known and experienced so much, as she moved cumbrously about the room, that surely there must be balm for all anguish in her words, could one induce her to have recourse to them. But Miss Allan, who was now locking the cupboard door, showed no signs of breaking the reticence which had snowed her under for years. An uncomfortable sensation kept Rachel silent; on the one hand, she wished to whirl high and strike a spark out of the cool pink flesh; on the other she perceived there was nothing to be done but to drift past each other in silence.
“I’m not a prodigy. I find it very difficult to say what I mean—” she observed at length.
“It’s a matter of temperament, I believe,” Miss Allan helped her. “There are some people who have no difficulty; for myself I find there are a great many things I simply cannot say. But then I consider myself very slow. One of my colleagues now, knows whether she likes you or not—let me see, how does she do it?—by the way you say good-morning at breakfast. It is sometimes a matter of years before I can make up my mind. But most young people seem to find it easy?”
“Oh no,” said Rachel. “It’s hard!”
Miss Allan looked at Rachel quietly, saying nothing; she suspected that there were difficulties of some kind. Then she put her hand to the back of her head, and discovered that one of the grey coils of hair had come loose.
“I must ask you to be so kind as to excuse me,” she said, rising, “if I do my hair. I have never yet found a satisfactory type of hairpin. I must change my dress, too, for the matter of that; and I should be particularly glad of your assistance, because there is a tiresome set of hooks which I can fasten for myself, but it takes from ten to fifteen minutes; whereas with your help—”
She slipped off her coat and skirt and blouse, and stood doing her hair before the glass, a massive homely figure, her petticoat being so short that she stood on a pair of thick slate-grey legs.
“People say youth is pleasant; I myself find middle age far pleasanter,” she remarked, removing hair pins and combs, and taking up her brush. When it fell loose her hair only came down to her neck.
“When one was young,” she continued, “things could seem so very serious if one was made that way…. And now my dress.”
In a wonderfully short space of time her hair had been reformed in its usual loops. The upper half of her body now became dark green with black stripes on it; the skirt, however, needed hooking at various angles, and Rachel had to kneel on the floor, fitting the eyes to the hooks.
“Our Miss Johnson used to find life very unsatisfactory, I remember,” Miss Allan continued. She turned her back to the light. “And then she took to breeding guinea-pigs for their spots, and became absorbed in that. I have just heard that the yellow guinea-pig has had a black baby. We had a bet of sixpence on about it. She will be very triumphant.”
The skirt was fastened. She looked at herself in the glass with the curious stiffening of her face generally caused by looking in the glass.
“Am I in a fit state to encounter my fellow-beings?” she asked. “I forget which way it is—but they find black animals very rarely have coloured babies—it may be the other way round. I have had it so often explained to me that it is very stupid of me to have forgotten again.”
She moved about the room acquiring small objects with quiet force, and fixing them about her—a locket, a watch and chain, a heavy gold bracelet, and the parti-coloured button of a suffrage society. Finally, completely equipped for Sunday tea, she stood before Rachel, and smiled at her kindly. She was not an impulsive woman, and her life had schooled her to restrain her tongue. At the same time, she was possessed of an amount of good-will towards others, and in particular towards the young, which often made her regret that speech was so difficult.
“Shall we descend?” she said.
She put one hand upon Rachel’s shoulder, and stooping, picked up a pair of walking-shoes with the other, and placed them neatly side by side outside her door. As they walked down the passage they passed many pairs of boots and shoes, some black and some brown, all side by side, and all different, even to the way in which they lay together.
“I always think that people are so like their boots,” said Miss Allan. “That is Mrs. Paley’s—” but as she spoke the door opened, and Mrs. Paley rolled out in her chair, equipped also for tea.
She greeted Miss Allan and Rachel.
“I was just saying that people are so like their boots,” said Miss Allan. Mrs. Paley did not hear. She repeated it more loudly still. Mrs. Paley did not hear. She repeated it a third time. Mrs. Paley heard, but she did not understand. She was apparently about to repeat it for the fourth time, when Rachel suddenly said something inarticulate, and disappeared down the corridor. This misunderstanding, which involved a complete block in the passage, seemed to her unbearable. She walked quickly and blindly in the opposite direction, and found herself at the end of a cul de sac. There was a window, and a table and a chair in the window, and upon the table stood a rusty inkstand, an ashtray, an old copy of a French newspaper, and a pen with a broken nib. Rachel sat down, as if to study the French newspaper, but a tear fell on the blurred French print, raising a soft blot. She lifted her head sharply, exclaiming aloud, “It’s intolerable!” Looking out of the window with eyes that would have seen nothing even had they not been dazed by tears, she indulged herself at last in violent abuse of the entire day. It had been miserable from start to finish; first, the service in the chapel; then luncheon; then Evelyn; then Miss Allan; then old Mrs. Paley blocking up the passage. All day long she had been tantalized and put off. She had now reached one of those eminences, the result of some crisis, from which the world is finally displayed in its true proportions. She disliked the look of it immensely—churches, politicians, misfits, and huge impostures—men like Mr. Dalloway, men like Mr. Bax, Evelyn and her chatter, Mrs. Paley blocking up the passage. Meanwhile the steady beat of her own pulse represented the hot current of feeling that ran down beneath; beating, struggling, fretting. For the time, her own body was the source of all the life in the world, which tried to burst forth here—there—and was repressed now by Mr. Bax, now by Evelyn, now by the imposition of ponderous stupidity, the weight of the entire world. Thus tormented, she would twist her hands together, for all things were wrong, all people stupid. Vaguely seeing that there were people down in the garden beneath she represented them as aimless masses of matter, floating hither and thither, without aim except to impede her. What were they doing, those other people in the world?
“Nobody knows,” she said. The force of her rage was beginning to spend itself, and the vision of the world which had been so vivid became dim.
“It’s a dream,” she murmured. She considered the rusty inkstand, the pen, the ashtray, and the old French newspaper. These small and worthless objects seemed to her to represent human lives.
“We’re asleep and dreaming,” she repeated. But the possibility which now suggested itself that one of the shapes might be the shape of Terence roused her from her melancholy lethargy. She became as restless as she had been before she sat down. She was no longer able to see the world as a town laid out beneath her. It was covered instead by a haze of feverish red mist. She had returned to the state in which she had been all day. Thinking was no escape. Physical movement was the only refuge, in and out of rooms, in and out of people’s minds, seeking she knew not what. Therefore she rose, pushed back the table, and went downstairs. She went out of the hall door, and, turning the corner of the hotel, found herself among the people whom she had seen from the window. But owing to the broad sunshine after shaded passages, and to the substance of living people after dreams, the group appeared with startling intensity, as though the dusty surface had been peeled off everything, leaving only the reality and the instant. It had the look of a vision printed on the
