“This is my sister, the betrothed of Diodoros, Polybius’s son—your neighbor, if you are the daughter of Zeno. She will take care of you.” Agatha had at once recognized the old nurse, and when she confirmed Alexander’s statement, and the Christian looked in Melissa’s face, she saw beyond the possibility of doubt an innocent woman, whose heart she might fully trust.
She threw her arm round Melissa, as if to lean on her, and the deaconess turned away with well-curbed wrath and vanished into an open door.
All this had occupied but a very few minutes; and when Alexander saw the two beings he most loved in each other’s embrace, and Agatha rescued from the deceiver and in safe keeping, he drew a deep breath, saying to his sister, as if relieved from a heavy burden:
“Her name is Agatha, and to her, the image of the dead Korinna, my life henceforth is given. Tell her this, Melissa.”
His impassioned glance sought that of the Christian; and when she returned it, blushing, but with grateful candor, his mirthful features beamed with the old reckless jollity, and he glanced again at the crowd about him.
What did he see there? Melissa observed that his whole face was suddenly lighted up; and when Zminis signed to the man who was making his way to the spot holding up the rope, Alexander began to sing the first words of a familiar song. In an instant it was taken up by several voices, and then, as if from an echo, by the whole populace.
It was the chant by which the lads in the Gymnasium of Timagetes were wont to call on each other for help when they had a fray with those of the Gymnasium of the Dioscuri, with whom they had a chronic feud. Alexander had caught sight of his friends Jason and Pappus, of the sculptor Glaukias, and of several other fellow-artists; they understood the appeal, and, before the night-watch could use the rope on their captive, the troop of young men had forced their way through the circle of armed men under the leadership of Glaukias, had surrounded Alexander, and run off with him in their midst, singing and shouting.
“Follow him! Catch him! Stop him!—living or dead, bring him back! A price is on his head—a splendid price to any one who will take him!” cried the Egyptian, foaming with rage and setting the example. But the youth of the town, many of whom knew the artist, and who were at all times ready to spoil sport for the sycophants and spies, crowded up between the fugitive and his pursuers and barred the way.
The lictors and their underlings did indeed, at last, get through the solid wall of shouting and scolding men and women; but by that time the troop of artists had disappeared down a side street.
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