The Greatest Works of R. Austin Freeman: 80+ Titles in One Volume (Illustrated Edition). R. Austin Freeman
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She passed her arms around my neck and pressed her wet cheek to mine; then she kissed me, and, turning away abruptly, walked across to the door and opened it. On the landing, in the light of the lamp, she turned once more; and I saw that the hot blush that had risen to her cheek as she kissed me, had faded already into a deathly pallor, and that the dreadful, frightened, hunted look had come back into her face. She stood for a moment with her finger raised warningly and whispered: "Good-bye, dear, good-bye! Shut the door now and shut it quietly," and then she passed into the opening of the dark staircase.
I closed the door softly and turned away towards the window; and, as I did so, I heard her stumble slightly on the stair a short way down and utter a little startled cry. I was nearly going out to her, and did, in fact, stand a moment or two listening; but, as I heard nothing more, I moved over to the window, and, drawing back the curtain, looked down on our doorstep to see her go out. My mind was in a whirl of confused emotions. Profound pity for this lonely, unhappy, warm-hearted woman contended with amazement at the revelation of her manifest connection with the mystery that surrounded me; and I stood bewildered by the tumult of incoherent thought, grasping the curtain and looking down on the great square stone that I might, at least, catch a farewell glance at this poor soul who was passing so unwillingly out of my life.
The seconds passed. A man came out of our entry and, turning to the left, walked at a rapid pace towards the Tudor Street gate. Still she did not appear. Perhaps she had heard him on the stairs and was waiting to pass out unnoticed. But yet it was strange.
Nearly a minute had elapsed since she started to descend the stairs. Could I have missed her? It seemed impossible, since I had come to the window almost immediately. A vague uneasiness began to take possession of me. I recalled her white face and frightened eyes, and as I stared down at the door-step with growing anxiety, I found myself listening—listening nervously for I knew not what.
Suddenly I caught a sound—faint and vague, but certainly a sound. And it seemed to come from the staircase. In a moment I had the door open and was stealing on tip-toe out on the landing. The house was profoundly silent. No murmur even penetrated from the distant streets. I crept across the landing, breathing softly and listening. And then, from the stillness below, but near at hand came a faint, whispering sigh or moan. Instantly I sprang forward, all of a tremble and darted down the stairs.
At the first turn I saw, projecting round the angle, a hand—a woman's hand, plump and shapely and white as marble. With a gasp of terror I flew round the turn of the staircase and—
God in Heaven! She was there! Huddled limply in the angle, her head resting against the baluster and one hand spread out on her bosom, she lay so still that she might have been dead but for the shallow rise and fail of her breast and the wide-staring eyes that turned to me with such dreadful appeal, I stooped over her and spoke her name, and it seemed to me that a pitiful little smile trembled for a moment on the bloodless lips, but she made no answer beyond a faint, broken sigh, and it was only when she moved her hand slightly that the overwhelming horror of the reality burst upon me. Then when I saw the crimson stain upon her fingers and upon the bosom of her dress, the meaning of that horrible pallor, the sharpening features and strange, pinched expression flashed upon me with a shock that seemed to arrest the very blood at my heart. Yet, stunned as I was, I realized instantly that human skill could avail her nothing; that I could do nought for her but raise her from the sharp edge of the stair and rest her head on my arm. And so I held her, whispering endearments brokenly, and looking as well as I might through the blinding tears into those inscrutable eyes, that gazed up at me, no longer with that stare of horror but with a vague and childlike wonder. And, even as I looked, the change came in an instant. The wide eye-lids relaxed and drooped, the eyes grew filmy and sightless, the hand slipped from her breast and dropped with a thud on the stair, and the supple body in my arms shrank of a sudden with the horrible limpness of death.
Up to this point my recollection is clear, even vivid, but of what followed I have only a dim and confused impression. The awfulness—the unbelievable horror of this frightful thing that had happened left me so dazed and numb that I recall but vaguely the passage of time of what went on around me in this terrible dream from which there was to be no waking. Dimly I recollect kneeling by her side on the silent staircase—but how long I know not—holding her poor body in my arms and gazing incredulously at the marble-white face—now with its drowsy lids and parted lips, grown suddenly girlish and fragile—while the hot tears dropped down on her dress; choking with grief and horror and a fury of hate for the foul wretch who had done this appalling thing, and who was now far away out of reach. I see—dimly still—the livid marks of accursed fingers lingering yet on the whiteness around the mouth to tell me why no cry from her had reached me, and the dreadful, red-edged cut in the bodice mutely demanding vengeance from God and man.
And then of a sudden the silence is shattered by rushing feet and the clamour of voices. Someone—it is Jervis—leads me forcibly away to our room and places me in a chair by the table. Presently I see her lying on our sofa, drowsy-eyed, peaceful, like a marble figure on a tomb. And I see Thorndyke, with a strange, coppery flush and something grim and terrible in the set calm of his face, showing the letter, which I had left on the table, to a tall stranger, who hurries from the room. Anon come two constables with heads uncovered carrying a stretcher. I see her laid on the sordid bier and reverently covered. The dread procession moves out through the doorway, the door is shut after it, and so, in dreadful fulfilment of her words, she passed out of my life.
XX. The Hue and Cry
The silence of the room remained unbroken for a quite considerable time after the two bearers had passed out with their dreadful burden. My two friends sat apart and, with a tact of which I was gratefully sensible, left me quietly undisturbed by banal words of consolation, to sustain the first shock of grief and horror and get my emotion under control. Still dazed and half-incredulous, I sat with my elbows on the table and my teeth clenched hard, looking dreamily across the room, half unconsciously observing my two friends as they silently examined the fatal letter. I saw Thorndyke rise softly and take a small bottle from a cabinet, and watched him incuriously as he sprinkled on the paper some of the dark-coloured powder that it contained. Then I saw him blow the powder from the surface of the paper into the fire and scan the letter closely through a lens. And still no word was spoken. Only once, when Jervis, in crossing the room, let his hand rest for a moment on my shoulder, did any communication pass between us; and that silent touch told me unobtrusively—if it were needful to tell me—how well he understood my grief for the woman who had walked open-eyed into the valley of the shadow, had offered her heart's blood that I might pass unscathed.
In about a quarter of an hour the tall stranger returned, bringing with him an atmosphere of bustling activity that at once dispelled the gloomy silence. His busy presence and brisk, matter-of-fact speech, though distressing to me at the moment, served as a distraction and brought me out of my painful reverie to the grim realities of this appalling catastrophe. "You were quite right, sir," said he. "The chambers were an empty set. Mr. Courtland left them about six weeks ago, so they tell me at the office. I've looked them over carefully, and I think it is pretty clear what this man meant to do."
"Did you go in?" asked Thorndyke.
"Yes. Mr. Polton went with me and picked the lock, so I was able to go right through the rooms. And it is evident that this villain was not acting on the spur of the moment. He'd made a very neat plan, and I should say that it was pretty near to coming off. He had selected his chambers with remarkable judgment, and uncommonly well suited they were to his purpose. In the first place, they were the top set—nothing above them; no chance strangers passing up or down; and they were the only set on that landing. Then some previous tenant had made a little