of a cycle, but certainly those who perform their touring in that sort must expect severe gradients, and must not anticipate, even so, an uninterrupted view of the actual coast; for there are many and considerable stretches along which you come to the sea only by unrideable footpaths. The pedestrian alone can explore this seaboard thoroughly, and he will find, in the tourist season, at least, that his progress is limited by the climate, which not infrequently in the months of July and August, resembles the moist and enervating heat of the great Palm House in Kew Gardens.
Lyme Regis, whence this exploration starts, is at the very door of Devonshire, and was, indeed, in recent years within an ace of being transferred from Dorset. At Lyme, which lies, as it were, at the bottom of a cup, you perceive at once the sort of thing in store for those who would fare westward: exquisite scenery combined with extravagantly steep roads.
CHAPTER II
ROUSDON—THE DOWLANDS LANDSLIP
Close by the border-line of the two counties, as you make from Lyme Regis, across the pleasant upland meadows to Uplyme, which is in Devonshire, is Middle Mill. The mill has seen its best days and no longer grinds corn, and the great wheel is idle, for the very excellent reason that the stream that once sent it ponderously revolving has been diverted. The thatched mill-house and its adjoining cottage, together with the silent wheel are, in short, in that condition of picturesque decay which spells romance to artists, who, discovering it, cannot resist a sketch. It appealed irresistibly, some years ago, to an artist in another craft; to none other, in short, than that distinguished novelist, Sir Walter Besant, who laid the scenes of his eighteenth-century story, ’Twas in Trafalgar’s Bay, chiefly here and at Rousdon.
He describes Middle Mill just as it is situated: “At the back of the mill was an orchard, where the pink and red cider apples looked pleasant—they could not look sweet. Beyond the orchard was a piggery, and then you came to the bed of a stream, which was dry in summer, save for a little green damp among the stones, by the side of which was a coppice of alder-trees, and behind the alders a dark, deep wood, into which you might peer all a summer’s day and dream boundless things.”
MIDDLE MILL.
The only objection that can be taken to the verisimilitude of this description is the reference to the cider apples. As a matter of fact, they do look sweet—and are not. The novelist refers to the richly ruddy “Devonshire reds,” whose beautiful colour presupposes in the mind of strangers to cider-apples a fruit luxuriously sweet and juicy. Devonshire farmers take little care to fence their cider-apples from the stranger, who steals and tastes as a rule only one, finding with the first bite that sweetness is by no means necessarily housed within that captivating exterior.
The story is one of smuggling and of rival loves. At Middle Mill lived the miserly Joshua Meech, whose unrequited affection for Pleasance Noel, and whose revengeful jealousy, bring about all the trouble. To punish him for his betrayal of his friends to the Revenue Officers, Pleasance by night steals eight bags of his hoarded wealth from under the hearthstone, where Joshua kept his domestic bank, and hides them under the millwheel. The wheel “stood there, under a broad, sloping penthouse of heavy thatch, which made it dark in the brightest day”; and so you may find it, exactly as described, except that the penthouse is tiled, and not thatched.
The actual coast, for the six miles between Lyme Regis and Seaton is a roadless, and in parts an almost trackless, stretch of strenuous clambering among rocks and tangled thickets; among landslips old and new, and undercliffs overgrown with such a wilderness of trees and shrubs and bracken, and blackberry brakes as only Devon can produce. But for all these difficulties, perhaps because of them, the way is preferable to the hard high road that goes, a little way inland. Here, at least, “exploration” is no straining after effect, no misuse of the word.
When you have left the Cobb at Lyme Regis behind and passed the coastguard station, you have come to sheer wildness; the deserted cement works, standing amid a waste of wrecked earthy cliffs, themselves forming a not inappropriate prelude to the perfect abandonment of nature. Here the low promontory of Devonshire Point ends the Ware Cliffs; and the tangle, with the gaping fissures between the rock and earth half hidden by grass and bushes, becomes so nearly impenetrable as to render a retreat up along the boulders into Holmbush Fields absolutely necessary; Holmbush Fields, with their rustic stiles and hedgerow timber, and the winding footpath across, giving a sober and graceful interlude; and then you come upon a mile or so of wonderful pathway, roughly shaped amid the wild jungle that here has overgrown a tract of oozy and boggy undercliff, formed by a century or more of continual landslides. There surely is no more beautiful wilderness of the particular type in England, than this: a very great deal of its beauty being due to the happy circumstance that neither Lyme Regis nor Seaton are as yet large enough to admit of it being overrun. Hardy pioneers have beaten out the devious pathway, and the few who have followed in their footsteps have kept it from being again overgrown. Spring—the month of May—is the ideal time for this part of the coast; when the birds have again wakened to song, and the young foliage is tender and the landsprings have not been dried up.
Even the pioneers have not made all the way easy; for you come at last to what Devonshire people call “zoggy plaaces,” where the willow and hazel bushes stand in mossy ground, and the primroses grow an unwonted size, by reason of the excessive moisture. Here you must calculate every step and nicely test the mossy hummocks before fully trusting them; finally emerging upon an open plain midway between the sea below and tall cliffs above; a plain where rocks of every shape and size have been hurled down in extraordinary confusion. Here the explorer requires not a little of the suppleness and agility of the chamois, and growing at last weary of bounding hazardously from crag to crag, climbs with extraordinary labour, past monstrous grey, ivy-grown spires and pinnacles of limestone, up a winding footpath in the face of the cliff, to where the Whitlands Coastguard station looks down upon the tumbled scene. From this point the coastguard-path lies along the cliffs’ edge, to where the cliffs die down to the waterside in the deep coombe in whose woods the sea comes lapping at Charton Bay. Here a limekiln, that looks romantic enough for a castle, stands on the beach, with the dense woods climbing backwards, and on the skyline the roofs and tower and chimneys of Rousdon.
ROUSDON.
Rousdon is a remarkable place. It shows you what may be done in the wholesale grocery way of business, for the estate was enclosed, and the great mansion built by Sir Henry Peek, between 1871 and 1883. When that wealthy baronet set about becoming a landed proprietor here, he found a wild expanse stretching down from the high land by the main road between Lyme and Seaton, toward the sea, and he enclosed some two hundred and fifty acres, and on the upper part built a magnificent house, whose beauties we will not stop to describe in this place, because, if a beginning were made with it, and the collections of various sorts within, it would be no easy task to conclude. He found here, amid these solitudes, the ruinous little church of St. Pancras, of Rousdon, used as the outhouse of a farm. Its rector was an absentee, not greatly needed, for the entire parish numbered but sixteen persons, all employed on the farm itself. A new church was built in the grounds, and a member of the Peek family appointed rector; and thus we see the remarkable spectacle of a parish as self-contained as any box of sardines; with the whole of the inhabitants employed upon the estate, and free trade in religion abolished. I think no monarchy is quite so absolute.
A remarkable feature of Rousdon mansion is the extensive use, internally, of Sicilian marble. The great staircase, and other portions of the house are built of it, and a beautiful dairy is wholly decorated with this material. It came here in a romantic
