The Collected Novels of Algernon Blackwood (11 Titles in One Edition). Algernon Blackwood
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Chapter XIV
I
Skale had indeed begun to utter. And to these two bewildered children standing there alone with their love upon the mountain, it seemed that the whole world knew.
Those desolate hills that rolled away like waves beneath the stars; the whispering woods about them; the distant sea, eternally singing its own note of sadness; the boulders at their feet; the very stars themselves, listening in the heart of night—one and all were somehow aware that a portion of the great Name which first called them into being was about to issue from the sleep of ages once again into manifestation….Perhaps to quicken them into vaster life, perhaps to change their forms, perhaps to merge them all back into the depths of the original "word" of creation … with the roar of a dissolving universe….
Through everything, from the heart of the hidden primroses below the soil to the center of the huge moors above, there ran some swift thrill of life as the sounds of which they were the visible expression trembled in sympathetic resonance with the opening vibrations of the great syllable.
Philip Skale had begun to utter. Alone in the cellar of that tempest-stricken house, already aware probably that the upper notes of his chord had failed him, he was at last in the act of calling upon the Name that Rusheth through the Universe … the syllable whose powers should pass into his own being and make him as the gods….
And, first of all, to the infinite surprise of these two listening, shaking lovers, the roaring thunders that had been battling all about them, grew faint and small, and then dropped away into mere trickles of sound, retreating swiftly down into the dark valley where the house stood, as though immense and invisible leashes drew them irresistibly back. One by one the Letters fled away, leaving only a murmur of incredibly sweet echoes behind them in the hills, as the master-sound, spoken by this fearless and audacious man, gathered them into their appointed places in the cellar.
But if they expected stupendous things to follow they were at first singularly disappointed. For, instead of woe and terror, instead of the foundering of the visible universe, there fell about the listening world a cloak of the most profound silence they had ever known, soft beyond conception. The Name was not in the whirlwind. Out of the heart of that deathly stillness it came—a small, sweet voice, that was undeniably the voice of Philip Skale, its awful thunders all smoothed away. With it, too, like a faint overtone, came the yet gentler music of another voice. The bass and alto were uttering their appointed notes in harmony and without dismay.
Everywhere the sound rose up through the darkness of great distance, yet at the same time ran most penetratingly sweet, close beside them in their very ears. So magically intimate indeed was it, yet so potentially huge for all its soft beginning, that Spinrobin declares that what he heard was probably not the actual voices, but only some high liberated harmonics of them.
The sounds, moreover, were not distinguishable as consonants and vowels in the ordinary sense, and to this day remain for him beyond all reach of possible reproduction. He did not hear them as "word" or "syllable," but as some incalculably splendid Message that was too mighty to be taken in, yet at the same time was sweeter than all imagined music, simple as a little melody "sweetly sung in tune," artless as wind through rustling branches.
And, moreover, as this small, sweet voice ran singing everywhere about them in the darkness of hills and woods, Spinrobin realized, with a whole revolution of wonder sweeping through him, that the sound, for all its gentleness, was at work vehemently upon the surface of the landscape, altering and shifting the pattern of the solid earth, just as the sand had wreathed into outlines at the sound of his own voice weeks ago, and as the form of the clergyman had changed at the vibrations of the test night.
The first letters of the opening syllable of this divine and magical name were passing over the world … shifting the myriad molecules that composed it by the stress and stir of its vast harmonics … changing the pattern.
But this time the change was not dreadful; the new outline, even before he actually perceived it, was beautiful above all known forms of beauty. The outer semblance of the old earth appeared to melt away and reveal that heart of clean and dazzling wonder which burns ever at its inmost core—the naked spirit divined by poets and mystics since the beginning of time. It was a new heaven and a new earth that pulsed below them in response to the majesty of this small sweet voice. All nature knew, from the birds that started out of sleep into passionate singing, to the fish that stirred in the depths of the sea, and the wild deer that sprang alert in their wintry coverts, scenting an eternal spring. For the earth rolled up as a scroll, shaking the outworn skin of centuries from her face, and suffering all her rocky structure to drop away and disclose the soft and glowing loveliness of an actual being—a being most tenderly and exquisitely alive. It was the beginning of spiritual vision in their own hearts. The name had set them free. The blind saw—a part of God….
II
And then, in Spinrobin's heart, the realization of failure—that he was not in his appointed place, following his great leader to the stars, clashed together with the splendor of his deep and simple love for this trembling slip of a girl beside him.
The thought that God, as it were, had called him and he had been afraid to run and answer to his name overpowered his timid, aching soul with such a flood of emotion that he found himself struggling with a glorious temptation to tear down the mountainside again to the house and play his appointed part—utter his note in the chord even thus late. For the essential bitterness and pain that lies at the heart of all transitory earthly things—the gnawing sense of incompleteness and vanity that touches the section of transitory existence men call "life," met face to face with this passing glimpse of reality, timeless and unconditioned, which the sound of the splendid name flashed so terrifically before his awakened soul-vision,—and threatened to overwhelm him.
In another instant he would have yielded and gone; forgotten even Miriam, and all the promised sweetness of life with her half-planned, when something came to pass abruptly that threw his will and all his little calculations into a dark chaos of amazement where, by a kind of electrically swift reaction, he realized that the one true, possible and right thing for him was this very love he was about to cast aside. His highest destiny was upon the unchanged old earth … with Miriam … and Winky….
She turned and flung her arms round his neck in a passion of tears as though she had divined his unspoken temptation … and at the same time this awful new thing was upon them both. It caught them like a tempest. For a disharmony—a discord—a lying sound was loose upon the air from those two voices far below.
"Call me by my true name," she cried quickly, in an anguish of terror; "for my soul is afraid…. Oh, love me most utterly, utterly, utterly … and save me!"
Unnerved and shaking like a leaf, Spinrobin pressed her against his heart.
"I know you by name and you are mine," he tried to say, but the words never left his lips. It was the love surging up in his tortured heart that alone held him to sanity and prevented—as it seemed to him in that appalling moment—the dissolution of his very being and hers.
For Philip Skale had somewhere uttered falsely.
A darting zigzag crack, as of lightning, ran over the giant fabric of vibrations that covered the altering world as with a flood … and sounds that no man may hear and not die leaped awfully into being. The suddenness and immensity of the catastrophe blinded