p. 178.)
The Greeks, Etruscans, and Romans, appear to have been accustomed to cover the foreskin with the kynodesme (a band), or the fibula (a ring), for custom and modesty demanded that the glans should be concealed. Such covering is represented in persons who were compelled to be naked, and is referred to by Celsus as "decori causâ." (L. Stieda, "Anatomisch-archäologische Studien," Anatomische Hefte, Bd. XIX, Heft 2, 1902.)
"Among the Lydians, and, indeed, among the barbarians generally, it is considered a deep disgrace, even for a man, to be seen naked." (Herodotus, Book I, Chapter X.)
"The simple dress which is now common was first worn in Sparta, and there, more than anywhere else, the life of the rich was assimilated to that of the people. The Lacedæmonians, too, were the first who, in their athletic exercises, stripped naked and rubbed themselves over with oil. This was not the ancient custom; athletes formerly, even when they were contending at Olympia, wore girdles about their loins [earlier still, the Mycenæans had always worn a loin-cloth], a practice which lasted until quite lately, and still persists among barbarians, especially those of Asia, where the combatants at boxing and wrestling matches wear girdles." (Thucydides, History, Book I, Chapter VI.)
"The notion of the women exercising naked in the schools with the men … at the present day would appear truly ridiculous. … Not long since it was thought discreditable and ridiculous among the Greeks, as it is now among most barbarous nations, for men to be seen naked. And when the Cretans first, and after them the Lacedæmonians, began the practice of gymnastic exercises, the wits of the time had it in their power to make sport of those novelties. … As for the man who laughs at the idea of undressed women going through gymnastic exercises, as a means of revealing what is most perfect, his ridicule is but 'unripe fruit plucked from the tree of wisdom.'" (Plato, Republic, Book V.)
According to Plutarch, however, among the Spartans, at all events, nakedness in women was not ridiculous, since the institutes of Lycurgus ordained that at solemn feasts and sacrifices the young women should dance naked and sing, the young men standing around in a circle to see and hear them. Aristotle says that in his time Spartan girls only wore a very slight garment. As described by Pausanias, and as shown by a statue in the Vatican, the ordinary tunic, which was the sole garment worn by women when running, left bare the right shoulder and breast, and only reached to the upper third of the thighs. (M. M. Evans, Chapters on Greek Dress, p. 34.)
Among the Greeks who were inclined to accept the doctrines of Cynicism, it was held that, while shame is not unreasonable, what is good may be done and discussed before all men. There are a number of authorities who say that Crates and Hipparchia consummated their marriage in the presence of many spectators. Lactantius (Inst. iii, 15) says that the practice was common, but this Zeller is inclined to doubt. (Zeller, Socrates and the Socratic Schools, translated from the Third German Edition, 1897.)
"Among the Tyrrhenians, who carry their luxury to an extraordinary pitch, Timæus, in his first book, relates that the female servants wait on the men in a state of nudity. And Theopompus, in the forty-third book of his History, states that it is a law among the Tyrrhenians that all their women should be in common; and that the women pay the greatest attention to their persons, and often practice gymnastic exercises, naked, among the men, and sometimes with one another; for that it is not accounted shameful for them to be seen naked. … Nor is it reckoned among the Tyrrhenians at all disgraceful either to do or suffer anything in the open air, or to be seen while it is going on; for it is quite the custom of their country, and they are so far from thinking it disgraceful that they even say, when the master of the house is indulging his appetite, and anyone asks for him, that he is doing so and so, using the coarsest possible words. … And they are very beautiful, as is natural for people to be who live delicately, and who take care of their persons." (Athenæus, Deipnosophists, Yonge's translation, vol. iii, p. 829.)
Dennis throws doubt on the foregoing statement of Athenæus regarding the Tyrrhenians or Etruscans, and points out that the representations of women in Etruscan tombs shows them as clothed, even the breast being rarely uncovered. Nudity, he remarks, was a Greek, not an Etruscan, characteristic. "To the nudity of the Spartan women I need but refer; the Thessalian women are described by Persæus dancing at banquets naked, or with a very scanty covering (apud Athenæus, xiii, c. 86). The maidens of Chios wrestled naked with the youths in the gymnasium, which Athenæus (xiii, 20) pronounces to be 'a beautiful sight.' And at the marriage feast of Caranus, the Macedonian women tumblers performed naked before the guests (Athenæus, iv, 3)." (G. Dennis, Cities and Cemeteries of Etruria, 1883, vol. i, p. 321.)
In Rome, "when there was at first much less freedom in this matter than in Greece, the bath became common to both sexes, and though each had its basin and hot room apart, they could see each other, meet, speak, form intrigues, arrange meetings, and multiply adulteries. At first, the baths were so dark that men and women could wash side by side, without recognizing each other except by the voice; but soon the light of day was allowed to enter from every side. 'In the bath of Scipio,' said Seneca, 'there were narrow ventholes, rather than windows, hardly admitting enough light to outrage modesty; but nowadays, baths are called caves if they do not receive the sun's rays through large windows.' … Hadrian severely prohibited this mingling of men and women, and ordained separate lavaera for the sexes. Marcus Aurelius and Alexander Severus renewed this edict, but in the interval, Heliogabalus had authorized the sexes to meet in the baths." (Dufour, Histoire de la Prostitution, vol. ii, Ch. XVIII; cf. Smith's Dictionary of Greek and Roman Antiquities, Art. Balneæ.)
In Rome, according to ancient custom, actors were compelled to wear drawers (subligaculum) on the stage, in order to safeguard the modesty of Roman matrons. Respectable women, it seems, also always wore some sort of subligaculum, even sometimes when bathing. The name was also applied to a leathern girdle laced behind, which they were occasionally made to wear as a girdle of chastity. (Dufour, op. cit., vol. ii, p. 150.) Greek women also wore a cloth round the loins when taking the bath, as did the men who bathed there; and a woman is represented bathing and wearing a sort of thin combinations reaching to the middle of the thigh. (Smith's Dictionary, loc. cit.) At a later period, St. Augustine refers to the compestria, the drawers or apron worn by young men who stripped for exercise in the campus. (De Civitate Dei, Bk. XIV, Ch. XVII.)
Lecky (History of Morals, vol. ii, p. 318), brings together instances of women, in both Pagan and early Christian times, who showed their modesty by drawing their garments around them, even at the moment that they were being brutally killed. Plutarch, in his essay on the "Virtues of Women,"—moralizing on the well-known story of the young women of Milesia, among whom an epidemic of suicide was only brought to an end by the decree that in future women who hanged themselves should be carried naked through the market-places—observes: "They, who had no dread of the most terrible things in the world, death and pain, could not abide the imagination of dishonor, and exposure to shame, even after death."
In the second century the physician Aretæus, writing at Rome, remarks: "In many cases, owing to involuntary restraint from modesty at assemblies, and at banquets, the bladder becomes distended, and from the consequent loss of its contractile power, it no longer evacuates the urine." (On the Causes and Symptoms of Acute Diseases, Book II, Chapter X.)
Apuleius, writing in the second century, says: "Most women, in order to exhibit their native gracefulness and allurements, divest themselves of all their garments, and long to show their naked beauty, being conscious that they shall please more by the rosy redness of their skin than by the golden splendor of their robes." (Thomas Taylor's translation of Metamorphosis, p. 28.)
Christianity seems to have profoundly affected habits of thought and feeling by uniting together the merely natural emotion of sexual reserve with, on the one hand, the masculine virtue of modesty—modestia—and, on the other, the prescription of sexual abstinence. Tertullian admirably illustrates
