impostor, Mopsy, dear! Just listen to her, Dr. Jardine. And if you had only seen what a twitter she was in as the time went on and no news came!"
I gasped, and the hair seemed to stir on my scalp. Mopsy! The name was obviously not applied to me. But could it be—was it possible that such a name could be associated with that terrific old lady? It was inconceivable. It was positively profane! It was almost as if one should presume to address the Deity as "old chap." I could hardly believe my ears.
I glanced at her nervously and caught her glittering eye; but the grotesque face was as immovable as everlasting granite, though, indeed, by some ventriloquial magic, the word "Rubbish." managed to disengage itself from her person.
"It isn't rubbish," retorted Sylvia. "It's the plain truth. We were both worried to death about you. And no wonder. Dr. Thorndyke was very quiet and matter-of-fact, but there was no disguising his fear that something dreadful had happened to you. And then there was the advertisement in the papers. Did you see that? Oh, it's nothing to grin about. You've given us all a nice fright; and me especially, because, of course, I naturally thought of that ruffian from whom you rescued me in the lane."
"But he never saw me."
"You don't know. He may have done. At any rate, you owe us an explanation; so, when the tea comes in you shall give us the true story of your adventures. I hope you've let Dr. Thorndyke know about your resurrection."
I reassured her on this point, and as the "goose of a maid" now brought in the tea, I proceeded to "pitch my yarn," as the skipper had expressed it, without those reservations that I had considered necessary in the case of Mrs. Blunt.
The old lady, having been unmasked by Sylvia, developed a slight tendency to thaw. She even condescended, in a rigid and effigean fashion, to consume bread and butter; a proceeding that seemed to me weirdly incongruous, as though one should steal into the British Museum in off hours and find the seated statue of Amenhotep the Third in the act of refreshing itself with a sandwich and a glass of beer. But I was less terrified of her now since I had gathered that a core of warm humanity was somewhere concealed within that grim exterior; and even though her little sparkling eyes were fixed on me immovably, I told my story to the end without flinching.
Sylvia listened to my narration with a rapt attention that greatly flattered my vanity and made me feel like a very Othello, and when I had finished, she regarded me for a while silently and with an air of speculation. "It's a queer affair," she said at length, "and there is a smack of mystery and romance about it that is rather refreshing in these commonplace days. But I don't like it. Adventure is all very well, but there seems to have been a deliberate attempt to make away with you; unless you think it may have been a piece of silly horse-play that went farther than it was meant to."
"That is quite possible," I replied untruthfully—for I didn't think anything of the sort, and only made this evasive answer to avoid raising other and more delicate issues.
"I hope that is the explanation," said Sylvia, "though it sounds rather a lame one. You would know if you had an enemy who might wish to get rid of you. I suppose you don't know of any such person?"
It was a rather awkward question, I didn't want to tell an untruth, but, on the other hand, I knew that Thorndyke would not wish to have my affairs discussed while his investigations were in progress; so I "hedged" once more, replying, quite truthfully, that I was not acquainted with anyone who bore me the slightest ill-will.
My adventures done with, the talk drifted into other channels and presently came round to the little crucifix that had been the occasion of Sylvia's disagreeable experience in the lane. In spite of my confusion, I had noticed, on first entering the room, that the old lady was wearing suspended from her neck, a small enamelled crucifix, and had instantly identified it and wondered not a little that she should be thus disporting herself in borrowed ornaments; but when Sylvia had arrived, behold, the original crucifix was hanging on its chain from her neck. From time to time during my recital my eyes had wandered from one to the other seeking some difference or variation but finding none, and at length my inquisitive glances caught the younger lady's attention. "I can see. Dr. Jardine," said she, "that you are eaten up with curiosity about the crucifix that my Aunt is wearing. Now confess. Aren't you?"
"I am," I admitted. "When I first came in I naturally thought it was yours. Is it a copy?"
"Certainly not," said Miss Vyne, the elder. "They are duplicates."
Sylvia laughed. "You'd better not talk about copies," said she. "My aunt has only acquired her treasure lately, and she is as proud of it as a peacock; aren't you, dear?"
"The sensations of a peacock," replied Miss Vyne," are unknown to me. I am very gratified at possessing the ornament."
"Gratified indeed!" said Sylvia. "I consider such vanity most unsuitable to a person of your age. But they are very charming, and there is quite a little story attached to them. My father and a cousin of his—"
"By marriage," interposed Miss Vyne.
"You needn't insist on that," said Sylvia, "as if poor old Vitalia were a person to be ashamed of. Well, my father and this cousin were at a Jesuit school in Belgium—at Louvain, in fact—and among the teachers in the school was an Italian Jesuit named Giglioli. Now the respected Giggley—"
"—oli," interposed Miss Vyne in a severe voice.
"—oli," continued Sylvia, "had formerly been a goldsmith; and the Father Superior, with that keen eye to the main chance which you may have noticed among professed religious, furnished him with a little workshop and employed him in making monstrances, thuribles and church plate in general. It was he who made these two crucifixes; and, with the Father Superior's consent, he gave one to my father and the other to the cousin as parting gifts on their leaving school. As the boys were inseparable friends, the two crucifixes were made absolute duplicates of one another, with the single exception that each had the owner's name engraved on the back. When my poor father died his crucifix became mine, and a short time ago, his cousin—who is now getting an old man—took a fancy that he would like the two crucifixes to be together once more and gave his to my aunt. So here they are, after all these years, under one roof again."
As she finished speaking, she detached the crucifix from her neck and, having given it to me to examine, proceeded to remove its fellow from the neck of the elder lady—who not only submitted quite passively but seemed to be unaware of the transaction—and handed that to me also.
I laid them side by side in my palm and compared them, but could not detect the slightest difference between them. They were complete duplicates. Each was a Latin cross with trefoiled extremities, wrought from a single piece of gold and enriched with champlevé enamel. The body of the cross was filled with a ground of deep, translucent blue, from which the figure stood out in rather low relief, and the space between each of the trefoils was occupied by a single Greek letter—Iota and Chi at the top and bottom respectively, and at the ends of the horizontal arm Alpha and Omega. On turning them over, I saw that the back of each bore an engraved inscription carried across the horizontal arm, that on Sylvia's reading: "A. M. ROBERTUS, D.G.," while that on the other read: "A. M. VITALIS, D.G."
"They are very charming little things," I said, as I returned them to Sylvia; "and it was a pretty idea of the old Jesuit to make them both alike for the two friends. I suppose he didn't make any more of them for his other pupils?"
"What makes you ask that?" demanded Sylvia.
"I am thinking of that man in the lane. He must have had some reason for claiming the crucifix as his, one would think; and as these are quite unlike any ordinary commercial jewellery, the suggestion is that the
