in a kind of iron safe fixed to the wall, the lock of which it cost us much trouble to get picked.
In this safe were three shelves and two small drawers. Ranged on the shelves were several small bottles of crystal, hermetically stopped. They contained colorless, volatile essences, of the nature of which I shall only say that they were not poisons, – phosphor and ammonia entered into some of them. There were also some very curious glass tubes, and a small pointed rod of iron, with a large lump of rock-crystal, and another of amber, – also a loadstone of great power.
In one of the drawers we found a miniature portrait set in gold, and retaining the freshness of its colors most remarkably, considering the length of time it had probably been there. The portrait was that of a man who might be somewhat advanced in middle life, perhaps forty-seven or forty-eight. It was a remarkable face, – a most impressive face. If you could fancy some mighty serpent transformed into man, preserving in the human lineaments the old serpent type, you would have a better idea of that countenance than long descriptions can convey: the width and flatness of frontal; the tapering elegance of contour disguising the strength of the deadly jaw; the long, large, terrible eye, glittering and green as the emerald, – and withal a certain ruthless calm, as if from the consciousness of an immense power.
Mechanically I turned round the miniature to examine the back of it, and on the back was engraved a pentacle[34]; in the middle of the pentacle a ladder, and the third step of the ladder was formed by the date 1765. Examining still more minutely, I detected a spring; this, on being pressed, opened the back of the miniature as a lid. Within-side the lid were engraved, ‘Marianna to thee. Be faithful in life and in death to—.’ Here follows a name that I will not mention, but it was not unfamiliar to me. I had heard it spoken of by old men in my childhood as the name borne by a dazzling charlatan who had made a great sensation in London for a year or so, and had fled the country on the charge of a double murder within his own house, – that of his mistress and his rival. I said nothing of this to Mr. J—, to whom reluctantly I resigned the miniature.
We had found no difficulty in opening the first drawer within the iron safe; we found great difficulty in opening the second: it was not locked, but it resisted all efforts, till we inserted in the chinks the edge of a chisel. When we had thus drawn it forth, we found a very singular apparatus in the nicest order. Upon a small, thin book, or rather tablet, was placed a saucer of crystal; this saucer was filled with a clear liquid, – on that liquid floated a kind of compass, with a needle shifting rapidly round; but instead of the usual points of a compass were seven strange characters, not very unlike those used by astrologers to denote the planets. A peculiar but not strong nor displeasing odor came from this drawer, which was lined with a wood that we afterwards discovered to be hazel. Whatever the cause of this odor, it produced a material effect on the nerves. We all felt it, even the two workmen who were in the room, – a creeping, tingling sensation from the tips of the fingers to the roots of the hair. Impatient to examine the tablet, I removed the saucer. As I did so the needle of the compass went round and round with exceeding swiftness, and I felt a shock that ran through my whole frame, so that I dropped the saucer on the floor. The liquid was spilled; the saucer was broken; the compass rolled to the end of the room, and at that instant the walls shook to and fro, as if a giant had swayed and rocked them.
The two workmen were so frightened that they ran up the ladder by which we had descended from the trapdoor; but seeing that nothing more happened, they were easily induced to return.
Meanwhile I had opened the tablet: it was bound in plain red leather, with a silver clasp; it contained but one sheet of thick vellum[35], and on that sheet were inscribed, within a double pentacle, words in old monkish Latin, which are literally to be translated thus: ‘On all that it can reach within these walls, sentient or inanimate, living or dead, as moves the needle, so work my will! Accursed be the house, and restless be the dwellers therein.’
We found no more. Mr. J– burned the tablet and its anathema[36]. He razed to the foundations the part of the building containing the secret room with the chamber over it. He had then the courage to inhabit the house himself for a month, and a quieter, better-conditioned house could not be found in all London. Subsequently he let it to advantage, and his tenant has made no complaints.
Wilkie Collins
Dream Woman
The First Narrative
Introductory statement of the facts by Percy Fairbank
I
‘Hullo, there! Hostler! Hullo-o-o!’
‘My dear! why don’t you look for the bell?’
‘I have looked – there is no bell.’
‘And nobody in the yard. How very extraordinary! Call again, dear.’
‘Hostler! Hullo, there! Hostler-r-r!’
My second call echoes through empty space, and rouses nobody – produces, in short, no visible result. I am at the end of my resources – I don’t know what to say or what to do next. Here I stand in the solitary inn yard of a strange town, with two horses to hold, and a lady to take care of. By way of adding to my responsibilities, it so happens that one of the horses is dead lame, and that the lady is my wife.
Who am I? – you will ask.
There is plenty of time to answer the question. Nothing happens; and nobody appears to receive us. Let me introduce myself and my wife.
I am Percy Fairbank – English gentleman – age (let us say) forty – no profession – moderate politics – middle height – fair complexion – easy character – plenty of money.
My wife is a French lady. She was Mademoiselle Clotilde Delorge – when I was first presented to her at her father’s house in France. I fell in love with her – I really don’t know why. It might have been because I was perfectly idle, and had nothing else to do at the time. Or it might have been because all my friends said she was the very last woman whom I ought to think of marrying. On the surface, I must own, there is nothing in common between Mrs. Fairbank and me. She is tall; she is dark; she is nervous, excitable, romantic; in all her opinions she proceeds to extremes. What could such a woman see in me? what could I see in her? I know no more than you do. In some mysterious manner we exactly suit each other. We have been man and wife for ten years, and our only regret is, that we have no children. I don’t know what you may think; I call that – upon the whole – a happy marriage.
So much for ourselves. The next question is – what has brought us into the inn yard? and why am I obliged to turn groom, and hold the horses?
We live for the most part in France – at the country house in which my wife and I first met. Occasionally, by way of variety, we pay visits to my friends in England. We are paying one of those visits now. Our host is an old college friend of mine, possessed of a fine estate in Somersetshire[37]; and we have arrived at his house – called Farleigh Hall – toward the close of the hunting season.
On the day of which I am now writing – destined to be a memorable
pentacle – a magic geometrical figure
vellum – parchment
anathema – a formal declaration of the Church condemning smb. or smth.; a curse
Somersetshire – a historic county in the southwest of England
