be hoped so!'
'You are very fond of calling other people dull, Harold,' said Mabel, with a displeased contraction of her eyebrows. 'Vincent is not in the least dull: you only speak of him like that because you don't understand him.'
'I didn't say it disparagingly,' said Caffyn. 'I rather admire dulness; it's so restful. But as you say, Mabel, I dare say I don't understand him: he really doesn't give a fellow a fair chance. As far as I know him, I do like him uncommonly; but, at the same time, I must confess he has always given me the impression of being, don't you know, just a trifle heavy. But very likely I'm wrong.'
'Very likely indeed,' said Mabel, closing the subject. But Caffyn had not spoken undesignedly, and had risked offending her for the moment for the sake of producing the effect he wanted; and he was not altogether unsuccessful. 'Was Harold right?' she thought later. 'Vincent is very quiet, but I always thought there was power of some sort behind; and yet—would it not have shown itself before now? But if poor Vincent is only dull, it will make no difference to me; I shall like him just as much.'
But, for all that, the suggestion very effectually prevented all danger of Vincent's becoming idealised by distance into something more interesting than a brother—which was, indeed, the reason why Caffyn made it.
Vincent himself, meanwhile, unaware—as all of us would pray to be kept unaware—of the portrait of himself, by a friend, which was being exhibited to the girl he loved, was walking down Ladbroke Hill to spend the remainder of his last evening in England in loneliness at his rooms; for he had no heart for anything else.
It was dark by that time. Above him was a clear, steel-blue sky; in front, across the hollow, rose Campden Hill, a dim, dark mass, twinkling with lights. By the square at his side a German band was playing the garden music from 'Faust,' with no more regard for expression and tunefulness than a German band is ever capable of; but distance softened the harshness and imperfection of their rendering, and Siebel's air seemed to Vincent the expression of his own passionate, unrequited devotion.
'I would do anything for her,' he said, half aloud, 'and yet I dared not tell her then. … But if I ever come back to her again—before it is too late—she shall know all she is and always will be to me. I will wait and hope for that.'
CHAPTER IV.
MALAKOFF TERRACE.
AFTER parting from Vincent at the end of Rotten Row, Mark Ashburn continued his walk alone through Kensington High Street and onwards, until he came to one of those quiet streets which serve as a sort of backwater to the main stream of traffic, and, turning down this, it was not long before he reached a row of small three-story houses, with their lower parts cased in stucco, but the rest allowed to remain in the original yellow-brown brick, which time had mellowed to a pleasant warm tone. 'Malakoff Terrace,' as the place had been christened (and the title was a tolerable index of its date), was rather less depressing in appearance than many of its more modern neighbours, with their dismal monotony and pretentiousness. It faced a well-kept enclosure, with trim lawns and beds, and across the compact laurel hedges in the little front gardens a curious passer-by might catch glimpses of various interiors which in nearly every case left him with an impression of cosy comfort. The outline of the terrace was broken here and there by little verandahs protecting the shallow balconies and painted a deep Indian-red or sap-green, which in summer time were gay with flowers and creepers, and one seldom passed there then on warm and drowsy afternoons without undergoing a well-sustained fire from quite a masked battery of pianos, served from behind the fluttering white curtains at most of the long open windows on the first floor.
Even in winter and at night the terrace was cheerful, with its variety of striped and coloured blinds and curtains at the illuminated windows; and where blinds and curtains were undrawn and the little front rooms left unlighted, the firelight flickering within on shining bookcases and picture frames was no less pleasantly suggestive. Still, in every neighbourhood there will always be some houses whose exteriors are severely unattractive; without being poverty-stricken, they seem to belong to people indifferent to all but the absolutely essential, and incapable of surrounding themselves with any of the characteristic contrivances that most homes which are more than mere lodgings amass almost unconsciously. It was before a house of this latter kind that Mark stopped—a house with nothing in the shape of a verandah to relieve its formality. Behind its front railings there were no trim laurel bushes—only an uncomfortable bed of equal parts of mould and broken red tiles, in which a withered juniper was dying hard; at the windows were no bright curtain-folds or hanging baskets of trailing fern to give a touch of colour, but dusty wire blinds and hangings of a faded drab.
It was not a boarding-house, but the home in which Mark Ashburn lived with his family, who, if they were not precisely gay, were as respectable as any in the terrace, which is better in some respects than mere gaiety.
He found them all sitting down to dinner in the back parlour, a square little room with a grey paper of a large and hideous design. His mother, a stout lady with a frosty complexion, a cold grey eye, and an injured expression about the mouth and brow, was serving out soup with a touch of the relieving officer in her manner; opposite to her was her husband, a mild little man in habitually low spirits; and the rest of the family, Mark's two sisters, Martha and Trixie, and his younger brother, Cuthbert, were in their respective places.
Mrs. Ashburn looked up severely as he came in. 'You are late again, Mark,' she said; 'while you are under this roof' (Mrs. Ashburn was fond of referring to the roof) 'your father and I expect you to conform to the rules of the house.'
'Well, you see, mother,' explained Mark, sitting down and unfolding his napkin, 'it was a fine afternoon, so I thought I would walk home with a friend.'
'There is a time for walking home with a friend, and a time for dinner,' observed his mother, with the air of quoting something Scriptural.
'And I've mixed them, mother? So I have; I'm sorry, and I won't do it again. There, will that do?'
'Make haste and eat your soup, Mark, and don't keep us all waiting for you.'
Mrs. Ashburn had never quite realised that her family had grown up. She still talked to Mark as she had done when he was a careless schoolboy at St. Peter's; she still tried to enforce little moral lessons and even petty restrictions upon her family generally; and though she had been long reduced to blank cartridges, it worried them.
The ideal family circle, on re-assembling at the close of the day, celebrate their reunion with an increasing flow of lively conversation; those who have been out into the great world describe their personal experiences, and the scenes, tragic or humorous, which they have severally witnessed during the day; and when these are exhausted, the female members take up the tale and relate the humbler incidents of domestic life, and so the hours pass till bedtime.
Such circles are in all sincerity to be congratulated; but it is to be feared that in the majority of cases the conversation of a family whose members meet every day is apt, among themselves, to become frightfully monosyllabic. It was certainly so with the Ashburns. Mark and Trixie sometimes felt the silences too oppressive to be borne, and made desperate attempts at establishing a general discussion on something or anything; but it was difficult to select a topic that could not be brought down by an axiom from Mrs. Ashburn, which disposed of the whole subject in very early infancy. Cuthbert generally came back from the office tired and somewhat sulky; Martha's temper was not to be depended upon of an evening; and Mr. Ashburn himself rarely contributed more than a heavy sigh to the common stock of conversation.
