recognised by man, must betray themselves in human experience. Progress in science or religion, no less than in morals and art, is a dramatic episode in man's career, a welcome variation in his habit and state of mind; although this variation may often regard or propitiate things external, adjustment to which may be important for his welfare. The importance of these external things, as well as their existence, he can establish only by the function and utility which a recognition of them may have in his life. The entire history of progress is a moral drama, a tale man might unfold in a great autobiography, could his myriad heads and countless scintillas of consciousness conspire, like the seventy Alexandrian sages, in a single version of the truth committed to each for interpretation. What themes would prevail in such an examination of heart? In what order and with what emphasis would they be recounted? In which of its adventures would the human race, reviewing its whole experience, acknowledge a progress and a gain? To answer these questions, as they may be answered speculatively and provisionally by an individual, is the purpose of the following work.
Efficacious reflection is reason.
A philosopher could hardly have a higher ambition than to make himself a mouth-piece for the memory and judgment of his race. Yet the most casual consideration of affairs already involves an attempt to do the same thing. Reflection is pregnant from the beginning with all the principles of synthesis and valuation needed in the most comprehensive criticism. So soon as man ceases to be wholly immersed in sense, he looks before and after, he regrets and desires; and the moments in which prospect or retrospect takes place constitute the reflective or representative part of his life, in contrast to the unmitigated flux of sensations in which nothing ulterior is regarded. Representation, however, can hardly remain idle and merely speculative. To the ideal function of envisaging the absent, memory and reflection will add (since they exist and constitute a new complication in being) the practical function of modifying the future. Vital impulse, however, when it is modified by reflection and veers in sympathy with judgments pronounced on the past, is properly called reason. Man's rational life consists in those moments in which reflection not only occurs but proves efficacious. What is absent then works in the present, and values are imputed where they cannot be felt. Such representation is so far from being merely speculative that its presence alone can raise bodily change to the dignity of action. Reflection gathers experiences together and perceives their relative worth; which is as much as to say that it expresses a new attitude of will in the presence of a world better understood and turned to some purpose. The limits of reflection mark those of concerted and rational action; they circumscribe the field of cumulative experience, or, what is the same thing, of profitable living.
The Life of Reason a name for all practical thought and all action justified by its fruits in consciousness.
Thus if we use the word life in a eulogistic sense to designate the happy maintenance against the world of some definite ideal interest, we may say with Aristotle that life is reason in operation. The Life of Reason will then be a name for that part of experience which perceives and pursues ideals—all conduct so controlled and all sense so interpreted as to perfect natural happiness.
Without reason, as without memory, there might still be pleasures and pains in existence. To increase those pleasures and reduce those pains would be to introduce an improvement into the sentient world, as if a devil suddenly died in hell or in heaven a new angel were created. Since the beings, however, in which these values would reside, would, by hypothesis, know nothing of one another, and since the betterment would take place unprayed-for and unnoticed, it could hardly be called a progress; and certainly not a progress in man, since man, without the ideal continuity given by memory and reason, would have no moral being. In human progress, therefore, reason is not a casual instrument, having its sole value in its service to sense; such a betterment in sentience would not be progress unless it were a progress in reason, and the increasing pleasure revealed some object that could please; for without a picture of the situation from which a heightened vitality might flow, the improvement could be neither remembered nor measured nor desired. The Life of Reason is accordingly neither a mere means nor a mere incident in human progress; it is the total and embodied progress itself, in which the pleasures of sense are included in so far as they can be intelligently enjoyed and pursued. To recount man's rational moments would be to take an inventory of all his goods; for he is not himself (as we say with unconscious accuracy) in the others. If he ever appropriates them in recollection or prophecy, it is only on the ground of some physical relation which they may have to his being.
Reason is as old as man and as prevalent as human nature; for we should not recognise an animal to be human unless his instincts were to some degree conscious of their ends and rendered his ideas in that measure relevant to conduct. Many sensations, or even a whole world of dreams, do not amount to intelligence until the images in the mind begin to represent in some way, however symbolic, the forces and realities confronted in action. There may well be intense consciousness in the total absence of rationality. Such consciousness is suggested in dreams, in madness, and may be found, for all we know, in the depths of universal nature. Minds peopled only by desultory visions and lusts would not have the dignity of human souls even if they seemed to pursue certain objects unerringly; for that pursuit would not be illumined by any vision of its goal. Reason and humanity begin with the union of instinct and ideation, when instinct becomes enlightened, establishes values in its objects, and is turned from a process into an art, while at the same time consciousness becomes practical and cognitive, beginning to contain some symbol or record of the co-ordinate realities among which it arises.
Reason accordingly requires the fusion of two types of life, commonly led in the world in well-nigh total separation, one a life of impulse expressed in affairs and social passions, the other a life of reflection expressed in religion, science, and the imitative arts. In the Life of Reason, if it were brought to perfection, intelligence would be at once the universal method of practice and its continual reward. All reflection would then be applicable in action and all action fruitful in happiness. Though this be an ideal, yet everyone gives it from time to time a partial embodiment when he practises useful arts, when his passions happily lead him to enlightenment, or when his fancy breeds visions pertinent to his ultimate good. Everyone leads the Life of Reason in so far as he finds a steady light behind the world's glitter and a clear residuum of joy beneath pleasure or success. No experience not to be repented of falls without its sphere. Every solution to a doubt, in so far as it is not a new error, every practical achievement not neutralised by a second maladjustment consequent upon it, every consolation not the seed of another greater sorrow, may be gathered together and built into this edifice. The Life of Reason is the happy marriage of two elements—impulse and ideation—which if wholly divorced would reduce man to a brute or to a maniac. The rational animal is generated by the union of these two monsters. He is constituted by ideas which have ceased to be visionary and actions which have ceased to be vain.
It is the sum of Art.
Thus the Life of Reason is another name for what, in the widest sense of the word, might be called Art. Operations become arts when their purpose is conscious and their method teachable. In perfect art the whole idea is creative and exists only to be embodied, while every part of the product is rational and gives delightful expression to that idea. Like art, again, the Life of Reason is not a power but a result, the spontaneous expression of liberal genius in a favouring environment. Both art and reason have natural sources and meet with natural checks; but when a process is turned successfully into an art, so that its issues have value and the ideas that accompany it become practical and cognitive, reflection, finding little that it cannot in some way justify and understand, begins to boast that it directs and has created the world in which it finds itself so much at home. Thus if art could extend its sphere to include every activity in nature, reason, being everywhere exemplified, might easily think itself omnipotent. This ideal, far as it is from actual realisation, has so dazzled men, that in their religion and mythical philosophy they have often spoken as if it were already actual and efficient. This anticipation amounts, when taken seriously, to a confusion of purposes with facts and of functions with causes, a confusion which in the interests of wisdom and progress it is important to avoid; but these speculative fables, when
