there were the dark pain-circles beneath that made him ache again.
“It's a sunny day,” he said.
“It's a beautiful day.”
“Do you think you'll be carried down?”
“I shall see.”
Then he went away to get her breakfast. All day long he was conscious of nothing but her. It was a long ache that made him feverish. Then, when he got home in the early evening, he glanced through the kitchen window. She was not there; she had not got up.
He ran straight upstairs and kissed her. He was almost afraid to ask:
“Didn't you get up, pigeon?”
“No,” she said, “it was that morphia; it made me tired.”
“I think he gives you too much,” he said.
“I think he does,” she answered.
He sat down by the bed, miserably. She had a way of curling and lying on her side, like a child. The grey and brown hair was loose over her ear.
“Doesn't it tickle you?” he said, gently putting it back.
“It does,” she replied.
His face was near hers. Her blue eyes smiled straight into his, like a girl's—warm, laughing with tender love. It made him pant with terror, agony, and love.
“You want your hair doing in a plait,” he said. “Lie still.”
And going behind her, he carefully loosened her hair, brushed it out. It was like fine long silk of brown and grey. Her head was snuggled between her shoulders. As he lightly brushed and plaited her hair, he bit his lip and felt dazed. It all seemed unreal, he could not understand it.
At night he often worked in her room, looking up from time to time. And so often he found her blue eyes fixed on him. And when their eyes met, she smiled. He worked away again mechanically, producing good stuff without knowing what he was doing.
Sometimes he came in, very pale and still, with watchful, sudden eyes, like a man who is drunk almost to death. They were both afraid of the veils that were ripping between them.
Then she pretended to be better, chattered to him gaily, made a great fuss over some scraps of news. For they had both come to the condition when they had to make much of the trifles, lest they should give in to the big thing, and their human independence would go smash. They were afraid, so they made light of things and were gay.
Sometimes as she lay he knew she was thinking of the past. Her mouth gradually shut hard in a line. She was holding herself rigid, so that she might die without ever uttering the great cry that was tearing from her. He never forgot that hard, utterly lonely and stubborn clenching of her mouth, which persisted for weeks. Sometimes, when it was lighter, she talked about her husband. Now she hated him. She did not forgive him. She could not bear him to be in the room. And a few things, the things that had been most bitter to her, came up again so strongly that they broke from her, and she told her son.
He felt as if his life were being destroyed, piece by piece, within him. Often the tears came suddenly. He ran to the station, the tear-drops falling on the pavement. Often he could not go on with his work. The pen stopped writing. He sat staring, quite unconscious. And when he came round again he felt sick, and trembled in his limbs. He never questioned what it was. His mind did not try to analyse or understand. He merely submitted, and kept his eyes shut; let the thing go over him.
His mother did the same. She thought of the pain, of the morphia, of the next day; hardly ever of the death. That was coming, she knew. She had to submit to it. But she would never entreat it or make friends with it. Blind, with her face shut hard and blind, she was pushed towards the door. The days passed, the weeks, the months.
Sometimes, in the sunny afternoons, she seemed almost happy.
“I try to think of the nice times—when we went to Mablethorpe, and Robin Hood's Bay, and Shanklin,” she said. “After all, not everybody has seen those beautiful places. And wasn't it beautiful! I try to think of that, not of the other things.”
Then, again, for a whole evening she spoke not a word; neither did he. They were together, rigid, stubborn, silent. He went into his room at last to go to bed, and leaned against the doorway as if paralysed, unable to go any farther. His consciousness went. A furious storm, he knew not what, seemed to ravage inside him. He stood leaning there, submitting, never questioning.
In the morning they were both normal again, though her face was grey with the morphia, and her body felt like ash. But they were bright again, nevertheless. Often, especially if Annie or Arthur were at home, he neglected her. He did not see much of Clara. Usually he was with men. He was quick and active and lively; but when his friends saw him go white to the gills, his eyes dark and glittering, they had a certain mistrust of him. Sometimes he went to Clara, but she was almost cold to him.
“Take me!” he said simply.
Occasionally she would. But she was afraid. When he had her then, there was something in it that made her shrink away from him—something unnatural. She grew to dread him. He was so quiet, yet so strange. She was afraid of the man who was not there with her, whom she could feel behind this make-belief lover; somebody sinister, that filled her with horror. She began to have a kind of horror of him. It was almost as if he were a criminal. He wanted her—he had her—and it made her feel as if death itself had her in its grip. She lay in horror. There was no man there loving her. She almost hated him. Then came little bouts of tenderness. But she dared not pity him.
Dawes had come to Colonel Seely's Home near Nottingham. There Paul visited him sometimes, Clara very occasionally. Between the two men the friendship developed peculiarly. Dawes, who mended very slowly and seemed very feeble, seemed to leave himself in the hands of Morel.
In the beginning of November Clara reminded Paul that it was her birthday.
“I'd nearly forgotten,” he said.
“I'd thought quite,” she replied.
“No. Shall we go to the seaside for the week-end?”
They went. It was cold and rather dismal. She waited for him to be warm and tender with her, instead of which he seemed hardly aware of her. He sat in the railway-carriage, looking out, and was startled when she spoke to him. He was not definitely thinking. Things seemed as if they did not exist. She went across to him.
“What is it dear?” she asked.
“Nothing!” he said. “Don't those windmill sails look monotonous?”
He sat holding her hand. He could not talk nor think. It was a comfort, however, to sit holding her hand. She was dissatisfied and miserable. He was not with her; she was nothing.
And in the evening they sat among the sandhills, looking at the black, heavy sea.
“She will never give in,” he said quietly.
Clara's heart sank.
“No,” she replied.
“There are different ways of dying. My father's people are frightened, and have to be hauled out of life into death like cattle
