wine. The gallant prince who meets us here at last, to offer an olive branch even more glorious than his sword, may well have our sympathy if he himself views the cession with some sentimental regret; but I have little doubt that he also will live to rejoice in it at last. And I would remind you that it is not the vine alone that has been the sign of the glory of the South. There is another sacred tree unstained by loose and violent memories, guiltless of the blood of Pentheus or of Orpheus and the broken lyre. We shall pass from this place in a little while as all things pass and perish:
"Far called, our navies melt away.
On dune and headland sinks the fire,
And all our pomp of yesterday
Is one with Nineveh and Tyre.
"But so long as sun can shine and soil can nourish, happier men and women after us shall look on this lovely islet and it shall tell its own story; for they shall see these three holy olive trees lifted in everlasting benediction, over the humble spot out of which came the peace of the world."
The other two men were staring at Patrick Dalroy; his hand had tightened on the tree, and a giant billow of effort went over his broad breast. A small stone jerked itself out of the ground at the foot of the tree as if it were a grasshopper jumping; and then the coiled roots of the olive tree rose very slowly out of the earth like the limbs of a dragon lifting itself from sleep.
"I offer an olive branch," said the King of Ithaca, totteringly leaning the loose tree so that its vast shadow, much larger than itself, fell across the whole council. "An olive branch," he gasped, "more glorious than my sword. Also heavier."
Then he made another effort and tossed it into the sea below.
The German, who was no German, had put up his arm in apprehension when the shadow fell across him. Now he got up and edged away from the table; seeing that the wild Irishman was tearing up the second tree. This one came out more easily; and before he flung it after the first, he stood with it a moment; looking like a man juggling with a tower.
Lord Ivywood showed more firmness; but he rose in tremendous remonstrance. Only the Turkish Pasha still sat with blank eyes, immovable. Dalroy rent out the last tree and hurled it, leaving the island bare.
"There!" said Dalroy, when the third and last olive had splashed in the tide. "Now I will go. I have seen something today that is worse than death: and the name of it is Peace."
Oman Pasha rose and held out his hand.
"You are right," he said in French, "and I hope we meet again in the only life that is a good life. Where are you going now?"
"I am going," said Dalroy, dreamily, "to 'The Old Ship.'"
"Do you mean?" asked the Turk, "that you are going back to the warships of the English King?"
"No," answered the other, "I am going back to 'The Old Ship' that is behind the apple trees by Pebblewick; where the Ule flows among the trees. I fear I shall never see you there."
After an instant's hesitation he wrung the red hand of the great tyrant and walked to his boat without a glance at the diplomatists.
Chapter III: The Sign of "The Old Ship"
UPON few of the children of men has the surname of Pump fallen, and of these few have been maddened into naming a child Humphrey in addition to it. To such extremity, however, had the parents of the innkeeper at "The Old Ship" proceeded, that their son might come at last to be called "Hump" by his dearest friends, and "Pumph" by an aged Turk with a green umbrella. All this, or all he knew of it, he endured with a sour smile; for he was of a stoical temper.
Mr. Humphrey Pump stood outside his inn, which stood almost on the seashore, screened only by one line of apple trees, dwarfed, twisted and salted by the sea air; but in front of it was a highly banked bowling green, and behind it the land sank abruptly; so that one very steep sweeping road vanished into the depth and mystery of taller trees. Mr. Pump was standing immediately under his trim sign, which stood erect in the turf; a wooden pole painted white and suspending a square white board, also painted white but further decorated with a highly grotesque blue ship, such as a child might draw, but into which Mr. Pump's patriotism had insinuated a disproportionately large red St. George's cross.
Mr. Humphrey Pump was a man of middle size, with very broad shoulders, wearing a sort of shooting suit with gaiters. Indeed, he was engaged at the moment in cleaning and reloading a double-barrelled gun, a short but powerful weapon which he had invented, or at least improved, himself; and which, though eccentric enough as compared with latest scientific arms, was neither clumsy nor necessarily out of date. For Pump was one of those handy men who seem to have a hundred hands like Briareus; he made nearly everything for himself and everything in his house was slightly different from the same thing in anyone else's house. He was also as cunning as Pan or a poacher in everything affecting every bird or dish, every leaf or berry in the woods. His mind was a rich soil of subconscious memories and traditions; and he had a curious kind of gossip so allusive as to almost amount to reticence; for he always took it for granted that everyone knew his county and its tales as intimately as he did; so he would mention the most mysterious and amazing things without relaxing a muscle on his face, which seemed to be made of knotted wood. His dark brown hair ended in two rudimentary side whiskers, giving him a slightly horsy look, but in the old-fashioned sportsman's style. His smile was rather wry and crabbed; but his brown eyes were kindly and soft. He was very English.
As a rule his movements, though quick, were cool; but on this occasion he put down the gun on the table outside the inn in a rather hurried manner and came forward dusting his hands in an unusual degree of animation and even defiance. Beyond the goblin green apple trees and against the sea had appeared the tall, slight figure of a girl, in a dress about the colour of copper and a large shady hat. Under the hat her face was grave and beautiful though rather swarthy. She shook hands with Mr. Pump; then he very ceremoniously put a chair for her and called her "Lady Joan."
"I thought I would like a look at the old place," she said. "We have had some happy times here when we were boys and girls. I suppose you hardly see any of your old friends now."
"Very little," answered Pump, rubbing his short whisker reflectively. "Lord Ivywood's become quite a Methody parson, you know, since he took the place; he's pulling down beer-shops right and left. And Mr. Charles was sent to Australia for lying down flat at the funeral. Pretty stiff I call it; but the old lady was a terror."
"Do you ever hear," asked Lady Joan Brett, carelessly, "of that Irishman, Captain Dalroy?"
"Yes, more often than from the rest," answered the innkeeper. "He seems to have done wonders in this Greek business. Ah! He was a sad loss to the Navy!"
"They insulted his country," said the girl, looking at the sea with a heightened colour. "After all, Ireland was his country; and he had a right to resent it being spoken of like that."
"And when they found he'd painted him green," went on Mr. Pump.
"Painted him what?" asked Lady Joan.
"Painted Captain Dawson green," continued Mr. Pump in colourless tones. "Captain Dawson said green was the colour of Irish traitors, so Dalroy painted him green. It was a great temptation, no doubt, with this fence being painted at the time and the pail of stuff there; but, of course, it had a very prejudicial effect on his professional career."
"What
