stretched asleep, with his head in a lady's lap; and near them is a glass box, fastened with four locks of shining steel, in which he keeps the lady prisoner when he is awake. I see the four keys at his girdle now. The lady makes signs to the two kings in the tree, who softly descend. It is the setting-in of the bright Arabian Nights.
Oh, now all common things become uncommon and enchanted to me. All lamps are wonderful; all rings are talismans. Common flower-pots are full of treasure, with a little earth scattered on the top; trees are for Ali Baba to hide in; beef-steaks are to throw down into the Valley of Diamonds, that the precious stones may stick to them, and be carried by the eagles to their nests, whence the traders, with loud cries, will scare them. Tarts are made, according to the recipe of the Vizier's son of Bussorah, who turned pastrycook after he was set down in his drawers at the gate of Damascus; cobblers are all Mustaphas, and in the habit of sewing up people cut into four pieces, to whom they are taken blind-fold.
Any iron ring let into stone is the entrance to a cave which only waits for the magician, and the little fire, and the necromancy, that will make the earth shake. All the dates imported come from the same tree as that unlucky date, with whose shell the merchant knocked out the eye of the genie's invisible son. All olives are of the stock of that fresh fruit, concerning which the Commander of the Faithful overheard the boy conduct the fictitious trial of the fraudulent olive merchant; all apples are akin to the apple purchased (with two others) from the Sultan's gardener for three sequins, and which the tall black slave stole from the child. All dogs are associated with the dog, really a transformed man, who jumped upon the baker's counter, and put his paw on the piece of bad money. All rice recalls the rice which the awful lady, who was a ghoule, could only peck by grains, because of her nightly feasts in the burial-place. My very rocking-horse,—there he is, with his nostrils turned completely inside-out, indicative of Blood!—should have a peg in his neck, by virtue thereof to fly away with me, as the wooden horse did with the Prince of Persia, in the sight of all his father's Court.
Yes, on every object that I recognise among those upper branches of my Christmas Tree, I see this fairy light! When I wake in bed, at daybreak, on the cold, dark, winter mornings, the white snow dimly beheld, outside, through the frost on the window-pane, I hear Dinarzade. "Sister, sister, if you are yet awake, I pray you finish the history of the Young King of the Black Islands." Scheherazade replies, "If my lord the Sultan will suffer me to live another day, sister, I will not only finish that, but tell you a more wonderful story yet." Then, the gracious Sultan goes out, giving no orders for the execution, and we all three breathe again.
At this height of my tree I begin to see, cowering among the leaves—it may be born of turkey, or of pudding, or mince pie, or of these many fancies, jumbled with Robinson Crusoe on his desert island, Philip Quarll among the monkeys, Sandford and Merton with Mr. Barlow, Mother Bunch, and the Mask—or it may be the result of indigestion, assisted by imagination and over-doctoring—a prodigious nightmare. It is so exceedingly indistinct, that I don't know why it's frightful—but I know it is. I can only make out that it is an immense array of shapeless things, which appear to be planted on a vast exaggeration of the lazy-tongs that used to bear the toy soldiers, and to be slowly coming close to my eyes, and receding to an immeasurable distance. When it comes closest, it is worse. In connection with it I descry remembrances of winter nights incredibly long; of being sent early to bed, as a punishment for some small offence, and waking in two hours, with a sensation of having been asleep two nights; of the laden hopelessness of morning ever dawning; and the oppression of a weight of remorse.
And now, I see a wonderful row of little lights rise smoothly out of the ground, before a vast green curtain. Now, a bell rings—a magic bell, which still sounds in my ears unlike all other bells—and music plays, amidst a buzz of voices, and a fragrant smell of orange-peel and oil. Anon, the magic bell commands the music to cease, and the great green curtain rolls itself up majestically, and The Play begins! The devoted dog of Montargis avenges the death of his master, foully murdered in the Forest of Bondy; and a humorous Peasant with a red nose and a very little hat, whom I take from this hour forth to my bosom as a friend (I think he was a Waiter or an Hostler at a village Inn, but many years have passed since he and I have met), remarks that the sassigassity of that dog is indeed surprising; and evermore this jocular conceit will live in my remembrance fresh and unfading, overtopping all possible jokes, unto the end of time. Or now, I learn with bitter tears how poor Jane Shore, dressed all in white, and with her brown hair hanging down, went starving through the streets; or how George Barnwell killed the worthiest uncle that ever man had, and was afterwards so sorry for it that he ought to have been let off. Comes swift to comfort me, the Pantomime—stupendous Phenomenon!—when clowns are shot from loaded mortars into the great chandelier, bright constellation that it is; when Harlequins, covered all over with scales of pure gold, twist and sparkle, like amazing fish; when Pantaloon (whom I deem it no irreverence to compare in my own mind to my grandfather) puts red-hot pokers in his pocket, and cries "Here's somebody coming!" or taxes the Clown with petty larceny, by saying, "Now, I sawed you do it!" when Everything is capable, with the greatest ease, of being changed into Anything; and "Nothing is, but thinking makes it so." Now, too, I perceive my first experience of the dreary sensation—often to return in after-life—of being unable, next day, to get back to the dull, settled world; of wanting to live for ever in the bright atmosphere I have quitted; of doting on the little Fairy, with the wand like a celestial Barber's Pole, and pining for a Fairy immortality along with her. Ah, she comes back, in many shapes, as my eye wanders down the branches of my Christmas Tree, and goes as often, and has never yet stayed by me!
Out of this delight springs the toy-theatre,—there it is, with its familiar proscenium, and ladies in feathers, in the boxes!—and all its attendant occupation with paste and glue, and gum, and water colours, in the getting-up of The Miller and his Men, and Elizabeth, or the Exile of Siberia. In spite of a few besetting accidents and failures (particularly an unreasonable disposition in the respectable Kelmar, and some others, to become faint in the legs, and double up, at exciting points of the drama), a teeming world of fancies so suggestive and all-embracing, that, far below it on my Christmas Tree, I see dark, dirty, real Theatres in the day-time, adorned with these associations as with the freshest garlands of the rarest flowers, and charming me yet.
But hark! The Waits are playing, and they break my childish sleep! What images do I associate with the Christmas music as I see them set forth on the Christmas Tree? Known before all the others, keeping far apart from all the others, they gather round my little bed. An angel, speaking to a group of shepherds in a field; some travellers, with eyes uplifted, following a star; a baby in a manger; a child in a spacious temple, talking with grave men; a solemn figure, with a mild and beautiful face, raising a dead girl by the hand; again, near a city gate, calling back the son of a widow, on his bier, to life; a crowd of people looking through the opened roof of a chamber where he sits, and letting down a sick person on a bed, with ropes; the same, in a tempest, walking on the water to a ship; again, on a sea-shore, teaching a great multitude; again, with a child upon his knee, and other children round; again, restoring sight to the blind, speech to the dumb, hearing to the deaf, health to the sick, strength to the lame, knowledge to the ignorant; again, dying upon a Cross, watched by armed soldiers, a thick darkness coming on, the earth beginning to shake, and only one voice heard, "Forgive them, for they know not what they do."
Still, on the lower and maturer branches of the Tree, Christmas associations cluster thick. School-books shut up; Ovid and Virgil silenced; the Rule of Three, with its cool impertinent inquiries, long disposed of; Terence and Plautus acted no more, in an arena of huddled desks and forms, all chipped, and notched, and inked; cricket-bats, stumps, and balls, left higher up, with the smell of trodden grass and the softened noise of shouts in the evening air; the tree is still fresh, still gay. If I no more come home at Christmas-time, there will be boys and girls (thank Heaven!) while the World lasts; and they do! Yonder they dance and play upon the branches of my Tree, God bless them, merrily, and my heart dances and plays too!
And I do come home at Christmas. We all do, or we all should. We all come home, or ought to come home, for a short holiday—the longer, the better—from the great boarding-school, where
