other human being."
The mistress of Heartholm did not reply. In spite of her tranquil air, Evelyn Strang was gripped with a sudden apprehension. How much, how little, did Berber know? She glanced swiftly at him, then bent her head over her embroidery. The colored stream of Indian summer flowed around them. A late bird poured out his little cup of song.
"My mother will not answer my questions." Young Berber, examining two curiously formed bulbs, shook the earth from them; he stuffed them into his trousers pocket. "But Michael got talking yesterday and told me—Did you know, Mrs. Strang? I was thought to be an idiot until I was twelve years old—born deaf and dumb?"
It was asked so naturally, with a scientific interest as impersonal as if he were speaking of one of the malformed bulbs in his pocket, that at first his mistress felt no confusion. Her eyes and hands busying themselves with the vivid silks, she answered.
"I remember you as a little pale boy who loved flowers and did such odd, interesting things with them. Mr. Strang and I were attracted to your mysterious plays. … No, you never spoke, but we were not sure you could not hear—and"—drawing a swift little breath—"we were always interested in what—in what—you seemed—to see!"
There was a pause. He knelt there, busily sorting the bulbs. Suddenly to the woman sitting on the garden bench the sun-bathed October gardens seemed alive with the myriad questioning faces of the fall flowers; wheels and disks like aureoled heads leaned toward her, mystical fire in their eyes, the colored flames of their being blown by passionate desire of revelation. "This is your moment," the flowers seemed to say to her. "Ask him now."
But that she might not yet speak out her heart to John Berber his mistress was sure. She was reminded of what Strang had so often said, referring to their lonely quest—that actual existence was like a forlorn shipwreck of some other life, a mere raft upon which, like grave buffoons, the ragged survivors went on handing one another watersoaked bread of faith, glassless binoculars of belief, oblivious of what radiant coasts or awful headlands might lie beyond the enveloping mists. Soon, the wistful woman knew, she would be making some casual observations about the garden, the condition of the soil. Yet, if ever the moment had come to question him who had once been "Gargoyle," that moment was come now!
Berber lifted on high a mass of thickly welded bulbs clinging to a single dahlia stalk. He met her gaze triumphantly.
"Michael says he planted only a few of this variety, the soft, gold-hearted lavender. See what increase." The youth plunged supple fingers into the balmy-scented loam, among the swelling tuber forms. "A beautiful kind of ugliness," he mused. "I remember I used to think——" The young gardener, as if he felt that the eyes fixed upon him were grown suddenly too eager, broke abruptly off.
"Go on, John Berber. What you have to say is always interesting."
It was said calmly, with almost maternal encouragement, but the fingers absorbed in the bright silks fumbled and erred. "Used to think"—words such as these filtered like sunlight to the hope lying deep in Evelyn Strang's heart.
But young Berber leaned upon his garden fork, looking past her. Over the youth's face crept a curious expression of wrapt contemplation, of super-occupation, whether induced by her words or not she could not tell. Furtively Mrs. Strang studied him. … How soon would he drop that mystical look and turn to her with the casual "educated" expression she had come to know so well?
Suddenly, nervousness impelling her, she broke in upon his revery:
"How wonderful, with such dreams as you must have had, to be educated! How very grateful you must be to Doctor Mach."
She heard her own words helplessly, as if in a dream, and, if the unwisdom of this kind of conversation had impressed the mistress of Heartholm before, now she could have bitten off her tongue with that needless speech on it. Young Berber, however, seemed hardly to have heard her; he stood there, the "Gargoyle" look still in his eyes, gazing past his mistress into some surrounding mystery of air element. It was to her, watching him, as if those brooding, dilated pupils might behold, besides infinitesimal mystery of chemical atoms, other mysteries—colorless pools of air where swam, like sea anemones, radiant forms of released