And then we shall come back to the fireside, with just the touch of a sigh because we are not in that Provence where even the saddest stories are gay. Consider the lamentable history of Peire Vidal. Two years ago Florence and I motored from Biarritz to Las Tours, which is in the Black Mountains. In the middle of a tortuous valley there rises up an immense pinnacle and on the pinnacle are four castles—Las Tours, the Towers. And the immense mistral blew down that valley which was the way from France into Provence so that the silver grey olive leaves appeared like hair flying in the wind, and the tufts of rosemary crept into the iron rocks that they might not be torn up by the roots.
It was, of course, poor dear Florence who wanted to go to Las Tours. You are to imagine that, however much her bright personality came from Stamford, Connecticut, she was yet a graduate of Poughkeepsie. I never could imagine how she did it—the queer, chattery person that she was. With the far-away look in her eyes—which wasn't, however, in the least romantic—I mean that she didn't look as if she were seeing poetic dreams, or looking through you, for she hardly ever did look at you!—holding up one hand as if she wished to silence any objection—or any comment for the matter of that—she would talk. She would talk about William the Silent, about Gustave the Loquacious, about Paris frocks, about how the poor dressed in 1337, about Fantin-Latour, about the Paris-Lyons-Mediterranée train-deluxe, about whether it would be worth while to get off at Tarascon and go across the windswept suspension-bridge, over the Rhone to take another look at Beaucaire.
We never did take another look at Beaucaire, of course—beautiful Beaucaire, with the high, triangular white tower, that looked as thin as a needle and as tall as the Flatiron, between Fifth and Broadway—Beaucaire with the grey walls on the top of the pinnacle surrounding an acre and a half of blue irises, beneath the tallness of the stone pines, What a beautiful thing the stone pine is! …
No, we never did go back anywhere. Not to Heidelberg, not to Hamelin, not to Verona, not to Mont Majour—not so much as to Carcassonne itself. We talked of it, of course, but I guess Florence got all she wanted out of one look at a place. She had the seeing eye.
I haven't, unfortunately, so that the world is full of places to which I want to return—towns with the blinding white sun upon them; stone pines against the blue of the sky; corners of gables, all carved and painted with stags and scarlet flowers and crowstepped gables with the little saint at the top; and grey and pink palazzi and walled towns a mile or so back from the sea, on the Mediterranean, between Leghorn and Naples. Not one of them did we see more than once, so that the whole world for me is like spots of colour in an immense canvas. Perhaps if it weren't so I should have something to catch hold of now.
Is all this digression or isn't it digression? Again I don't know. You, the listener, sit opposite me. But you are so silent. You don't tell me anything. I am, at any rate, trying to get you to see what sort of life it was I led with Florence and what Florence was like. Well, she was bright; and she danced. She seemed to dance over the floors of castles and over seas and over and over and over the salons of modistes and over the plages of the Riviera—like a gay tremulous beam, reflected from water upon a ceiling. And my function in life was to keep that bright thing in existence. And it was almost as difficult as trying to catch with your hand that dancing reflection. And the task lasted for years.
Florence's aunts used to say that I must be the laziest man in Philadelphia. They had never been to Philadelphia and they had the New England conscience. You see, the first thing they said to me when I called in on Florence in the little ancient, colonial, wooden house beneath the high, thin-leaved elms—the first question they asked me was not how I did but what did I do. And I did nothing. I suppose I ought to have done something, but I didn't see any call to do it. Why does one do things? I just drifted in and wanted Florence. First I had drifted in on Florence at a Browning tea, or something of the sort in Fourteenth Street, which was then still residential. I don't know why I had gone to New York; I don't know why I had gone to the tea. I don't see why Florence should have gone to that sort of spelling bee. It wasn't the place at which, even then, you expected to find a Poughkeepsie graduate. I guess Florence wanted to raise the culture of the Stuyvesant crowd and did it as she might have gone in slumming. Intellectual slumming, that was what it was. She always wanted to leave the world a little more elevated than she found it. Poor dear thing, I have heard her lecture Teddy Ashburnham by the hour on the difference between a Franz Hals and a Wouvermans and why the Pre-Mycenaean statues were cubical with knobs on the top. I wonder what he made of it? Perhaps he was thankful.
I know I was. For do you understand my whole attentions, my whole endeavours were to keep poor dear Florence on to topics like the finds at Cnossos and the mental spirituality of Walter Pater. I had to keep her at it, you understand, or she might die. For I was solemnly informed that if she became excited over anything or if her emotions were really stirred her little heart might cease to beat. For twelve years I had to watch every word that any person uttered in any conversation and I had to head it off what the English call "things"—off love, poverty, crime, religion and the rest of it. Yes, the first doctor that we had when she was carried off the ship at Havre assured me that this must be done. Good God, are all these fellows monstrous idiots, or is there a freemasonry between all of them from end to end of the earth? … That is what makes me think of that fellow Peire Vidal.
Because, of course, his story is culture and I had to head her towards culture and at the same time it's so funny and she hadn't got to laugh, and it's so full of love and she wasn't to think of love. Do you know the story? Las Tours of the Four Castles had for chatelaine Blanche Somebody-or-other who was called as a term of commendation, La Louve—the She-Wolf. And Peire Vidal the Troubadour paid his court to La Louve. And she wouldn't have anything to do with him. So, out of compliment to her—the things people do when they're in love!—he dressed himself up in wolfskins and went up into the Black Mountains. And the shepherds of the Montagne Noire and their dogs mistook him for a wolf and he was torn with the fangs and beaten with clubs. So they carried him back to Las Tours and La Louve wasn't at all impressed. They polished him up and her husband remonstrated seriously with her. Vidal was, you see, a great poet and it was not proper to treat a great poet with indifference.
So Peire Vidal declared himself Emperor of Jerusalem or somewhere and the husband had to kneel down and kiss his feet though La Louve wouldn't. And Peire set sail in a rowing boat with four companions to redeem the Holy Sepulchre. And they struck on a rock somewhere, and, at great expense, the husband had to fit out an expedition to fetch him back. And Peire Vidal fell all over the Lady's bed while the husband, who was a most ferocious warrior, remonstrated some more about the courtesy that is due to great poets. But I suppose La Louve was the more ferocious of the two. Anyhow, that is all that came of it. Isn't that a story?
You haven't an idea of the queer old-fashionedness of Florence's aunts—the Misses Hurlbird, nor yet of her uncle. An extraordinarily lovable man, that Uncle John. Thin, gentle, and with a "heart" that made his life very much what Florence's afterwards became. He didn't reside at Stamford; his home was in Waterbury where the watches come from. He had a factory there which, in our queer American way, would change its functions almost from year to year. For nine months or so it would manufacture buttons out of bone. Then it would suddenly produce brass buttons for coachmen's liveries. Then it would take a turn at embossed tin lids for candy boxes. The fact is that the poor old gentleman, with his weak and fluttering heart, didn't want his factory to manufacture anything at all. He wanted to retire. And he did retire when he was seventy. But he was so worried at having all the street boys in the town point after him and exclaim: "There goes the laziest man in Waterbury!" that he tried taking a tour round the world. And Florence and a young man called Jimmy went with him. It appears from what Florence told me that Jimmy's function with Mr. Hurlbird was to avoid exciting topics for him. He had to keep him, for instance, out of political discussions. For the poor old man was a violent Democrat in days when you might travel the world over without finding anything but a Republican. Anyhow, they went round the world.
I think an anecdote is about the best way to give you an idea of what the old gentleman was like. For it is perhaps important that you
