The Greatest Works of Anton Chekhov. Anton Chekhov

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The Greatest Works of Anton Chekhov - Anton Chekhov

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with an art peculiar to himself, in scattered scenes, in haphazard glimpses into the lives of his characters, in seemingly trivial conversations, has succeeded in so concentrating the atmosphere of the Russia of his day that we feel it in every line we read, oppressive as the mists that hang over a lake at dawn, and, like those mists, made visible to us by the light of an approaching day.

      Novel:

       Table of Contents

       Table of Contents

       PRELUDE

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

       CHAPTER VI

       CHAPTER VII

       CHAPTER VIII

       CHAPTER IX

       CHAPTER X

       CHAPTER XI

       CHAPTER XII

       CHAPTER XIII

       CHAPTER XIV

       CHAPTER XV

       CHAPTER XVI

       CHAPTER XVII

       CHAPTER XVIII

       CHAPTER XIX

       CHAPTER XX

       CHAPTER XXI

       CHAPTER XXII

       CHAPTER XXIII

       CHAPTER XXIV

       CHAPTER XXV

       CHAPTER XXVI

       CHAPTER XXVII

       CHAPTER XXVIII

       CHAPTER XXIX

       CHAPTER XXX

       CHAPTER XXXI

       CHAPTER XXXII

       POSTSCRIPT

      PRELUDE

       Table of Contents

      On an April day of the year 1880 the doorkeeper Audrey came into my private room and told me in a mysterious whisper that a gentleman had come to the editorial office and demanded insistently to see the editor.

      ‘He appears to be a chinovnik,’ Andrey added. ‘He has a cockade…’

      ‘Ask him to come another time,’ I said, ‘I am busy today. Tell him the editor only receives on Saturdays.’

      ‘He was here the day before yesterday and asked for you. He says his business is urgent. He begs, almost with tears in his eyes, to see you. He says he is not free on Saturday… Will you receive him?’

      I sighed, laid down my pen, and settled myself in my chair to receive the gentleman with the cockade. Young authors, and in general everybody who is not initiated into the secrets of the profession, are generally so overcome by holy awe at the words ‘editorial office’ that they make you wait a considerable time for them. After the editor’s ‘Show him in,’ they cough and blow their noses for a long time, open the door very slowly, come into the room still more slowly, and thus rob you of no little time. The gentleman with the cockade did not make me wait. The door had scarcely had time to close after Andrey before I saw in my office a tall, broad-shouldered man holding a paper parcel in one hand and a cap with a cockade in the other.

      This man, who had succeeded in obtaining an interview with me, plays a very prominent part in my story. It is necessary to describe his appearance.

      He was, as I have already said, tall and broad-shouldered and as vigorous as a fine cart horse. His whole body seemed to exhale health and strength. His face was rosy, his hands large, his chest broad and muscular and his hair as thick as a healthy boy’s. He was around forty. He was dressed with taste, according to the

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