And you to wrangling, for thy loving voyage
Is but for two months victuall’d.—So to your pleasures,
I am for other than for dancing measures.
Duke S.
Stay, Jaques, stay.
Jaq.
To see no pastime I. What you would have
I’ll stay to know at your abandon’d cave.
Exit.
Duke S.
Proceed, proceed. We’ll begin these rites,
As we do trust they’ll end, in true delights.
[A dance.] Exeunt [all but Rosalind].
¶
[EPILOGUE]
Ros. It is not the fashion to see the lady the epilogue; but it is no more unhandsome than to see the lord the prologue. If it be true that good wine needs no bush, ’tis true that a good play needs no epilogue. Yet to good wine they do use good bushes; and good plays prove the better by the help of good epilogues. What a case am I in then, that am neither a good epilogue, nor cannot insinuate with you in the behalf of a good play! I am not furnish’d like a beggar, therefore to beg will not become me. My way is to conjure you, and I’ll begin with the women. I charge you, O women, for the love you bear to men, to like as much of this play as please you; and I charge you, O men, for the love you bear to women (as I perceive by your simp’ring, none of you hates them), that between you and the women the play may please. If I were a woman I would kiss as many of you as had beards that pleas’d me, complexions that lik’d me, and breaths that I defied not; and I am sure, as many as have good beards, or good faces, or sweet breaths, will for my kind offer, when I make curtsy, bid me farewell.
Exit.
¶
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