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Tall and burly, with features and skin hardened by exposure to the sun and winds of many climates, he looked like a man ready to face all hardships, equal to any emergency. Already one seemed to see the clothes and habits of civilization falling away from him, the former to be replaced by the stern, unlovely outfit of the war correspondent who plays the game. They crowded round him in the club smoking room, for these were his last few minutes. They had dined him, toasted him, and the club loving cup had been drained to his success and his safe return. For Lovell was a popular member of this very Bohemian gathering, and he was going to the Far East, at a few hours’ notice, to represent one of the greatest of English dailies.
A pale, slight young man, who stood at this right hand, was speaking. His name was Walter Aynesworth, and he was a writer of short stories—a novelist in embryo.
“What I envy you most, Lovell,” he declared, “is your escape from the deadly routine of our day by day life. Here in London it seems to me that we live the life of automatons. We lunch, we dine, we amuse or we bore ourselves, and we sleep—and all the rest of the world does the same. Passion we have outgrown, emotion we have destroyed by analysis. The storms which shake humanity break over other countries. What is there left to us of life? Civilization ministers too easily to our needs, existence has become a habit. No wonder that we are a tired race.”
“Life is the same, the world over,” another man remarked. “With every forward step in civilization, life must become more mechanical. London is no worse than Paris, or Paris than Tokyo.”
Aynesworth shook his head. “I don’t agree with you,” he replied. “It is the same, more or less, with all European countries, but the Saxon temperament, with its mixture of philosophy and philistinism, more than any other, gravitates towards the life mechanical. Existence here has become fossilized. We wear a mask upon our faces; we carry a gauge for our emotions. Lovell is going where the one great force of primitive life remains. He is going to see war. He is going to breathe an atmosphere hot with naked passion; he is going to rub shoulders with men who walk hand in hand with death. That’s the sort of tonic we all want, to remind us that we are human beings with blood in our veins, and not sawdust-stuffed dolls.”
Then Lovell broke silence. He took his pipe from his mouth, and he addressed Aynesworth.
“Walter,” he said, “you are talking rot. There is nothing very complex or stimulating about the passion of war, when men kill one another unseen; where you feel the sting in your heart which comes from God knows where, and you crumple up, with never a chance to have a go at the chap who has potted you from the trenches, or behind a rock, a thousand yards off. Mine is going to be, except from a spectacular point of view, a very barren sort of year, compared with what yours might be if the fire once touched your eyes. I go where life is cruder and fiercer, perhaps, but you remain in the very city of tragedies.”
Aynesworth laughed, as he lit a fresh cigarette.
“City of tragedies!” he exclaimed. “It sounds all right, but it’s bunkum all the same. Show me where they lie, Lovell, old chap. Tell me where to stir the waters.”
Several of those who were watching him noticed a sudden change in Lovell’s face. The good humor and bonhomie called up by this last evening amongst his old friends had disappeared. His face had fallen into graver lines, his eyes seemed fixed with a curious introspective steadiness on a huge calendar which hung from the wall. When at last he turned towards Aynesworth, his tone was almost solemn.
“Some of them don’t lie so very far from the surface, Walter,” he said. “There is one”—he took out his watch—“there is one which, if you like, I will tell you about. I have just ten minutes.”
“Good!”
“Go ahead, Lovell, old chap!”
“Have a drink first!”
He held out his hand. They were all silent. He stood up amongst them, by far the tallest man there, with his back to the chimney piece, and his eyes still lingering about that calendar.
“Thirteen years ago,” he said, “two young men—call them by their Christian names, Wingrave and Lumley—shared a somewhat extensive hunting box in Leicestershire. They were both of good family, well off, and fairly popular, Lumley the more so perhaps. He represented the ordinary type of young Englishman, with a stronger dash than usual of selfishness. Wingrave stood for other things. He was reticent and impenetrable. People called him mysterious.”
Lovell paused for a moment to refill his pipe. The sudden light upon his face, as he struck a match, seemed to bring into vivid prominence something there, indescribable in words, yet which affected his hearers equally with the low gravity of his speech. The man himself was feeling the tragedy of the story he told.
“They seemed,” he continued, “always to get on well together, until they fell in love with the same woman. Her name we will say was Ruth. She was the wife of the Master of Hounds with whom they hunted. If I had the story-writing gifts of Aynesworth here, I would try to describe her. As I haven’t, I will simply give you a crude idea of what she seemed like to me.
“She was neither dark nor fair, short nor tall; amongst a crowd of other women, she seemed undistinguishable by any special gifts; yet when you had realized her there was no other woman in the room. She had the eyes of an angel, only they were generally veiled; she had the figure of a miniature Venus, soft and with delicate curves, which seemed somehow to be always subtly asserting themselves, although she affected in her dress an almost puritanical simplicity. Her presence in a room was always felt at once. There are some women, beautiful or plain, whose sex one scarcely recognizes. She was not one of these! She seemed to carry with her the concentrated essence of femininity. Her quiet movements, the almost noiseless rustling of her clothes, the quaint, undistinguishable perfumes which she used, her soft, even voice, were all things which seemed individual to her. She was like a study in undernotes, and yet”—Lovell paused a moment—“and yet no Spanish dancing woman, whose dark eyes and voluptuous figure have won her the crown of the demi-monde, ever possessed that innate and mystic gift of kindling passion like that woman. I told you I couldn’t describe her! I can’t! I can only speak of effects. If my story interests you, you must build up your own idea of her.”
“Becky Sharpe!” Aynesworth murmured.
Lovell nodded.
“Perhaps,” he admitted, “only Ruth was a lady. To go on with my story. A hunting coterie, as you fellows know, means lots of liberty, and a general free-and-easiness amongst the sexes, which naturally leads to flirtations more or less serious. Ruth’s little affairs were either too cleverly arranged, or too harmless for gossip. Amongst the other women of the hunt, she seemed outwardly almost demure. But one day—there was a row!”
Lovell paused, and took a drink from a glass by his side.
“I hope you fellows won’t think that I’m spinning this out,” he said. “It is, after all, in itself only a commonplace story, but I’ve carried it locked up in my memory for years, and now that I’ve let it loose, it unwinds itself slowly. This is how the row came about. Lumley one afternoon missed Wingrave and Ruth from the hunting field. Someone most unfortunately happened to tell him that they had left the run together, and had been seen riding together towards White Lodge, which was the name of the house where these two young men lived. Lumley followed them. He rode into the stable yard, and found there Ruth’s mare and Wingrave’s covert hack, from which he had not changed when they had left the field. Both animals had evidently been ridden hard, and there was something ominous in the smile
