Robert Louis Stevenson: Memoirs, Travel Sketches & Island Studies. Robert Louis Stevenson
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These are the main features of the scene roughly sketched. How they are all tilted by the inclination of the ground, how each stands out in delicate relief against the rest, what manifold detail, and play of sun and shadow, animate and accentuate the picture, is a matter for a person on the spot, and turning swiftly on his heels, to grasp and bind together in one comprehensive look. It is the character of such a prospect, to be full of change and of things moving. The multiplicity embarrasses the eye; and the mind, among so much, suffers itself to grow absorbed with single points. You remark a tree in a hedgerow, or follow a cart along a country road. You turn to the city, and see children, dwarfed by distance into pygmies, at play about suburban doorsteps; you have a glimpse upon a thoroughfare where people are densely moving; you note ridge after ridge of chimney-stacks running downhill one behind another, and church spires rising bravely from the sea of roofs. At one of the innumerable windows, you watch a figure moving; on one of the multitude of roofs, you watch clambering chimney-sweeps. The wind takes a run and scatters the smoke; bells are heard, far and near, faint and loud, to tell the hour; or perhaps a bird goes dipping evenly over the housetops, like a gull across the waves. And here you are in the meantime, on this pastoral hillside, among nibbling sheep and looked upon by monumental buildings.
Return thither on some clear, dark, moonless night, with a ring of frost in the air, and only a star or two set sparsely in the vault of heaven; and you will find a sight as stimulating as the hoariest summit of the Alps. The solitude seems perfect; the patient astronomer, flat on his back under the Observatory dome and spying heaven’s secrets, is your only neighbour; and yet from all round you there come up the dull hum of the city, the tramp of countless people marching out of time, the rattle of carriages and the continuous jingle of the tramway bells. An hour or so before, the gas was turned on; lamplighters scoured the city; in every house, from kitchen to attic, the windows kindled and gleamed forth into the dusk. And so now, although the town lies blue and darkling on her hills, innumerable spots of the bright element shine far and near along the pavements and upon the high façades. Moving lights of the railway pass and re-pass below the stationary lights upon the bridge. Lights burn in the Jail. Lights burn high up in the tall lands and on the Castle turrets; they burn low down in Greenside or along the Park. They run out one beyond the other into the dark country. They walk in a procession down to Leith, and shine singly far along Leith Pier. Thus, the plan of the city and her suburbs is mapped out upon the ground of blackness, as when a child pricks a drawing full of pinholes and exposes it before a candle; not the darkest night of winter can conceal her high station and fanciful design; every evening in the year she proceeds to illuminate herself in honour of her own beauty; and as if to complete the scheme — or rather as if some prodigal Pharaoh were beginning to extend to the adjacent sea and country — halfway over to Fife, there is an outpost of light upon Inchkeith, and far to seaward, yet another on the May.
And while you are looking, across upon the Castle Hill, the drums and bugles begin to recall the scattered garrison; the air thrills with the sound; the bugles sing aloud; and the last rising flourish mounts and melts into the darkness like a star: a martial swan-song, fitly rounding in the labours of the day.
CHAPTER IX
WINTER AND NEW YEAR
The Scots dialect is singularly rich in terms of reproach against the winter wind. Snell, blae, nirly, and scowthering, are four of these significant vocables; they are all words that carry a shiver with them; and for my part as I see them aligned before me on the page, I am persuaded that a big wind comes tearing over the Firth from Burntisland and the northern hills; I think I can hear it howl in the chimney, and as I set my face northwards, feel its smarting kisses on my cheek. Even in the names of places there is often a desolate, inhospitable sound; and I remember two from the near neighbourhood of Edinburgh, Cauldhame and Blaw-weary, that would promise but starving comfort to their inhabitants. The inclemency of heaven, which has thus endowed the language of Scotland with words, has also largely modified the spirit of its poetry. Both poverty and a northern climate teach men the love of the hearth and the sentiment of the family; and the latter, in its own right, inclines a poet to the praise of strong waters. In Scotland, all our singers have a stave or two for blazing fires and stout potations: — to get indoors out of the wind and to swallow something hot to the stomach, are benefits so easily appreciated where they dwelt!
And this is not only so in country districts where the shepherd must wade in the snow all day after his flock, but in Edinburgh itself, and nowhere more apparently stated than in the works of our Edinburgh poet, Fergusson. He was a delicate youth, I take it, and willingly slunk from the robustious winter to an inn fireside. Love was absent from his life, or only present, if you prefer, in such a form that even the least serious of Burns’s amourettes was ennobling by comparison; and so there is nothing to temper the sentiment of indoor revelry which pervades the poor boy’s verses. Although it is characteristic of his native town, and the manners of its youth to the present day, this spirit has perhaps done something to restrict his popularity. He recalls a supper-party pleasantry with something akin to tenderness; and sounds the praises of the act of drinking as if it were virtuous, or at least witty, in itself. The kindly jar, the warm atmosphere of tavern parlours, and the revelry of lawyers’ clerks, do not offer by themselves the materials of rich existence. It was not choice, so much as an external fate, that kept Fergusson in this round of sordid pleasures. A Scot of poetic temperament, and without religious exaltation, drops as if by nature into the public-house. The picture may not be pleasing; but what else is a man to do in this dog’s weather?
To none but those who have themselves suffered the thing in the body, can the gloom and depression of our Edinburgh winters be brought home. For some constitutions there is something almost physically disgusting in the bleak ugliness of easterly weather; the wind wearies, the sickly sky depresses them; and they turn back from their walk to avoid the aspect of the unrefulgent sun going down among perturbed and pallid mists. The days are so short that a man does much of his business, and certainly all his pleasure, by the haggard glare of gas lamps. The roads are as heavy as a fallow. People go by, so drenched and draggle-tailed that I have often wondered how they found the heart to undress. And meantime the wind whistles through the town as if it were an open meadow; and if you lie awake all night, you hear it shrieking and raving overhead with a noise of shipwrecks and of falling houses. In a word, life is so unsightly that there are times when the heart turns sick in a man’s inside; and the look of a tavern, or the thought of the warm, firelit study, is like the touch of land to one who has been long struggling with the seas.
As the weather hardens towards frost, the world begins to improve for Edinburgh people. We enjoy superb, subarctic sunsets, with the profile of the city stamped in indigo upon a sky of luminous green. The wind may still be cold, but there is a briskness in the air that stirs good blood. People do not all look equally sour and downcast. They fall into two divisions: one, the knight of the blue face and hollow paunch, whom Winter has gotten by the vitals; the other well lined with New-year’s fare, conscious of the touch of cold on his periphery, but stepping through it by the glow of his internal fires. Such an one I remember, triply cased in grease, whom no extremity of temperature could vanquish. “Well,” would be his jovial salutation, “here’s a sneezer!” And the look of these warm fellows is tonic, and upholds their drooping fellow-townsmen. There is yet another class who do not depend on corporal advantages, but support the winter in virtue of a brave and merry heart. One shivering evening, cold enough for frost but with too high a wind, and a little past sundown, when the lamps were beginning to enlarge their circles in the growing dusk, a brace of barefoot lassies were seen coming eastward in the teeth of the wind. If the one was as much as nine, the other was certainly not more than seven. They were miserably clad; and the pavement