The Celebrated Short Stories of Guy de Maupassant: 100+ Classic Tales in One Edition. Guy de Maupassant

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The Celebrated Short Stories of Guy de Maupassant: 100+ Classic Tales in One Edition - Guy de Maupassant

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now that he was dead. A feeling of mystery was blended with the power of this incomparable spirit.

      “The bodies of these men disappear, but they themselves remain; and in the night which follows the cessation of their heart’s pulsation I assure you, monsieur, they are terrifying.

      “And in hushed tones we talked about him, recalling to mind certain sayings, certain formulas of his, those startling maxims which are like jets of flame flung, in a few words, into the darkness of the Unknown Life.

      “‘It seems to me that he is going to speak,’ said my comrade. And we stared with uneasiness bordering on fear at the motionless face, with its eternal laugh. Gradually, we began to feel ill at ease, oppressed, on the point of fainting. I faltered:

      “‘I don’t know what is the matter with me, but, I assure you I am not well.’

      “And at that moment we noticed that there was an unpleasant odor from the corpse.

      “Then, my comrade suggested that we should go into the adjoining room, and leave the door open; and I assented to his proposal.

      “I took one of the wax candles which burned on the stand, and I left the second behind. Then we went and sat down at the other end of the adjoining apartment, in such a position that we could see the bed and the corpse, clearly revealed by the light.

      “But he still held possession of us. One would have said that his immaterial essence, liberated, free, allpowerful and dominating, was flitting around us. And sometimes, too, the dreadful odor of the decomposed body came toward us and penetrated us, sickening and indefinable.

      “Suddenly a shiver passed through our bones: a sound, a slight sound, came from the death-chamber. Immediately we fixed our glances on him, and we saw, yes, monsieur, we saw distinctly, both of us, something white pass across the bed, fall on the carpet, and vanish under an armchair.

      “We were on our feet before we had time to think of anything, distracted by stupefying terror, ready to run away. Then we stared at each other. We were horribly pale. Our hearts throbbed fiercely enough to have raised the clothing on our chests. I was the first to speak:

      “‘Did you see?’

      “‘Yes, I saw.’

      “‘Can it be that he is not dead?’

      “‘Why, when the body is putrefying?’

      “‘What are we to do?’

      “My companion said in a hesitating tone:

      “‘We must go and look.’

      “I took our wax candle and entered first, glancing into all the dark corners in the large apartment. Nothing was moving now, and I approached the bed. But I stood transfixed with stupor and fright:

      “Schopenhauer was no longer laughing! He was grinning in a horrible fashion, with his lips pressed together and deep hollows in his cheeks. I stammered out:

      “‘He is not dead!’

      “But the terrible odor ascended to my nose and stifled me. And I no longer moved, but kept staring fixedly at him, terrified as if in the presence of an apparition.

      “Then my companion, having seized the other wax candle, bent forward. Next, he touched my arm without uttering a word. I followed his glance, and saw on the ground, under the armchair by the side of the bed, standing out white on the dark carpet, and open as if to bite, Schopenhauer’s set of artificial teeth.

      “The work of decomposition, loosening the jaws, had made it jump out of the mouth.

      “I was really frightened that day, monsieur.”

      And as the sun was sinking toward the glittering sea, the consumptive German rose from his seat, gave me a parting bow, and retired into the hotel.

      Table of Contents

      There were seven of us on a drag, four women and three men; one of the latter sat on the box seat beside the coachman. We were ascending, at a snail’s pace, the winding road up the steep cliff along the coast.

      Setting out from Etretat at break of day in order to visit the ruins of Tancarville, we were still half asleep, benumbed by the fresh air of the morning. The women especially, who were little accustomed to these early excursions, half opened and closed their eyes every moment, nodding their heads or yawning, quite insensible to the beauties of the dawn.

      It was autumn. On both sides of the road stretched the bare fields, yellowed by the stubble of wheat and oats which covered the soil like a beard that had been badly shaved. The moist earth seemed to steam. Larks were singing high up in the air, while other birds piped in the bushes.

      The sun rose at length in front of us, bright red on the plane of the horizon, and in proportion as it ascended, growing clearer from minute to minute, the country seemed to awake, to smile, to shake itself like a young girl leaving her bed in her white robe of vapor. The Comte d’Etraille, who was seated on the box, cried:

      “Look! look! a hare!” and he extended his arm toward the left, pointing to a patch of clover. The animal scurried along, almost hidden by the clover, only its large ears showing. Then it swerved across a furrow, stopped, started off again at full speed, changed its course, stopped anew, uneasy, spying out every danger, uncertain what route to take, when suddenly it began to run with great bounds, disappearing finally in a large patch of beetroot. All the men had waked up to watch the course of the animal.

      Rene Lamanoir exclaimed:

      “We are not at all gallant this morning,” and; regarding his neighbor, the little Baroness de Serennes, who struggled against sleep, he said to her in a low tone: “You are thinking of your husband, baroness. Reassure yourself; he will not return before Saturday, so you have still four days.”

      She answered with a sleepy smile:

      “How stupid you are!” Then, shaking off her torpor, she added: “Now, let somebody say something to make us laugh. You, Monsieur Chenal, who have the reputation of having had more love affairs than the Due de Richelieu, tell us a love story in which you have played a part; anything you like.”

      Leon Chenal, an old painter, who had once been very handsome, very strong, very proud of his physique and very popular with women, took his long white beard in his hand and smiled. Then, after a few moments’ reflection, he suddenly became serious.

      “Ladies, it will not be an amusing tale, for I am going to relate to you the saddest love affair of my life, and I sincerely hope that none of my friends may ever pass through a similar experience.

      “I was twenty-five years of age and was pillaging along the coast of Normandy. I call ‘pillaging’ wandering about, with a knapsack on one’s back, from inn to inn, under the pretext of making studies and sketching landscapes. I knew nothing more enjoyable than that happy-go-lucky wandering life, in which one is perfectly free, without shackles of any kind, without care, without preoccupation, without thinking even of the morrow. One goes in any direction one pleases, without any guide save his fancy, without any counsellor

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