The Complete Works of J. M. Barrie (With Illustrations). James Matthew Barrie

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The Complete Works of J. M. Barrie (With Illustrations) - James Matthew Barrie

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when you went away your mother had none, but my mother has Tony, and surely they are satisfied when they have one.'

      Peter replied bitterly, 'You should see the letters Solomon gets from ladies who have six.'

      Just then they heard a grating creak, followed by creak, creak, all round the Gardens. It was the Opening of the Gates, and Peter jumped nervously into his boat. He knew Maimie would not come with him now, and he was trying bravely not to cry. But Maimie was sobbing painfully.

      'If I should be too late,' she said in agony, 'O Peter, if she has got another one already!'

      Again he sprang ashore as if she had called him back. 'I shall come and look for you to-night,' he said, squeezing close, 'but if you hurry away I think you will be in time.'

      Then he pressed a last thimble on her sweet little mouth, and covered his face with his hands so that he might not see her go.

      'Dear Peter!' she cried.

      'Dear Maimie!' cried the tragic boy.

      She leapt into his arms, so that it was a sort of fairy wedding, and then she hurried away. Oh, how she hastened to the gates! Peter, you may be sure, was back in the Gardens that night as soon as Lock-out sounded, but he found no Maimie, and so he knew she had been in time. For long he hoped that some night she would come back to him; often he thought he saw her waiting for him by the shore of the Serpentine as his bark drew to land, but Maimie never went back. She wanted to, but she was afraid that if she saw her dear Betwixt-and-Between again she would linger with him too long, and besides the ayah now kept a sharp eye on her. But she often talked lovingly of Peter, and she knitted a kettle-holder for him, and one day when she was wondering what Easter present he would like, her mother made a suggestion.

      'Nothing,' she said thoughtfully, 'would be so useful to him as a goat.'

      'He could ride on it,' cried Maimie, 'and play on his pipe at the same time.'

      'Then,' her mother asked, 'won't you give him your goat, the one you frighten Tony with at night?'

      'But it isn't a real goat,' Maimie said.

      'It seems very real to Tony,' replied her mother.

      'It seems frightfully real to me too,' Maimie admitted, 'but how could I give it to Peter?'

      Her mother knew a way, and next day, accompanied by Tony (who was really quite a nice boy, though of course he could not compare), they went to the Gardens, and Maimie stood alone within a fairy ring, and then her mother, who was a rather gifted lady, said—

       'My daughter, tell me, if you can, What have you got for Peter Pan?'

      To which Maimie replied—

       'I have a goat for him to ride, Observe me cast it far and wide.'

      She then flung her arms about as if she were sowing seed, and turned round three times.

      Next Tony said—

       'If P. doth find it waiting here, Wilt ne'er again make me to fear?'

      And Maimie answered—

       'By dark or light I fondly swear Never to see goats anywhere.'

      She also left a letter to Peter in a likely place, explaining what she had done, and begging him to ask the fairies to turn the goat into one convenient for riding on. Well, it all happened just as she hoped, for Peter found the letter, and of course nothing could be easier for the fairies than to turn the goat into a real one, and so that is how Peter got the goat on which he now rides round the Gardens every night playing sublimely on his pipe. And Maimie kept her promise, and never frightened Tony with a goat again, though I have heard that she created another animal. Until she was quite a big girl she continued to leave presents for Peter in the Gardens (with letters explaining how humans play with them), and she is not the only one who has done this. David does it, for instance, and he and I know the likeliest place for leaving them in, and we shall tell you if you like, but for mercy's sake don't ask us before Porthos, for he is so fond of toys that, were he to find out the place, he would take every one of them.

      Though Peter still remembers Maimie he is become as gay as ever, and often in sheer happiness he jumps off his goat and lies kicking merrily on the grass. Oh, he has a joyful time! But he has still a vague memory that he was a human once, and it makes him especially kind to the house-swallows when they visit the island, for house-swallows are the spirits of little children who have died. They always build in the eaves of the houses where they lived when they were humans, and sometimes they try to fly in at a nursery window, and perhaps that is why Peter loves them best of all the birds.

      And the little house? Every lawful night (that is to say, every night except ball nights) the fairies now build the little house lest there should be a human child lost in the Gardens, and Peter rides the marches looking for lost ones, and if he finds them he carries them on his goat to the little house, and when they wake up they are in it, and when they step out they see it. The fairies build the house merely because it is so pretty, but Peter rides round in memory of Maimie, and because he still loves to do just as he believes real boys would do.

      But you must not think that, because somewhere among the trees the little house is twinkling, it is a safe thing to remain in the Gardens after Lock-out time. If the bad ones among the fairies happen to be out that night they will certainly mischief you, and even though they are not, you may perish of cold and dark before Peter Pan comes round. He has been too late several times, and when he sees he is too late he runs back to the Thrush's Nest for his paddle, of which Maimie had told him the true use, and he digs a grave for the child and erects a little tombstone, and carves the poor thing's initials on it. He does this at once because he thinks it is what real boys would do, and you must have noticed the little stones, and that there are always two together. He puts them in twos because they seem less lonely. I think that quite the most touching sight in the Gardens is the two tombstones of Walter Stephen Matthews and Phoebe Phelps. They stand together at the spot where the parish of Westminster St. Mary's is said to meet the Parish of Paddington. Here Peter found the two babes, who had fallen unnoticed from their perambulators, Phoebe aged thirteen months and Walter probably still younger, for Peter seems to have felt a delicacy about putting any age on his stone. They lie side by side, and the simple inscriptions read

      David sometimes places white flowers on these two innocent graves.

      But how strange for parents, when they hurry into the Gardens at the opening of the gates looking for their lost one, to find the sweetest little tombstone instead. I do hope that Peter is not too ready with his spade. It is all rather sad.

      Peter and Wendy

       Table of Contents

       Chapter I. Peter Breaks Through

      

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