began to cry, and it was not acting.
Josie Fifer stood staring at her, her eyes wide with horror and unbelief.
"Why, say, listen! Listen! You can have it. I didn't know you wanted it as bad as that. Why, you can have it. I want you to take it. Here."
She shoved it across the table. Sarah reached out for it quickly. She rolled it up in a tight bundle and whisked off with it without a backward glance at Josie or at Hahn. She was still sobbing as she went down the stairs.
The two stood staring at each other ludicrously. Hahn spoke first.
"I'm sorry, Josie. That was nice of you, giving it to her like that."
But Josie did not seem to hear. At least she paid no attention to his remark. She was staring at him with that dazed and wide-eyed look of one upon whom a great truth has just dawned. Then, suddenly, she began to laugh. She laughed a high, shrill laugh that was not so much an expression of mirth as of relief.
Sid Hahn put up a pudgy hand in protest. "Josie! Please! For the love of Heaven don't you go and get it. I've had to do with one hysterical woman to-day. Stop that laughing! Stop it!"
Josie stopped, not abruptly, but in a little series of recurring giggles. Then these subsided and she was smiling. It wasn't at all her usual smile. The bitterness was quite gone from it. She faced Sid Hahn across the table. Her palms were outspread, as one who would make things plain. "I wasn't hysterical. I was just laughing. I've been about seventeen years earning that laugh. Don't grudge it to me."
"Let's have the plot," said Hahn.
"There isn't any. You see, it's just—well, I've just discovered how it works out. After all these years! She's had everything she wanted all her life. And me, I've never had anything. Not a thing. She's travelled one way, and I've travelled in the opposite direction, and where has it brought us? Here we are, both fighting over an old black velvet rag. Don't you see? Both wanting the same—" She broke off, with the little twisted smile on her lips again. "Life's a strange thing, Mr. Hahn."
"I hope, Josie, you don't claim any originality for that remark," replied Sid Hahn dryly.
"But," argued the editor, "you don't call this a cheerful story, I hope."
"Well, perhaps not exactly boisterous. But it teaches a lesson, and all that. And it's sort of philosophical and everything, don't you think?"
The editor shuffled the sheets together decisively, so that they formed a neat sheaf. "I'm afraid I didn't make myself quite clear. It's entertaining, and all that, but—ah—in view of our present needs, I'm sorry to say we—"
II
THE GAY OLD DOG
Those of you who have dwelt—or even lingered—in Chicago, Illinois (this is not a humorous story), are familiar with the region known as the Loop. For those others of you to whom Chicago is a transfer point between New York and San Francisco there is presented this brief explanation:
The Loop is a clamorous, smoke-infested district embraced by the iron arms of the elevated tracks. In a city boasting fewer millions, it would be known familiarly as downtown. From Congress to Lake Street, from Wabash almost to the river, those thunderous tracks make a complete circle, or loop. Within it lie the retail shops, the commercial hotels, the theatres, the restaurants. It is the Fifth Avenue (diluted) and the Broadway (deleted) of Chicago. And he who frequents it by night in search of amusement and cheer is known, vulgarly, as a Loop-hound.
Jo Hertz was a Loop-hound. On the occasion of those sparse first nights granted the metropolis of the Middle West he was always present, third row, aisle, left. When a new loop café was opened Jo's table always commanded an unobstructed view of anything worth viewing. On entering he was wont to say, "Hello, Gus," with careless cordiality to the head waiter, the while his eye roved expertly from table to table as he removed his gloves. He ordered things under glass, so that his table, at midnight or thereabouts, resembled a hot-bed that favours the bell system. The waiters fought for him. He was the kind of man who mixes his own salad dressing. He liked to call for a bowl, some cracked ice, lemon, garlic, paprika, salt, pepper, vinegar, and oil and make a rite of it. People at near-by tables would lay down their knives and forks to watch, fascinated. The secret of it seemed to lie in using all the oil in sight and calling for more.
That was Jo—a plump and lonely bachelor of fifty. A plethoric, roving-eyed and kindly man, clutching vainly at the garments of a youth that had long slipped past him. Jo Hertz, in one of those pinch-waist belted suits and a trench coat and a little green hat, walking up Michigan Avenue of a bright winter's afternoon, trying to take the curb with a jaunty youthfulness against which every one of his fat-encased muscles rebelled, was a sight for mirth or pity, depending on one's vision.
The gay-dog business was a late phase in the life of Jo Hertz. He had been a quite different sort of canine. The staid and harassed brother of three unwed and selfish sisters is an under dog. The tale of how Jo Hertz came to be a Loop-hound should not be compressed within the limits of a short story. It should be told as are the photo plays, with frequent throwbacks and many cut-ins. To condense twenty-three years of a man's life into some five or six thousand words requires a verbal economy amounting to parsimony.
At twenty-seven Jo had been the dutiful, hard-working son (in the wholesale harness business) of a widowed and gummidging mother, who called him Joey. If you had looked close you would have seen that now and then a double wrinkle would appear between Jo's eyes—a wrinkle that had no business there at twenty-seven. Then Jo's mother died, leaving him handicapped by a death-bed promise, the three sisters and a three-story-and-basement house on Calumet Avenue. Jo's wrinkle became a fixture.
Death-bed promises should be broken as lightly as they are seriously made. The dead have no right to lay their clammy fingers upon the living.
"Joey," she had said, in her high, thin voice, "take care of the girls."
"I will, Ma," Jo had choked.
"Joey," and the voice was weaker, "promise me you won't marry till the girls are all provided for." Then as Joe had hesitated, appalled: "Joey, it's my dying wish. Promise!"
"I promise, Ma," he had said.
Whereupon his mother had died, comfortably, leaving him with a completely ruined life.
They were not bad-looking girls, and they had a certain style, too. That is, Stell and Eva had. Carrie, the middle one, taught school over on the West Side. In those days it took her almost two hours each way. She said the kind of costume she required should have been corrugated steel. But all three knew what was being worn, and they wore it—or fairly faithful copies of it. Eva, the housekeeping sister, had a needle knack. She could skim the State Street windows and come away with a mental photograph of every separate tuck, hem, yoke, and ribbon. Heads of departments showed her the things they kept in drawers, and she went home and reproduced them with the aid of a two-dollar-a-day seamstress. Stell, the youngest, was the beauty. They called her Babe. She wasn't really a beauty, but some one had once told her that she looked like Janice Meredith (it was when that work of fiction was at the height of its popularity).
