seems to me that whenever I glory to think that for once I have discovered an ancient painting that is beautiful and worthy of all praise, the pleasure it gives me is an infallible proof that it is not a beautiful picture and not in any wise worthy of commendation. This very thing has occurred more times than I can mention, in Venice. In every single instance the guide has crushed out my swelling enthusiasm with the remark:
"It is nothing--it is of the Renaissance."
I did not know what in the mischief the Renaissance was, and so always I had to simply say,
"Ah! so it is--I had not observed it before."
I could not bear to be ignorant before a cultivated negro, the offspring of a South Carolina slave. But it occurred too often for even my self-complacency, did that exasperating "It is nothing--it is of the Renaissance." I said at last:
"Who is this Renaissance? Where did he come from? Who gave him permission to cram the Republic with his execrable daubs?"
We learned, then, that Renaissance was not a man; that renaissance was a term used to signify what was at best but an imperfect rejuvenation of art. The guide said that after Titian's time and the time of the other great names we had grown so familiar with, high art declined; then it partially rose again--an inferior sort of painters sprang up, and these shabby pictures were the work of their hands. Then I said, in my heat, that I "wished to goodness high art had declined five hundred years sooner." The Renaissance pictures suit me very well, though sooth to say its school were too much given to painting real men and did not indulge enough in martyrs.
The guide I have spoken of is the only one we have had yet who knew any thing. He was born in South Carolina, of slave parents. They came to Venice while he was an infant. He has grown up here. He is well educated. He reads, writes, and speaks English, Italian, Spanish, and French, with perfect facility; is a worshipper of art and thoroughly conversant with it; knows the history of Venice by heart and never tires of talking of her illustrious career. He dresses better than any of us, I think, and is daintily polite. Negroes are deemed as good as white people, in Venice, and so this man feels no desire to go back to his native land. His judgment is correct.
I have had another shave. I was writing in our front room this afternoon and trying hard to keep my attention on my work and refrain from looking out upon the canal. I was resisting the soft influences of the climate as well as I could, and endeavoring to overcome the desire to be indolent and happy. The boys sent for a barber. They asked me if I would be shaved. I reminded them of my tortures in Genoa, Milan, Como; of my declaration that I would suffer no more on Italian soil. I said "Not any for me, if you please."
I wrote on. The barber began on the doctor. I heard him say:
"Dan, this is the easiest shave I have had since we left the ship."
He said again, presently:
"Why Dan, a man could go to sleep with this man shaving him."
Dan took the chair. Then he said:
"Why this is Titian. This is one of the old masters."
I wrote on. Directly Dan said:
"Doctor, it is perfect luxury. The ship's barber isn't any thing to him."
My rough beard wee distressing me beyond measure. The barber was rolling up his apparatus. The temptation was too strong. I said:
"Hold on, please. Shave me also."
I sat down in the chair and closed my eyes. The barber soaped my face, and then took his razor and gave me a rake that well nigh threw me into convulsions. I jumped out of the chair: Dan and the doctor were both wiping blood off their faces and laughing.
I said it was a mean, disgraceful fraud.
They said that the misery of this shave had gone so far beyond any thing they had ever experienced before, that they could not bear the idea of losing such a chance of hearing a cordial opinion from me on the subject.
It was shameful. But there was no help for it. The skinning was begun and had to be finished. The tears flowed with every rake, and so did the fervent execrations. The barber grew confused, and brought blood every time. I think the boys enjoyed it better than any thing they have seen or heard since they left home.
We have seen the Campanile, and Byron's house and Balbi's the geographer, and the palaces of all the ancient dukes and doges of Venice, and we have seen their effeminate descendants airing their nobility in fashionable French attire in the Grand Square of St. Mark, and eating ices and drinking cheap wines, instead of wearing gallant coats of mail and destroying fleets and armies as their great ancestors did in the days of Venetian glory. We have seen no bravoes with poisoned stilettos, no masks, no wild carnival; but we have seen the ancient pride of Venice, the grim Bronze Horses that figure in a thousand legends. Venice may well cherish them, for they are the only horses she ever had. It is said there are hundreds of people in this curious city who never have seen a living horse in their lives. It is entirely true, no doubt.
And so, having satisfied ourselves, we depart to-morrow, and leave the venerable Queen of the Republics to summon her vanished ships, and marshal her shadowy armies, and know again in dreams the pride of her old renown.
Chapter XXIV.
Some of the Quaker City's passengers had arrived in Venice from Switzerland and other lands before we left there, and others were expected every day. We heard of no casualties among them, and no sickness.
We were a little fatigued with sight seeing, and so we rattled through a good deal of country by rail without caring to stop. I took few notes. I find no mention of Bologna in my memorandum book, except that we arrived there in good season, but saw none of the sausages for which the place is so justly celebrated.
Pistoia awoke but a passing interest.
Florence pleased us for a while. I think we appreciated the great figure of David in the grand square, and the sculptured group they call the Rape of the Sabines. We wandered through the endless collections of paintings and statues of the Pitti and Ufizzi galleries, of course. I make that statement in self-defense; there let it stop. I could not rest under the imputation that I visited Florence and did not traverse its weary miles of picture galleries. We tried indolently to recollect something about the Guelphs and Ghibelines and the other historical cut-throats whose quarrels and assassinations make up so large a share of Florentine history, but the subject was not attractive. We had been robbed of all the fine mountain scenery on our little journey by a system of railroading that had three miles of tunnel to a hundred yards of daylight, and we were not inclined to be sociable with Florence. We had seen the spot, outside the city somewhere, where these people had allowed the bones of Galileo to rest in unconsecrated ground for an age because his great discovery that the world turned around was regarded as a damning heresy by the church; and we know that long after the world had accepted his theory and raised his name high in the list of its great men, they had still let him rot there. That we had lived to see his dust in honored sepulture in the church of Santa Croce we owed to a society of literati, and not to Florence or her rulers. We saw Dante's tomb in that church, also, but we were glad to know that his body was not in it; that the ungrateful city that had exiled him and persecuted him would give much
