The History of the Ancient Civilizations. Duncker Max

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and Babylonian poems are by the same reasoning put out of the question. On the other hand, we find in Ctesias' history of the Medes episodes of at least equal poetic power with his narrative of Ninus and Semiramis. Plutarch tells us that the great deeds of Semiramis were praised in songs.[21] It is certain that they could not be the songs of Assyria, which had long since passed away, but we find, on the other hand, that there were minstrels at the court of the Medes, who sang to the kings at the banquet; it is, moreover, a Mede who warns Semiramis against Hyapates and Hydaspes; and the other names in the narrative of Ctesias bear the stamp of the Iranian language. Further, we find, not only in the fragments of Ctesias which have come down to us, but also in the narratives of Herodotus and other Greeks concerning the fortunes of the Medes and Persians down to the great war of Xerxes against the Hellenes, remains and traces of poems which can only have been sung amongst the Medes and Persians. We have, therefore, good grounds for assuming that it was Medo-Persian poems which could tell the story of Ninus and Semiramis, and that this part of the Medo-Persian poems was the source from which Ctesias drew. It was the contents of these poems recounted to him by Persians or Medes which he no doubt followed in this case, as in his further narratives of Parsondes and Sparethra, of the rebellion and struggle of Cyrus against Astyages, just as Herodotus before him drew from such poems his account of the rebellion of the Magi, the death of Cambyses, and the conspiracy of the seven Persians.

      After severe struggles the princes and people of the Medes succeeded in casting down the Assyrian empire from the supremacy it had long maintained; they conquered and destroyed their old and supposed impregnable metropolis. If the tribes of the Medes had previously been forced to bow before the Assyrians, they took ample vengeance for the degradation. Hence the Median minstrels had a most excellent reason to celebrate this crowning achievement of their nation; it afforded them a most agreeable subject. If, in the earlier and later struggles of the Medes against Assyria, the bravery of individual heroes was often celebrated in song, these songs might by degrees coalesce into a connected whole, the close of which was the overthrow of the Assyrian empire. The Median poems which dealt with this most attractive material must have commenced with the rise of the Assyrian kingdom; they had the more reason for explaining and suggesting motives for this mighty movement, as it was incumbent on them to make intelligible the wreck of the resistance of their own nation to the onset of the Assyrians, and the previous subjection of Media. In these poems no doubt they described the cruelty of the conqueror, who crucified their king, with his wife and seven children (p. 3). The more brilliant, the more overpowering the might of Assyria, as they described it, owing to eminent sovereigns in the earliest times, the wider the extent of the empire, the more easily explained and tolerable became the subjection of the Medes, the greater the glory to have finally conquered. This final retribution formed the close; the striking contrast of the former exaltation and subsequent utter overthrow, brought about by Median power and bravery, formed the centre of these poems.

      FOOTNOTES:

      [1] Strabo, pp. 736, 737. Arrian, "Anab." 3, 7, 7. The same form of the name, Athura, is given in the inscriptions of Darius.

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