The Complete Travel Books of W.D. Howells (Illustrated Edition). William Dean Howells
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The families that share the exile of the eating-houses sometimes make together a feeble buzz of conversation, but the unfriendly spirit of the place seems soon to silence them. Undoubtedly they frequent the restaurant for economy’s sake. Fuel is costly, and the restaurant is cheap, and its cooking better than they could perhaps otherwise afford to have. Indeed, so cheap is the restaurant that actual experience proved the cost of a dinner there to be little more than the cost of the raw material in the market. From this inexpensiveness comes also the custom, which is common, of sending home to purchasers meals from the eating-houses.
As one descends in the scale of the restaurants, the difference is not so noticeable in the prices of the same dishes, as in the substitution of cheaper varieties of food. At the best eating-houses, the Gallic traditions bear sway more or less, but in the poorer sort the cooking is done entirely by native artists, deriving their inspirations from the unsophisticated tastes of exclusively native diners. It is perhaps needless to say that they grow characteristic and picturesque as they grow dirty and cheap, until at last the cook-shop perfects the descent with a triumph of raciness and local coloring. The cook-shop in Venice opens upon you at almost every turn,—everywhere, in fact, but in the Piazza and the Merceria,—and looking in, you see its vast heaps of frying fish, and its huge caldrons of ever-boiling broth which smell to heaven with garlic and onions. In the seducing windows smoke golden mountains of polenta (a thicker kind of mush or hasty-pudding, made of Indian meal, and universally eaten in North Italy), platters of crisp minnows, bowls of rice, roast poultry, dishes of snails and liver; and around the fascinating walls hang huge plates of bronzed earthenware for a lavish and a hospitable show, and for the representation of those scenes of Venetian story which are modeled upon them in bass-relief. Here I like to take my unknown friend—my scoundrel facchino or rascal gondolier—as he comes to buy his dinner, and bargains eloquently with the cook, who stands with a huge ladle in his hand capable of skimming mysterious things from vasty depths. I am spell-bound by the drama which ensues, and in which all the chords of the human heart are touched, from those that tremble at high tragedy, to those that are shaken by broad farce. When the diner has bought his dinner, and issues forth with his polenta in one hand, and his fried minnows or stewed snails in the other, my fancy fondly follows him to his gondola-station, where he eats it, and quarrels volubly with other gondoliers across the Grand Canal.
A simpler and less ambitious sort of cook-shop abounds in the region of Rialto, where on market mornings I have seen it driving a prodigious business with peasants, gondoliers, and laborers. Its more limited resources consist chiefly of fried eels, fish, polenta, and sguassetto. The latter is a true roba veneziana, and is a loud-flavored broth, made of those desperate scraps of meat which are found impracticable even by the sausage-makers. Another, but more delicate dish, peculiar to the place, is the clotted blood of poultry, fried in slices with onions. A great number of the families of the poor breakfast at these shops very abundantly, for three soldi each person.
In Venice every holiday has its appropriate viand. During carnival all the butter and cheese shop-windows are whitened with the snow of beaten cream—panamontata. At San Martino the bakers parade troops of gingerbread warriors. Later, for Christmas, comes mandorlato, which is a candy made of honey and enriched with almonds. In its season only can any of these devotional delicacies be had; but there is a species of cruller, fried in oil, which has all seasons for its own. On the occasion of every festa, and of every sagra (which is the holiday of one parish only), stalls are erected in the squares for the cooking and sale of these crullers, between which and the religious sentiment proper to the whole year there seems to be some occult relation.
In the winter, the whole city appears to abandon herself to cooking for the public, till she threatens to hopelessly disorder the law of demand and supply. There are, to begin with, the caffè and restaurants of every class. Then there are the cook-shops, and the poulterers’, and the sausage-makers’. Then, also, every fruit-stall is misty and odorous with roast apples, boiled beans, cabbage, and potatoes. The chestnut-roasters infest every corner, and men women, and children cry roast pumpkin at every turn—till, at last, hunger seems an absurd and foolish vice, and the ubiquitous beggars, no less than the habitual abstemiousness of every class of the population, become the most perplexing and maddening of anomalies.
Chapter 7.
Housekeeping in Venice
I hope that it is by a not unnatural progress I pass from speaking of dinners and diners to the kindred subject of the present chapter, and I trust the reader will not disdain the lowly-minded muse that sings this mild domestic lay. I was resolved in writing this book to tell what I had found most books of travel very slow to tell,—as much as possible of the everyday life of a people whose habits are so different from our own; endeavoring to develop a just notion of their character, not only from the show-traits which strangers are most likely to see, but also from experience of such things as strangers are most likely to miss.
The absolute want of society of my own nation in Venice would have thrown me upon study of the people for my amusement, even if I had cared to learn nothing of them; and the necessity of economical housekeeping would have caused me to live in the frugal Venetian fashion, even if I had been disposed to remain a foreigner in every thing. Of bachelor lodgings I had sufficient experience during my first year; but as most prudent travelers who visit the city for a week take lodgings, I need not describe my own particularly. You can tell the houses in which there are rooms to let, by the squares of white paper fastened to the window-shutters; and a casual glance as you pass through the streets, gives you the idea that the chief income of the place is derived from letting lodgings. Carpetless, dreary barracks the rooms usually are, with an uncompromising squareness of prints upon the wall, an appalling breadth of husk-bed, a niggardness of wash-bowl, and an obduracy of sofa, never, never to be dissociated in their victim’s mind from the idea of the villanous hard bread of Venice on which the gloomy landlady sustains her life with its immutable purposes of plunder. Flabbiness without softness is the tone of these discouraging chambers, which are dear or not according to the season and the situation. On the sunlit Riva during winter, and on the Grand Canal in summer, they are costly enough, but they are to be found on nearly all the squares at reasonable rates. On the narrow streets, where most native bachelors have them, they are absurdly cheap.
As in nearly all places on the Continent, a house in Venice means a number of rooms, including a whole story in a building, or part of it only, but always completely separated from the story above and below, or from the other rooms on the same floor. Every house has its own entrance from the street, or by a common hall and stairway from the ground-floor, where are the cellars or store-rooms, while each kitchen is usually on a level with the other rooms of the house to which it belongs. The isolation of the different families is secured (as perfectly as where a building is solely appropriated to each), either by the exclusive possession of a streetdoor, 13 or by the unsocial domestic habits of Europe. You bow and give good-day to the people whom you meet in the common hall and on the common stairway, but you rarely know more of them than their names, and you certainly care nothing about them. The sociability of Europe, and more especially of Southern Europe,