Myths and Legends of Ancient Egypt. Lewis Spence

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Dead, or formulæ devoting offerings of loaves, geese, beer, and other provisions to the ka of the deceased. The burial ceremony was stately and imposing. Sometimes it chanced that the corpse had to be conveyed by water, and gaily painted boats held the funeral procession; or else the chain of mourners moved slowly along by the western bank of the Nile. The ceremonial at the tomb appears to have been almost of a theatrical character, and symbolized the night journey of Ra-Osiris. The prescribed prayers were recited, and incense was offered up. The kinsmen of the deceased were loud in their lamentations, and were assisted in these by a professional class of mourners who 'keened' loudly and shrilly as the procession slowly approached the mastaba, or tomb, in which the mummy was to be laid to rest. It was taken from the coffin when it arrived at the door of its long home, and was placed upright against the wall of the mastaba by a priest wearing the mask of the jackal-headed god Anubis. At this point an elaborate ceremony was performed, known as the 'opening of the mouth.' With many magical spells and signs the mouth of the deceased was opened by means of a hook, after which he was supposed to be able to make use of his mouth for the purpose of speaking, eating, or drinking. Special literature had sprung up in connexion with this custom, and was known as The Book of the Opening of the Mouth. Elaborate and numerous were the instruments employed in the ceremony: the pesh-ken, or hook, made of a pinkish flint, the knife of greyish-green stone, the vases, small stone knives representing the 'metal of the north' and the 'metal of the south,' the unguents and oils, and so on. Interminable was the ceremonial in the case of a person of importance, at least twenty-eight formulæ having to be recited, many of which were accompanied by lustration, purification, and, on the part of the priests who officiated, a change of costume. The coffin containing the mummy was then lowered into the tomb by means of a long rope, and was received by the grave-diggers.

      The Ka

      The dead man was practically at the mercy of the living for subsistence in the otherworld. Unless his kinsmen continued their offerings to him he was indeed in bad case, for his ka would starve. This ka was his double, and came into the world at the same time as himself. It must be sharply distinguished from the ba, or soul, which usually took the form of a bird after the death of its owner, and, indeed, was capable of assuming such shape as it chose if the funeral ceremonies were carried out correctly. Some Egyptologists consider the ka to be the special active force which imbues the human being with life, and it may be equivalent to the Hebrew expression 'spirit' as apart from 'soul.' In the book of Genesis we are informed that God breathed the breath of life into man and he lived. In like manner did He lay His arms behind the primeval gods, and forthwith His ka went up over them, and they lived. When the man died his ka quitted the body, but did not cease to take an interest in it, and on occasion even reanimated it. It was on behalf of the ka that Egyptian tombs were so well furnished with food and drink, and the necessities, not to say the luxuries, of existence.

      The Ba

      The ba, as has been mentioned, did not remain with the body, but took wing after death. Among primitive peoples—the aborigines of America, for instance—the soul is frequently regarded as possessing the form and attributes of a bird. The ability of the bird to make passage for itself across the great ocean of air, the incomprehensibility of its gift of flight, the mystery of its song, its connexion with 'heaven,' render it a being at once strange and enviable. Such freedom, argues primitive man, must have the liberated soul, untrammelled by the hindering flesh. So, too, must gods and spirits be winged, and such, he hopes, will be his own condition when he has shaken off the mortal coil and rises on pinions to the heavenly mansions. Thus the Bororos of Brazil believe that the soul possesses the form of a bird. The Bilquila Indians of British Columbia think that the soul dwells in an egg in the nape of the neck, and that upon death this egg is hatched and the enclosed bird takes flight. In Bohemian folk-lore we learn that the soul is popularly conceived as a white bird. The Malays and the Battas of Sumatra also depict the immortal part of man in bird-shape, as do the Javanese and Borneans. Thus we see that the Egyptian concept is paralleled in many a distant land. But nowhere do we find the belief so strong or so persistent over a prolonged period of time as in the valley of the Nile.

      No race conferred so much importance and dignity upon the cult of the dead as the Egyptian. It is no exaggeration to say that the life of the Egyptian of the cultured class was one prolonged preparation for death. It is probable, however, that he was, through force of custom and environment, unaware of the circumstance. It is dangerous to indulge in a universal assertion with reference to an entire nation. But if any people ever regarded life as a mere academy of preparation for eternity, it was the mysterious and fascinating race whose vast remains litter the banks of the world's most ancient river, and frown upon the less majestic undertakings of a civilization which has usurped the theatre of their myriad wondrous deeds.

       Table of Contents

      The Nile Valley

      The River Nile is the element which creates the special characteristics of Egypt, and differentiates it from other parts of the Sahara Desert. At its annual overflow this river deposits a rich sediment, which makes the fertile plains on either side such a contrast to the brown monotony of the desert. East and west of the Nile valley stretch great wastes, broken here and there by green oases, and the general scenery is too uniform to be interesting, the Delta itself presenting a richly cultivated level plain, interspersed by the lofty dark brown mounds of ancient cities and villages set in groves of palm-trees.

      In Upper Egypt the Nile valley is narrow, and is bounded by mountains inconsiderable in height, and which never rise into peaks. Sometimes they approach the river

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