Beau Geste: The Mystery of the "Blue Water" & Major Henri De Beaujolais' Story (Adventure Novels). P. C. Wren

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Beau Geste: The Mystery of the

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he was gone on this business I remained on the roof. I preferred the sunlight while I was alone. I freely admit it. I do not object to Arabs, but I dislike 'spirits, ghosts, and devils'--that commit murders and abductions. Perhaps I was not quite myself. But what would you? I had been enjoying fever; I had ridden all night; I was perilously near cafard myself; and the presence of those dead Watchers to whom I had spoken, the finding of that incredibly murdered man, the not finding of that more incredibly vanished trumpeter--had shaken me a little.

      As I awaited the return of the Sergeant-Major I gazed at the corpse of the sous-officier. I stared and stared at the face of the dead man--not too pleasant a sight, George--contorted with rage, and pain, and hate--dead for some hours and it was getting hot on that roof--and there were flies . . . flies. . . .

      I stared, I say, as though I would drag the truth from him, compel the secret of this mystery from his dead lips, hypnotise those dead eyes to turn to mine and--but no, it was he that hypnotised and compelled, until I was fain to look away.

      As I did so, I noticed the man who was lying near. Yes, undoubtedly someone had carefully and reverently laid him out. His eyes had been closed, his head propped up on a pouch, and his hands folded upon his chest. Why had he received such different treatment from that meted out to the others? . . .

      And then that bareheaded man. It was he--a very handsome fellow too--who had given me my first shock and brought it home to my wondering mind that the men who watched me were all dead.

      You see, all but he had their faces in the deep shade of the big peaks of their képis--whilst he, bareheaded and shot through the centre of the forehead, was dead obviously--even to shortsighted me, looking up from below against the strong sunlight; even to me, deceived at first by his lifelike attitude.

      And, as I glanced at their two képis lying there, I noticed something peculiar.

      One had been wrenched and torn from within. The lining, newly ripped, was protruding, and the inner leather band was turned down and outward. It was as though something had recently been torn violently out of the cap--something concealed in the lining perhaps? . . .

      No, it was not the freak of a ricochetting bullet. The standing man had been hit just above the nose and under the cap, the recumbent man was hit in the chest.

      'Now what is this?' thought I. 'A man shot through the brain does not remove his cap and tear the lining out. He gives a galvanic start, possibly spins round, and quietly he falls backwards. His limbs stretch once and quiver, and he is still for ever. His tight-fitting cap may, or may not, fall off as he goes down--but there is no tearing out of the lining, no turning down of the leather band.'

      Bullets play funny tricks, I know, but not upon things they do not touch. This bullet had been fired, I should say, from a palm tree, and almost on a level with the roof; anyhow, it had entered the head below the cap. There was no hole in that whatsoever. To which of these two men did the cap belong? . . .

      Had all been normal in that terrible place, all lying dead as they had fallen, I might never have noticed this torn cap. As it was--where everything was extraordinary, and the mind of the beholder filled with suspicion and a thousand questions, it was most interesting and remarkable. It became portentous. It was one more phenomenon in that focus of phenomena!

      And from that cap and its recently torn and still protruding lining--oh yes, most obviously torn quite recently, with its edging of unsoiled threads, frayed but clean--from that cap, I looked quite instinctively at the paper crushed in the left hand of the dead officer. I know not why I connected these two things in my mind. They connected themselves perhaps--and I was about to take the paper from the rigid fist, when I thought, 'No! Everything shall be done in order and with correctness. I will touch nothing, do nothing, until the Sergeant-Major returns and I have a witness.'

      If I was to be procureur, juge d'instruction, judge and jury, coroner, and perhaps, avenger--everything should be done in due form--and my report upon the impossible affair be of some value, too.

      But without touching the paper, I could see, and I saw with surprise--though the bon Dieu knows I had not much capacity for surprise left in my stunned mind--that the writing was in English!

      Why should that be added to my conundrums? . . . A paper with English writing on it, in the hand of a dead French officer in a block-house in the heart of the Territoire Militaire of the Sahara!"

      "Perhaps the bloke was English," suggested Lawrence. "I have heard that there are some in the Legion."

      "No," was the immediate reply. "That he most certainly was not. A typical Frenchman of the Midi--a stoutish, florid, blue-jowled fellow of full habit. Perhaps a Provençal--thousands like him in Marseilles, Arles, Nimes, Avignon, Carcassonne, Tarascon. Might have been the good Tartarin himself. Conceivably a Belgian; possibly a Spaniard or Italian, but most certainly not an Englishman. . . . Still less was the standing man, an olive-cheeked Italian or Sicilian."

      "And the recumbent bareheaded chap?" said Lawrence.

      "Ah--quite another affair, that! He might very well have been English. In fact, had I been asked to guess at his nationality, I should have said, 'A Northerner certainly, English most probably.' He would have been well in the picture in the Officers' Mess of one of your regiments. Just the type turned out by your Public Schools and Universities by the thousand.

      What you are thinking is exactly what occurred to me. English writing on the paper; an English-looking legionary; his cap lying near the man who held the paper crushed in his hand; the lining just torn out of the cap! . . . Ha! Here was a little glimmer of light, a possible clue. I was just reconstructing the scene when I heard the Sergeant-Major ascending the stair. . . .

      Had this Englishman killed the sous-officier while the latter tore some document from the lining of the man's cap? Obviously not. The poor fellow's bayonet was in its sheath at his side, and if he had done it--how had he got himself put into position?"

      "Might have been shot afterwards," said Lawrence.

      "No. He was arranged, I tell you," was the reply, "and he most assuredly had not arranged himself. Besides, he was bareheaded. Does a man go about bareheaded in the afternoon sun of the Sahara? But to my mind the question doesn't arise--in view of the fact of that inexplicable bayonet.

      One bayonet more than there were soldiers and rifles!

      No--I ceased reconstructing the scene with that one as the slayer, and I had no reason to select anyone else for the rôle. . . . Then I heard the bull voice of Sergeant Lebaudy, down in the oasis, roar 'Formez les faisceaux' and 'Sac à terre,' and came back to facts as the Sergeant-Major approached and saluted.

      'All in order, mon Commandant,' reported he, and fell to eyeing the corpses.

      'Even to half-smoked cigarettes in their mouths!' he whispered. 'The fallen who were not allowed to fall--the dead forbidden to die.' Then--'But where in the name of God is Jean the Trumpeter?'

      'Tell me that, Chef, and I will fill your képi with twenty-franc pieces--and give you the Grand Cross of the Legion of Honour,' said I.

      The Sergeant-Major blasphemed, crossed himself, and then said, 'Let us get out of here while we can.'

      'Are you a Sergeant-Major or a young lady?' I enquired--and as one does, in such circumstances, rated him soundly for feeling exactly as I did myself; and the more I said, the more angry and unreasonable I grew. You know

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