The Collected Historical Works of Washington Irving (Illustrated Edition). Washington Irving

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to his taste, and the association and work demanded, at that time, of a ward politician soon disgusted him. “We have toiled through the purgatory of an election,” he writes to the fair Republican, Miss Fairlie, who rejoiced in the defeat he and the Federals had sustained.

      “What makes me the more outrageous is, that I got fairly drawn into the vortex, and before the third day was expired, I was as deep in mud and politics as ever a moderate gentleman would wish to be; and I drank beer with the multitude; and I talked handbill fashion with the demagogues; and I shook hands with the mob, whom my heart abhorreth. ‘T is true, for the first two days I maintained my coolness and indifference. The first day I merely hunted for whim, character, and absurdity, according to my usual custom; the second day being rainy, I sat in the barroom at the Seventh Ward, and read a volume of ‘Galatea,’ which I found on a shelf; but before I had got through a hundred pages, I had three or four good Feds sprawling round me on the floor, and another with his eyes half shut, leaning on my shoulder in the most affectionate manner, and spelling a page of the book as if it had been an electioneering handbill. But the third day — ah! then came the tug of war. My patriotism then blazed forth, and I determined to save my country!

      “Oh, my friend, I have been in such holes and corners; such filthy nooks and filthy corners; sweep offices and oyster cellars! I have sworn brother to a leash of drawers, and can drink with any tinker in his own language during my life, — faugh! I shall not be able to bear the smell of small beer and tobacco for a month to come…. Truly this saving one’s country is a nauseous piece of business, and if patriotism is such a dirty virtue, — prythee, no more of it.”

      He unsuccessfully solicited some civil appointment at Albany, a very modest solicitation, which was never renewed, and which did not last long, for he was no sooner there than he was “disgusted by the servility and duplicity and rascality witnessed among the swarm of scrub politicians.” There was a promising young artist at that time in Albany, and Irving wishes he were a man of wealth, to give him a helping hand; a few acts of munificence of this kind by rich nabobs, he breaks out, “would be more pleasing in the sight of Heaven, and more to the glory and advantage of their country, than building a dozen shingle church steeples, or buying a thousand venal votes at an election.” This was in the “good old times!”

      Although a Federalist, and, as he described himself, “an admirer of General Hamilton, and a partisan with him in politics,” he accepted a retainer from Burr’s friends in 1807, and attended his trial in Richmond, but more in the capacity of an observer of the scene than a lawyer. He did not share the prevalent opinion of Burr’s treason, and regarded him as a man so fallen as to be shorn of the power to injure the country, one for whom he could feel nothing but compassion. That compassion, however, he received only from the ladies of the city, and the traits of female goodness manifested then sunk deep into Irving’s heart. Without pretending, he says, to decide on Burr’s innocence or guilt, “his situation is such as should appeal eloquently to the feelings of every generous bosom. Sorry am I to say the reverse has been the fact: fallen, proscribed, prejudged, the cup of bitterness has been administered to him with an unsparing hand. It has almost been considered as culpable to evince toward him the least sympathy or support; and many a hollow-hearted caitiff have I seen, who basked in the sunshine of his bounty while in power, who now skulked from his side, and even mingled among the most clamorous of his enemies…. I bid him farewell with a heavy heart, and he expressed with peculiar warmth and feeling his sense of the interest I had taken in his fate. I never felt in a more melancholy mood than when I rode from his solitary prison.” This is a good illustration of Irving’s tender-heartedness; but considering Burr’s whole character, it is altogether a womanish case of misplaced sympathy with the cool slayer of Alexander Hamilton.

      V. THE KNICKERBOCKER PERIOD

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      Not long after the discontinuance of “Salmagundi,” Irving, in connection with his brother Peter, projected the work that was to make him famous. At first nothing more was intended than a satire upon the “Picture of New York,” by Dr. Samuel Mitchell, just then published. It was begun as a mere burlesque upon pedantry and erudition, and was well advanced, when Peter was called by his business to Europe, and its completion was fortunately left to Washington. In his mind the idea expanded into a different conception. He condensed the mass of affected learning, which was their joint work, into five introductory chapters, — subsequently he said it would have been improved if it had been reduced to one, and it seems to me it would have been better if that one had been thrown away, — and finished “A History of New York, by Diedrich Knickerbocker,” substantially as we now have it. This was in 1809, when Irving was twenty-six years old.

      But before this humorous creation was completed, the author endured the terrible bereavement which was to color all his life. He had formed a deep and tender passion for Matilda Hoffman, the second daughter of Josiah Ogden Hoffman, in whose family he had long been on a footing of the most perfect intimacy, and his ardent love was fully reciprocated. He was restlessly casting about for some assured means of livelihood which would enable him to marry, and perhaps his distrust of a literary career was connected with this desire, when after a short illness Miss Hoffman died, in the eighteenth year of her age. Without being a dazzling beauty, she was lovely in person and mind, with most engaging manners, a refined sensibility, and a delicate and playful humor. The loss was a crushing blow to Irving, from the effects of which he never recovered, although time softened the bitterness of his grief into a tender and sacred memory. He could never bear to hear her name spoken even by his most intimate friends, or any allusion to her. Thirty years after her death, it happened one evening at the house of Mr. Hoffman, her father, that a granddaughter was playing for Mr. Irving, and in taking her music from the drawer, a faded piece of embroidery was brought forth. “Washington,” said Mr. Hoffman, picking it up, “this is a piece of poor Matilda’s workmanship.” The effect was electric. He had been talking in the sprightliest mood before, but he sunk at once into utter silence, and in a few moments got up and left the house.

      After his death, in a private repository of which he always kept the key, was found a lovely miniature, a braid of fair hair, and a slip of paper, on which was written in his own hand, “Matilda Hoffman;” and with these treasures were several pages of a memorandum in ink long since faded. He kept through life her Bible and Prayer Book; they were placed nightly under his pillow in the first days of anguish that followed her loss, and ever after they were the inseparable companions of all his wanderings. In this memorandum — which was written many years afterwards — we read the simple story of his love:

      “We saw each other every day, and I became excessively attached to her. Her shyness wore off by degrees. The more I saw of her the more I had reason to admire her. Her mind seemed to unfold leaf by leaf, and every time to discover new sweetness. Nobody knew her so well as I, for she was generally timid and silent; but I in a manner studied her excellence. Never did I meet with more intuitive rectitude of mind, more native delicacy, more exquisite propriety in word, thought, and action, than in this young creature. I am not exaggerating; what I say was acknowledged by all who knew her. Her brilliant little sister used to say that people began by admiring her, but ended by loving Matilda. For my part, I idolized her. I felt at times rebuked by her superior delicacy and purity, and as if I was a coarse, unworthy being in comparison.”

      At this time Irving was much perplexed about his career. He had “a fatal propensity to belles-lettres;” his repugnance to the law was such that his mind would not take hold of the study; he anticipated nothing from legal pursuits or political employment; he was secretly writing the humorous history, but was altogether in a low-spirited and disheartened state. I quote again from the memorandum:

      “In the mean time I saw Matilda every day, and that helped to distract me. In the midst of this struggle and anxiety she was taken ill with a cold. Nothing was thought of it at first; but she grew rapidly

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