DWELLERS IN THE HILLS + THE MOUNTAIN SCHOOL-TEACHER + THE GILDED CHAIR. Melville Davisson Post

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DWELLERS IN THE HILLS + THE MOUNTAIN SCHOOL-TEACHER + THE GILDED CHAIR - Melville Davisson Post

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Styx.

      We rode down to the bend of the Valley River over a stretch of sandy land pre-empted by the cinque-foil and the running brier, the country of the woodcock and the eccentric kildee. We could hear the low, sullen roar of the river sweeping north around this big bend, long before we came to it. Under the stars there is no greater voice of power. We rode side by side in the deepening twilight, making huge shadows on the crunching sand. Up to this hour it seemed to me that we had been idling through some long and pleasant ride, with the loom of evil afar off in the front. We had talked of peril merrily together, as men loitering in a tavern talk easily of the wars. But now in the night, under the spell of the booming water, the atmosphere of responsibility returned.

      Ward was depending upon me and the two beside me. Woodford's men moved back yonder in the Hills, and maybe they moved out there beyond the water, and we could see nothing and hear nothing but the sand grinding under the iron of a horse's shoe. In the night the face of the Valley River was not a pleasant thing to see. It ran muddy and swift, even with its banks, a bed of water a quarter of a mile in width, its yellow surface gleaming now and then in the dim light of the evening like the belly of some great snake.

      Standing on its bank we could see the other shore, a line of grey fog. The yellow tongues of the water lapped the bank, and crept muttering in among the willows, an ominous, hungry brood.

      The roar of the river, now that one stood beside it, seemed not so great. It was dull, heavy, low pitched, as though the vast water growled comfortably. The rains in the mountains had filled the bed brimming like a cup, even in the drought of summer. The valley was wide and deep in this bend,—too wide and too deep to be crossed by the ordinary bridge,—so the early men had set up a sort of ferry when they first came to this water.

      It was a rude makeshift, the old men said, two dugouts of poplar lashed together and paddled, a thing that would carry a man and his horse, or perhaps a yoke of oxen. Now, the ferry was more pretentious. A wire cable stretched across the river, fastened on the south bank to a post set deep in the earth, and flanked by an abutment of sandstone, and on the north bank wound round a huge elm that stood by the road within a dozen yards of the river.

      On this cable the boat ran, fastened with wire ropes and two pulleys, a sort of long, flat barge that would carry thirty cattle. The spanning cable made a great curve down the river, so that the strength of the current was almost sufficient to force the barge across, striking it obliquely against the dip of the wire. How the current could be made to do this work was to me one of the mysteries, but it did do it, guided and helped by the ferrymen. I have wondered at it a hundred times as I sat under El Mahdi's nose with my feet dangling over the side of the boat.

      We stopped on the slope where the boat landed.

      Jud threw back his shoulders and shouted; and someone answered from the other side, "Who-ee!" a call that is said to reach farther than any other human sound. It came high up over the water, clear enough, but as from a great distance. There were no bells at the crossings in this land. Every man carried a voice in his throat that could reach half a mile to the grazing steers on the sodded knobs.

      The two sons of old Jonas Horton maintained the ferry as their father had done before them. It was an inheritance, and it was something more than this. It was a trust, a family distinction, like a title,—something which they were born into, as a Hindoo is born into his father's trade. If they had been ousted from this ferry, they would have felt themselves as hopelessly wronged as the descendants of an old house driven from their baronial estate.

      The two, Mart and Danel, lived with the mother, a flat, withered old woman, in a log house by the river. They were tall, raw-boned, serious men, rarely leaving the river, and at such times hurrying back uneasy. Their faces at the church or in the village were anxious, as of one who leaves his house closed with a fire roaring in the chimney; or better, perhaps, of some fearful child who has stolen away from his daily everlasting task. Sometimes the mother would say, "There is no meal in the barrel," or, "You're drinking the last of the coffee;" and they would look at each other across the table, troubled, as men dire beset called upon to decrease the forces of a garrison. Then one would set out with a bag on his shoulder, throwing his long body forward at each step and dangling his arms, hurrying as though he ought not to take the time.

      Presently the boat crept towards us out of the water, swung down swiftly and ground its nose in the bank. The two ferrymen were bareheaded, in their brown homespun coats. They had possibly been at supper, and turned around on their bench to answer through the open door. They inquired if we all wished to be set over, and we rode on to the boat for answer. The man in the bow reached up and caught the cable with a sort of iron wrench, and began to pull. The other took a pole lying by the horses' feet, thrust it against the bank and forced the boat out into the water. Then he also took a wrench from his pocket, and when his brother, walking down the length of the barge from bow to stern, reached the end, he caught the cable and followed, so that the pull on the wire was practically continuous.

      The warm south wind blew stiffly in our faces and the horses shifted their feet uneasily. If the Valley River was ugly from its bank it was uglier from its middle. It tugged at the boat as though with a thousand clinging fingers, and growled and sputtered, and then seemed to quit it for a moment and whisper around the oak boards like invisible conspirators taking counsel in a closet. A scholar on that water nursing his sallow face in the trough of his hand would have fallen a-brooding on the grim boatman crossing to the shore that none may leave, or the old woman of the Sanza, poling her ghostly, everlasting raft; and had he listened, he could have heard the baying of the three-mouthed hound arousing the wardens of the Vedic Underworld to their infernal watching by that water we all must cross.

      I think the hunchback had no idea of the moods of nature; at any rate they never seemed to affect him. To him all water was something to drink or something to swim in, and the earth was good pasture or hard road to ride a horse over. The grasp of no agnostic was more cynical. He inquired if any of Woodford's men had crossed that day, and was answered that they had not.

      Then he began to hum a hoary roundelay about the splendid audacity of old Mister Haystack and his questionable adventures, set to an unprintable refrain of "Winktum bolly mitch-a-kimo," or some such jumble of words. I have never heard this song in the mouth of any other man. He must have found it somewhere among the dusty trumpery of forgotten old folk-lyrics, and when he sang it one caught the force of the Hebraic simile about the crackling of thorns under a pot.

      Jud laughed, and the hunchback piped a higher cackle and dangled his bridle rein. "Humph," he said, "maybe you don't like that song."

      "It ain't the song," replied Jud.

      "Maybe you don't like the way I sing it," said he.

      "It might be different," said Jud.

      "Well," said he, "it wouldn't mean different."

      Here I took a hand in the dialogue. "What does it mean anyhow?" I said. "It's about the foolest song I ever heard."

      "Quiller," replied the hunchback, propping his fist under his bony jaw, "you've heard tell of whistlin' to keep up your courage. Well, that song was made for them as can't whistle."

      Jud turned in astonishment. "Afraid?" he said; "what are you afraid of?"

      The hunchback leaned over as if about to impart a secret. "Ghosts!" he whispered. I laughed at the discomfiture of the giant, but Ump went on counterfeiting a deep and weird seriousness which, next to his singing, was about the most ludicrous thing in the world. "Ghosts, my laddiebuck. But not the white-sheeted lady that comes an' says, 'Foller me,' nor the spook that carries his head under his arm tied up in a tablecloth, but ghosts, my laddiebuck, that make tracks while they walk."

      "I

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