WAX (A British Crime Thriller). Ethel Lina White
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The taste was his wife's. Like a good husband, he gave Mrs. Cuttle a free hand both with exterior and interior decorations.
Whatever the result from an artistic standard on a raw autumn night, his home appeared comfortable and prosperous. Mrs. Cuttle had the reputation of being a careful housekeeper, but economy was not allowed to spoil his welcome. An electric lamp outside the front door lighted his way up the stone steps, guarded with lions; and, when he was inside, the centrally-heated hall was thickly carpeted and curtained from draughts.
Cuttle rubbed his hands with satisfaction as he looked around at well-polished furniture and a pot of pink azaleas on a porcelain stand at the foot of the staircase.
"Louie," he called. "I'm home."
At his shout, Mrs. Cuttle came out of the dining-room. She was stout, with a heavy face, dull hair, and a clouded complexion. She wore an unbecoming but expensive gown of bright blue chenille-velvet.
It was she who presented the cheek—and her husband who kissed. But he did so with a hearty smack of relish.
"It's good to come back to you, my duck," he told her. "What have you got for me to-night?"
"More than you deserve so late. Curried mutton."
The alderman sniffed with appreciation, as arm-in-arm they entered the dining-room. It was typical of the prosperous convention of a former generation, with a thick red-and-blue Turkey carpet, mahogany furniture, and an impressive display of plate upon the massive sideboard.
The table was laid as for a banquet, with gleaming silver, elaborately folded napkins, and many different kinds of glasses. Vases were stuffed with choice hot-house flowers which no one looked at or admired. The central stand, piled with fruit, was evidently an ornament, for it was studiously ignored by the alderman and his wife.
The supper was being kept hot on a chafing-dish and they waited on themselves. Both made a hearty meal, eating chiefly in silence. Cuttle was the type of man who did not talk to women when they represented family, and his wife was constitutionally mute. Sometimes she asked questions, but did not seem interested in his replies.
"Why are you late, Will?"
"Business?"
"How is it?"
"So-so."
"Did Miss Yates stay late, too?"
"Did you ever see a dream walking? Did you ever hear of staff working overtime? No."
"What d'you think of the mutton, Will? It's the new butcher."
"Very good. Nothing like good meat. Gough was telling me Nile wants to put him on fruit. Pah. Pips and water."
"Sir Julian could do with dieting. His colour is bad. Is he still meeting Mrs. Nile in the Waxworks?"
"I never heard that he did." The alderman yawned and rose. "Well, my love, I'm for bed."
Mrs. Cuttle looked at the marble clock.
"It's too soon after a heavy meal. Better let me mix you a dose."
"No, you don't, old dear." Cuttle roared with laughter. "You had your chance to poison me when you were nursing me. Now I'm married I'm wise to your tricks."
"A few more late suppers and you'll poison yourself," said Mrs. Cuttle sharply.
"Well, I don't mind a pinch of bi-carb, just to oblige a good wife. I never knew such a woman for drugs. How would like it if the worm turned and I poisoned you for a change?"
"You couldn't if you tried. You've got to understand how poisons work."
The alderman looked thoughtful. He was a good mixer, and he had the local reputation of being able to talk on any subject.
He gave his wife a playful slap.
"Be off to bed. I want to look up something."
His own study was unlike the rest of the house, being bare and austere, with walls of grey satin wood and chromium furniture. The touches of colour were supplied by a dull purple leather cushion and a bough of forced lilac in a silver stand.
Mrs. Cuttle dimly resented this room. She had nursed her husband in sickness and in health, chosen his meals, mended his pants. She believed she knew him inside out, but for this hint of unexplored territory.
The alderman walked directly to the bookcase and drew out an encyclopaedia. With his wife's taunt rankling in his mind, he opened the book at the section "P," and ran his finger down the pages until he reached "POISONS."
CHAPTER IV. MORNING COCOA
Early next morning, Sonia arrived at the offices of the Riverpool Chronicle. It was a ramshackle building in the old part of the town, and not far from the Waxwork Gallery. The district itself was rather unsavoury. Instead of attaining the dignity of age, it seemed incrusted with the accretions of Time, as though the centuries—tramping through it—had spattered it with the refuse of years.
But Leonard Eden—the owner and editor—liked the neighbourhood. His paper was not only a rich man's hobby, but a refuge from a talkative wife. He was happy in his shabby sunny room, overlooking the stagnant green river, for he was not allowed to talk at home, and he had views which he liked to express on paper.
He left the practical end to his staff; young Wells, the sub editor; Lobb, the reporter; and Horatio, the office boy and the office authority on spelling. If they were not enthusiastic over his news of an amateur addition, Leonard appeared blandly unconscious of the fact.
He was a numb, courteous gentleman, with a long pale face, a monocle, and a stock; and, although he was popularly credited with the brain of a sleepy-pear, his hobby cost him considerably less than a racehorse or a lady.
When he interviewed Sonia at his London hotel, she believed that her appointment was due to the fact that he recognised her flair for journalism. Bubbling with enthusiasm, she lost herself in a labyrinth of words to which he barely listened.
He belonged to a generation that delighted in a pretty ankle, and resented that fact that when skirts rose, imagination ceased to soar. So he admired Sonia's lashes, while he decided that it would be a kindly deed to let her rub off her rough edges for a few months at his office, at a nominal salary. Besides being his god-daughter, he was a relative; her father had recently remarried, and the family horizon was dark with storm.
As for her fine future, he was confident that some young man would soon remove her, painlessly and permanently, from the sphere of journalism.
He lost no time in taking her to the main office and losing her there. Lobb was out, but Wells' dog occupied the editorial chair,