were arranged in sconces, big books were brought from hidden recesses, and the work of the evening commenced.
How often were those pegs twisted and re-twisted before our friend found that he had twisted them enough; how many discordant scrapes gave promise of the coming harmony. How much the muslin fluttered and crumpled before Eleanor and another nymph were duly seated at the piano; how closely did that tall Apollo pack himself against the wall, with his flute, long as himself, extending high over the heads of his pretty neighbours; into how small a corner crept that round and florid little minor canon, and there with skill amazing found room to tune his accustomed fiddle!
And now the crash begins: away they go in full flow of harmony together,—up hill and down dale,—now louder and louder, then lower and lower; now loud, as though stirring the battle; then low, as though mourning the slain. In all, through all, and above all, is heard the violoncello. Ah, not for nothing were those pegs so twisted and re-twisted;—listen, listen! Now alone that saddest of instruments tells its touching tale. Silent, and in awe, stand fiddle, flute, and piano, to hear the sorrows of their wailing brother. 'Tis but for a moment: before the melancholy of those low notes has been fully realised, again comes the full force of all the band;—down go the pedals, away rush twenty fingers scouring over the bass notes with all the impetus of passion. Apollo blows till his stiff neckcloth is no better than a rope, and the minor canon works with both arms till he falls in a syncope of exhaustion against the wall.
How comes it that now, when all should be silent, when courtesy, if not taste, should make men listen,—how is it at this moment the black-coated corps leave their retreat and begin skirmishing? One by one they creep forth, and fire off little guns timidly, and without precision. Ah, my men, efforts such as these will take no cities, even though the enemy should be never so open to assault. At length a more deadly artillery is brought to bear; slowly, but with effect, the advance is made; the muslin ranks are broken, and fall into confusion; the formidable array of chairs gives way; the battle is no longer between opposing regiments, but hand to hand, and foot to foot with single combatants, as in the glorious days of old, when fighting was really noble. In corners, and under the shadow of curtains, behind sofas and half hidden by doors, in retiring windows, and sheltered by hanging tapestry, are blows given and returned, fatal, incurable, dealing death.
Apart from this another combat arises, more sober and more serious. The archdeacon is engaged against two prebendaries, a pursy full-blown rector assisting him, in all the perils and all the enjoyments of short whist. With solemn energy do they watch the shuffled pack, and, all-expectant, eye the coming trump. With what anxious nicety do they arrange their cards, jealous of each other's eyes! Why is that lean doctor so slow,—cadaverous man with hollow jaw and sunken eye, ill beseeming the richness of his mother church! Ah, why so slow, thou meagre doctor? See how the archdeacon, speechless in his agony, deposits on the board his cards, and looks to heaven or to the ceiling for support. Hark, how he sighs, as with thumbs in his waistcoat pocket he seems to signify that the end of such torment is not yet even nigh at hand! Vain is the hope, if hope there be, to disturb that meagre doctor. With care precise he places every card, weighs well the value of each mighty ace, each guarded king, and comfort-giving queen; speculates on knave and ten, counts all his suits, and sets his price upon the whole. At length a card is led, and quick three others fall upon the board. The little doctor leads again, while with lustrous eye his partner absorbs the trick. Now thrice has this been done,—thrice has constant fortune favoured the brace of prebendaries, ere the archdeacon rouses himself to the battle; but at the fourth assault he pins to the earth a prostrate king, laying low his crown and sceptre, bushy beard, and lowering brow, with a poor deuce.
"As David did Goliath," says the archdeacon, pushing over the four cards to his partner. And then a trump is led, then another trump; then a king,—and then an ace,—and then a long ten, which brings down from the meagre doctor his only remaining tower of strength—his cherished queen of trumps.
"What, no second club?" says the archdeacon to his partner.
"Only one club," mutters from his inmost stomach the pursy rector, who sits there red-faced, silent, impervious, careful, a safe but not a brilliant ally.
But the archdeacon cares not for many clubs, or for none. He dashes out his remaining cards with a speed most annoying to his antagonists, pushes over to them some four cards as their allotted portion, shoves the remainder across the table to the red-faced rector; calls out "two by cards and two by honours, and the odd trick last time," marks a treble under the candle-stick, and has dealt round the second pack before the meagre doctor has calculated his losses.
And so went off the warden's party, and men and women arranging shawls and shoes declared how pleasant it had been; and Mrs Goodenough, the red-faced rector's wife, pressing the warden's hand, declared she had never enjoyed herself better; which showed how little pleasure she allowed herself in this world, as she had sat the whole evening through in the same chair without occupation, not speaking, and unspoken to. And Matilda Johnson, when she allowed young Dickson of the bank to fasten her cloak round her neck, thought that two hundred pounds a year and a little cottage would really do for happiness; besides, he was sure to be manager some day. And Apollo, folding his flute into his pocket, felt that he had acquitted himself with honour; and the archdeacon pleasantly jingled his gains; but the meagre doctor went off without much audible speech, muttering ever and anon as he went, "three and thirty points!" "three and thirty points!"
And so they all were gone, and Mr Harding was left alone with his daughter.
What had passed between Eleanor Harding and Mary Bold need not be told. It is indeed a matter of thankfulness that neither the historian nor the novelist hears all that is said by their heroes or heroines, or how would three volumes or twenty suffice! In the present case so little of this sort have I overheard, that I live in hopes of finishing my work within 300 pages, and of completing that pleasant task—a novel in one volume; but something had passed between them, and as the warden blew out the wax candles, and put his instrument into its case, his daughter stood sad and thoughtful by the empty fire-place, determined to speak to her father, but irresolute as to what she would say.
"Well, Eleanor," said he, "are you for bed?"
"Yes," said she, moving, "I suppose so; but papa—Mr Bold was not here tonight; do you know why not?"
"He was asked; I wrote to him myself," said the warden.
"But do you know why he did not come, papa?"
"Well, Eleanor, I could guess; but it's no use guessing at such things, my dear. What makes you look so earnest about it?"
"Oh, papa, do tell me," she exclaimed, throwing her arms round him, and looking into his face; "what is it he is going to do? What is it all about? Is there any—any—any—" she didn't well know what word to use—"any danger?"
"Danger, my dear, what sort of danger?"
"Danger to you, danger of trouble, and of loss, and of—Oh, papa, why haven't you told me of all this before?"
Mr Harding was not the man to judge harshly of anyone, much less of the daughter whom he now loved better than any living creature; but still he did judge her wrongly at this moment. He knew that she loved John Bold; he fully sympathised in her affection; day after day he thought more of the matter, and, with the tender care of a loving father, tried to arrange in his own mind how matters might be so managed that his daughter's heart should not be made the sacrifice to the dispute which was likely to exist between him and Bold. Now, when she spoke to him for the first time on the subject, it was natural that he should think more of her than of himself, and that he should imagine that her own cares, and not his, were troubling her.
He stood silent before her awhile, as she gazed up into his face, and then kissing her forehead he placed her on the sofa.
