The Women of the Suffrage Movement. Jane Addams
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During August, 1891, I was busy getting ready for my voyage, as I was to sail on the Ems on August 23. Although I had crossed the ocean six times in the prior ten years I dreaded the voyage more than words can describe. The last days were filled with sadness, in parting with those so dear to me in foreign countries—especially those curly-headed little girls, so bright, so pretty, so winning in all their ways. Hattie and Theodore went with me from Southampton in the little tug to the great ship Ems. It was very hard for us to say the last farewell, but we all tried to be as brave as possible.
We had a rough voyage, but I was not seasick one moment. I was up and dressed early in the morning, and on deck whenever the weather permitted. I made many pleasant acquaintances with whom I played chess and whist; wrote letters to all my foreign friends, ready to mail on landing; read the "Egotist," by George Meredith, and Ibsen's plays as translated by my friend Frances Lord. I had my own private stewardess, a nice German woman who could speak English. She gave me most of my meals on deck or in the ladies' saloon, and at night she would open the porthole two or three times and air our stateroom; that made the nights endurable. The last evening before landing we got up an entertainment with songs, recitations, readings, and speeches. I was invited to preside and introduce the various performers. We reached Sandy Hook the evening of the 29th day of August and lay there all night, and the next morning we sailed up our beautiful harbor, brilliant with the rays of the rising sun.
Being fortunate in having children in both hemispheres, here, too, I found a son and daughter waiting to welcome me to my native land. Our chief business for many weeks was searching for an inviting apartment where my daughter, Mrs. Stanton Lawrence, my youngest son, Bob, and I could set up our family altar and sing our new psalm of life together. After much weary searching we found an apartment. Having always lived in a large house in the country, the quarters seemed rather contracted at first, but I soon realized the immense saving in labor and expense in having no more room than is absolutely necessary, and all on one floor. To be transported from the street to your apartment in an elevator in half a minute, to have all your food and fuel sent to your kitchen by an elevator in the rear, to have your rooms all warmed with no effort of your own, seemed like a realization of some fairy dream. With an extensive outlook of the heavens above, of the Park and the Boulevard beneath, I had a feeling of freedom, and with a short flight of stairs to the roof (an easy escape in case of fire), of safety, too.
No sooner was I fully established in my eyrie, than I was summoned to Rochester, by my friend Miss Anthony, to fill an appointment she had made for me with Miss Adelaide Johnson, the artist from Washington, who was to idealize Miss Anthony and myself in marble for the World's Fair. I found my friend demurely seated in her mother's rocking-chair hemming table linen and towels for her new home, anon bargaining with butchers, bakers, and grocers, making cakes and puddings, talking with enthusiasm of palatable dishes and the beauties of various articles of furniture that different friends had presented her. All there was to remind one of the "Napoleon of the Suffrage Movement" was a large escritoire covered with documents in the usual state of confusion—Miss Anthony never could keep her papers in order. In search of any particular document she roots out every drawer and pigeon hole, although her mother's little spinning wheel stands right beside her desk, a constant reminder of all the domestic virtues of the good housewife, with whom "order" is of the utmost importance and "heaven's first law." The house was exquisitely clean and orderly, the food appetizing, the conversation pleasant and profitable, and the atmosphere genial.
A room in an adjoining house was assigned to Miss Johnson and myself, where a strong pedestal and huge mass of clay greeted us. And there, for nearly a month, I watched the transformation of that clay into human proportions and expressions, until it gradually emerged with the familiar facial outlines ever so dear to one's self. Sitting there four or five hours every day I used to get very sleepy, so my artist arranged for a series of little naps. When she saw the crisis coming she would say: "I will work now for a time on the ear, the nose, or the hair, as you must be wide awake when I am trying to catch the expression." I rewarded her for her patience and indulgence by summoning up, when awake, the most intelligent and radiant expression that I could command. As Miss Johnson is a charming, cultured woman, with liberal ideas and brilliant in conversation, she readily drew out all that was best in me.
Before I left Rochester, Miss Anthony and her sister Mary gave a reception to me at their house. As some of the professors and trustees of the Rochester University were there, the question of co-education was freely discussed, and the authorities urged to open the doors of the University to the daughters of the people. It was rather aggravating to contemplate those fine buildings and grounds, while every girl in that city must go abroad for higher education. The wife of President Hill of the University had just presented him with twins, a girl and a boy, and he facetiously remarked, "that if the Creator could risk placing sexes in such near relations, he thought they might with safety walk on the same campus and pursue the same curriculum together."
Miss Anthony and I went to Geneva the next day to visit Mrs. Miller and to meet, by appointment, Mrs. Eliza Osborne, the niece of Lucretia Mott, and eldest daughter of Martha C. Wright. We anticipated a merry meeting, but Miss Anthony and I were so tired that we no doubt appeared stupid. In a letter to Mrs. Miller afterward, Mrs. Osborne inquired why I was "so solemn." As I pride myself on being impervious to fatigue or disease, I could not own up to any disability, so I turned the tables on her in the following letter:
"New York, 26 West 61st Street,
November 12, 1891.
"Dear Eliza:
"In a recent letter to Mrs. Miller, speaking of the time when we last met, you say, 'Why was Mrs. Stanton so solemn?' to which I reply: Ever since an old German emperor issued an edict, ordering all the women under that flag to knit when walking on the highway, when selling apples in the market place, when sitting in the parks, because 'to keep women out of mischief their hands must be busy,' ever since I read that, I have felt 'solemn' whenever I have seen any daughters of our grand Republic knitting, tatting, embroidering, or occupied with any of the ten thousand digital absurdities that fill so large a place in the lives of Eve's daughters.
"Looking forward to the scintillations of wit, the philosophical researches, the historical traditions, the scientific discoveries, the astronomical explorations, the mysteries of theosophy, palmistry, mental science, the revelations of the unknown world where angels and devils do congregate, looking forward to discussions of all these grand themes, in meeting the eldest daughter of David and Martha Wright, the niece of Lucretia Mott, the sister-in-law of William Lloyd Garrison, a queenly-looking woman five feet eight in height, and well proportioned, with glorious black eyes, rivaling even De Staël's in power and pathos, one can readily imagine the disappointment I experienced when such a woman pulled a cotton wash rag from her pocket and forthwith began to knit with bowed head. Fixing her eyes and concentrating her thoughts on a rag one foot square; it was impossible for conversation to rise above the wash-rag level! It was enough to make the most aged optimist 'solemn' to see such a wreck of glorious womanhood.
"And, still worse, she not only knit steadily, hour after hour, but she bestowed the sweetest words of encouragement on a young girl from the Pacific Coast, who was embroidering rosebuds on another rag, the very girl I had endeavored to rescue from the maelstrom of embroidery, by showing her the unspeakable folly of giving her optic nerves to such base uses, when they were designed by the Creator to explore the planetary world, with chart and compass to guide mighty ships across the sea, to lead the sons of Adam with divinest love from earth to heaven. Think of the great beseeching optic nerves and muscles by which we express our admiration of all that is good and glorious in earth and heaven, being concentrated on a cotton