The Life of George Eliot. George Eliot
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It must have been about this time that the episode occurred in relation to "Waverley" which is mentioned by Miss Simcox in her article in the June, 1881, number of the Nineteenth Century Review. It was quite new to me, and, as it is very interesting, I give it in Miss Simcox's own words: "Somewhere about 1827 a friendly neighbor lent 'Waverley' to an elder sister of little Mary Ann Evans. It was returned before the child had read to the end, and, in her distress at the loss of the fascinating volume, she began to write out the story as far as she had read it for herself, beginning naturally where the story begins with Waverley's adventures at Tully Veolan, and continuing until the surprised elders were moved to get her the book again." Miss Simcox has pointed out the reference to this in the motto of the 57th chapter of "Middlemarch:"
"They numbered scarce eight summers when a name
Rose on their souls and stirred such motions there
As thrill the buds and shape their hidden frame
At penetration of the quickening air:
His name who told of loyal Evan Dhu,
Of quaint Bradwardine, and Vich Ian Vor,
Making the little world their childhood knew
Large with a land of mountain, lake, and scaur,
And larger yet with wonder, love, belief
Towards Walter Scott, who, living far away,
Sent them this wealth of joy and noble grief.
The book and they must part, but, day by day,
In lines that thwart like portly spiders ran,
They wrote the tale, from Tully Veolan."
Miss Simcox also mentions that "Elia divided her childish allegiance with Scott, and she remembered feasting with singular pleasure upon an extract in some stray almanac from the essay in commemoration of 'Captain Jackson and his slender ration of Single Gloucester.' This is an extreme example of the general rule that a wise child's taste in literature is sounder than adults generally venture to believe."
We know, too, from the "Mill on the Floss" that the "History of the Devil," by Daniel Defoe, was a favorite. The book is still religiously preserved at Griff, with its pictures just as Maggie looked at them. "The Pilgrim's Progress," also, and "Rasselas" had a large share of her affections.
At Miss Wallington's the growing girl soon distinguished herself by an easy mastery of the usual school-learning of her years, and there, too, the religious side of her nature was developed to a remarkable degree. Miss Lewis was an ardent Evangelical Churchwoman, and exerted a strong influence on her young pupil, whom she found very sympathetically inclined. But Mary Ann Evans did not associate freely with her schoolfellows, and her friendship with Miss Lewis was the only intimacy she indulged in.
On coming home for their holidays the sister and brother began, about this time, the habit of acting charades together before the Griff household and the aunts, who were greatly impressed with the cleverness of the performance; and the girl was now recognized in the family circle as no ordinary child.
Another epoch presently succeeded, on her removal to Miss Franklin's school at Coventry, in her thirteenth year. She was probably then very much what she has described her own Maggie at the age of thirteen:
"A creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it. No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it."
In Our Times of June, 1881, there is a paper by a lady whose mother was at school with Mary Ann Evans, which gives some interesting particulars of the Miss Franklins.
"They were daughters of a Baptist minister who had preached for many years in Coventry, and who inhabited, during his pastorate, a house in the chapel-yard almost exactly resembling that of Rufus Lyon in 'Felix Holt.' For this venerable gentleman Miss Evans, as a schoolgirl, had a great admiration, and I, who can remember him well, can trace in Rufus Lyon himself many slight resemblances, such as the 'little legs,' and the habit of walking up and down when composing. Miss Rebecca Franklin was a lady of considerable intellectual power, and remarkable for her elegance in writing and conversation, as well as for her beautiful calligraphy. In her classes for English Composition Mary Ann Evans was, from her first entering the school, far in advance of the rest; and while the themes of the other children were read, criticised, and corrected in class, hers were reserved for the private perusal and enjoyment of the teacher, who rarely found anything to correct. Her enthusiasm for music was already very strongly marked, and her music-master, a much-tried man, suffering from the irritability incident to his profession, reckoned on his hour with her as a refreshment to his wearied nerves, and soon had to confess that he had no more to teach her. In connection with this proficiency in music, my mother recalls her sensitiveness at that time as being painfully extreme. When there were visitors, Miss Evans, as the best performer in the school, was sometimes summoned to the parlor to play for their amusement, and though suffering agonies from shyness and reluctance, she obeyed with all readiness, but, on being released, my mother has often known her to rush to her room and throw herself on the floor in an agony of tears. Her schoolfellows loved her as much as they could venture to love one whom they felt to be so immeasurably superior to themselves, and she had playful nicknames for most of them. My mother, who was delicate, and to whom she was very kind, was dubbed by her 'Miss Equanimity.' A source of great interest to the girls, and of envy to those who lived farther from home, was the weekly cart which brought Miss Evans new-laid eggs and other delightful produce of her father's farm."
In talking about these early days, my wife impressed on my mind the debt she felt that she owed to the Miss Franklins for their excellent instruction, and she had also the very highest respect for their moral qualities. With her chameleon-like nature she soon adopted their religious views with intense eagerness and conviction, although she never formally joined the Baptists or any other communion than the Church of England. She at once, however, took a foremost place in the school, and became a leader of prayer-meetings among the girls. In addition to a sound English education the Miss Franklins managed to procure for their pupils excellent masters for French, German, and music; so that, looking to the lights of those times, the means of obtaining knowledge were very much above the average for girls. Her teachers, on their side, were very proud of their exceptionally gifted scholar; and years afterwards, when Miss Evans came with her father to live in Coventry, they introduced her to one of their friends, not only as a marvel of mental power, but also as a person "sure to get something up very soon in the way of clothing-club or other charitable undertaking."
This year, 1832, was not only memorable for the change to a new and superior school, but it was also much more memorable to George Eliot for the riot which she saw at Nuneaton, on the occasion of the election for North Warwickshire, after the passing of the great Reform Bill, and which subsequently furnished her with the incidents for the riot in "Felix Holt." It was an event to lay hold on the imagination of an impressionable girl of thirteen, and it is thus described in the local newspaper of 29th December, 1832:
"On