my dear girl, the chapel!"
"She only pretends to think of it. Miriam is becoming a hypocrite. I have noted several little signs of it since Cecily came. She poses—and in wretchedness. Please to recollect that her age is four-and-twenty."
"I do so frequently, and marvel at human nature."
"I do so, and without marvelling at all, for I see human nature justifying itself. I'll tell you what I am going to do, I shall propose to her to begin and read Dante."
"The 'Inferno.' Why, yes."
"And I shall craftily introduce to her attention one or two wicked and worldly little books, such as, 'The Improvisatore,' and the 'Golden Treasury,' and so on. Any such attempts at first would have been premature; but I think the time has come."
Miriam knew no language but her own, and Eleanor by no means purposed inviting her to a course of grammar and exercise. She herself, with her husband's assistance, had learned to read Italian in the only rational way for mature-minded persons—simply taking the text and a close translation, and glancing from time to time at a skeleton accidence. This, of course, will not do in the case of fools, but Miriam Baske, all appearances notwithstanding, did not belong to that category. On hearing her cousin's proposition, she at first smiled coldly; but she did not reject it, and in a day or two they had made a fair beginning of the 'Inferno.' Such a beginning, indeed, as surprised Eleanor, who was not yet made aware that Miriam worked at the book in private with feverish energy—drank at the fountain like one perishing of thirst. Andersen's exquisite story was not so readily accepted, yet this too before long showed a book-marker. And Miriam's countenance brightened; she could not conceal this effect. Her step was a little lighter, and her speech became more natural.
A relapse was to be expected; it came at the bidding of sirocco. One morning the heavens lowered, grey, rolling; it might have been England. Vesuvius, heavily laden at first with a cloud like that on Olympus when the gods are wrathful, by degrees passed from vision, withdrew its form into recesses of dun mists. The angry blue of Capri faded upon a troubled blending of sea and sky; everywhere the horizon contracted and grew mournful; rain began to fall.
Miriam sank as the heavens darkened. The strength of which she had lately been conscious forsook her; all her body was oppressed with languor, her mind miserably void. No book made appeal to her, and the sight of those which she had bought from home was intolerable. She lay upon a couch, her limbs torpid, burdensome. Eleanor's company was worse than useless.
"Please leave me alone," she said at length. "The sound of your voice irritates me."
An hour went by, and no one disturbed her mood. Her languor was on the confines of sleep, when a knock at the door caused her to stir impatiently and half raise herself. It was her maid who entered, holding a note.
"A gentleman has called, ma'am. He wished me to give you this."
Miriam glanced at the address, and at once stood up, only her pale face witnessing the lack of energy of a moment ago.
"Is he waiting?"
"Yes, ma'am."
The note was of two or three lines:—"Will you let me see you? Of course I mean alone. It's a long time since we saw each other.—R. E."
"I will see him in this room."
The footstep of the maid as she came back along the tiled corridor was accompanied by one much heavier. Miriam kept her eyes turned to the door; her look was of pained expectancy and of sternness. She stood close by the window, as if purposely drawing as far away as possible. The visitor was introduced, and the door closed behind him.
He too, stood still, as far from Miriam as might be. His age seemed to be seven- or eight-and-twenty, and the cast of his features so strongly resembled Miriam's that there was no doubt of his being her brother. Yet he had more beauty as a man than she as a woman. Her traits were in him developed so as to lose severity and attain a kind of vigour, which at first sight promised a rich and generous nature; his excellent forehead and dark imaginative eyes indicated a mind anything but likely to bear the trammels in which Miriam had grown up. In the attitude with which he waited for his sister to speak there was both pride and shame; his look fell before hers, but the constrained smile on his lips was one of self-esteem at issue with adversity. He wore the dress of a gentleman, but it was disorderly. His light overcoat hung unbuttoned, and in his hand he crushed together a hat of soft felt.
"Why have you come to see me, Reuben?" Miriam asked at length, speaking with difficulty and in an offended tone.
"Why shouldn't I, Miriam?" he returned quietly, stepping nearer to her. "Till a few days ago I knew nothing of the illness you have had, or I should, at all events, have written. When I heard you had come to Naples, I—well, I followed. I might as well be here as anywhere else, and I felt a wish to see you."
"Why should you wish to see me? What does it matter to you whether I am well or ill?"
"Yes, it matters, though of course you find it hard to believe."
"Very, when I remember the words with which you last parted from me. If I was hateful to you then, how am I less so now?"
"A man in anger, and especially one of my nature, often says more than he means. It was never you that were hateful to me, though your beliefs and your circumstances might madden me into saying such a thing."
"My beliefs, as I told you then, are a part of myself—are myself."
She said it with irritable insistence—an accent which would doubtless have been significant in the ears of Eleanor Spence.
"I don't wish to speak of that. Have you recovered your health, Miriam?"
"I am better."
He came nearer again, throwing his hat aside.
"Will you let me sit down? I've had a long journey in third-class, and I feel tired. Such weather as this doesn't help to make me cheerful. I imagined Naples with a rather different sky."
Miriam motioned towards a chair, and looked drearily from the window at the dreary sea. Neither spoke again for two or three minutes. Reuben Elgar surveyed the room, but inattentively.
"What is it you want of me?" Miriam asked, facing him abruptly.
"Want? You hint that I have come to ask you for money?"
"I shouldn't have thought it impossible. If you were in need—you spoke of a third-class journey—I am, at all events, the natural person for your thoughts to turn to."
Reuben laughed dispiritedly.
"No, no, Miriam; I haven't quite got to that. You are the very last person I should think of in such a case."
"Why?"
"Simply because I am not quite so contemptible as you think me. I don't quarrel with my sister, and come back after some years to make it up just because I want to make a demand on her purse."
"You haven't accustomed me to credit you with high motives, Reuben."
"No. And I have never succeeded in making you understand me. I suppose it's hopeless that you ever will. We are too different. You
