The Mettle of the Pasture. James Lane Allen

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The Mettle of the Pasture - James Lane Allen

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rich in her own right was Isabel herself, that grandmother's idol, the only one of its beautiful women remaining yet to be married; and to celebrate with magnificence in this house Isabel's marriage to Rowan Meredith had long been planned by the grandmother as the last scene of her own splendid social drama: having achieved that, she felt she should be willing to retire from the stage—and to play only behind the curtain.

      It was the middle of the afternoon of the same Sunday. In the parlors extending along the eastern side of the house there was a single sound: the audible but healthful breathing of a sleeper lying on a sofa in the coolest corner. It was Isabel's grandmother nearing the end of her customary nap.

      Sometimes there are households in which two members suggest the single canvas of a mediaeval painter, depicting scenes that represent a higher and a lower world: above may be peaks, clouds, sublimity, the Transfiguration; underneath, the pursuits and passions of local worldly life—some story of loaves and fishes and of a being possessed by a devil. Isabel and her grandmother were related as parts of some such painting: the grandmother was the bottom of the canvas.

      In a little while she awoke and uncoiling her figure, rolled softly over on her back and stretched like some drowsy feline of the jungle; then sitting up with lithe grace she looked down at the print of her head on the pillow and deftly smoothed it out. The action was characteristic: she was careful to hide the traces of her behavior, and the habit was so strong that it extended to things innocent as slumber. Letting her hands drop to the sofa, she yawned and shook her head from side to side with that short laugh by which we express amusement at our own comfort and well- being.

      Beside the sofa, toe by toe and heel by heel, sat her slippers—the pads of this leopardess of the parlors. She peered over and worked her nimble feet into these. On a little table at the end of the sofa lay her glasses, her fan, and a small bell. She passed her fingers along her temples in search of small disorders in the scant tufts of her hair, put on her glasses, and took the fan. Then she glided across the room to one of the front windows, sat down and raised the blind a few inches in order to peep out: so the well-fed, well-fanged leopardess with lowered head gazes idly through her green leaves.

      It was very hot. With her nostrils close to the opening In the shutters, she inhaled the heated air of the yard of drying grass. On the white window-sill just outside, a bronze wasp was whirling excitedly, that cautious stinger which never arrives until summer is sure. The oleanders in the big green tubs looked wilted though abundantly watered that morning.

      She shot a furtive glance at the doors and windows of the houses across the street. All were closed; and she formed her own pictures of how people inside were sleeping, lounging, idly reading until evening coolness should invite them again to the verandas and the streets.

      No one passed but gay strolling negroes. She was seventy years old, but her interest in life was insatiable; and it was in part, perhaps, the secret of her amazing vitality and youthfulness that her surroundings never bored her; she derived instant pleasure from the nearest spectacle, always exercising her powers humorously upon the world, never upon herself. For lack of other entertainment she now fell upon these vulnerable figures, and began to criticise and to laugh at them: she did not have to descend far to reach this level. Her undimmed eyes swept everything—walk, imitative manners, imitative dress.

      Suddenly she withdrew her face from the blinds; young Meredith had entered the gate and was coming up the pavement. If anything could greatly have increased her happiness at this moment it would have been the sight of him. He had been with Isabel until late the night before; he had attended morning service and afterward gone home with his mother and brother (she had watched the carriage as it rolled away down the street); he had returned at this unusual hour. Such eagerness had her approval; and coupling it with Isabel's demeanor upon leaving the table the previous evening, never before so radiant with love, she felt that she had ground for believing the final ambition of her life near its fulfilment.

      As he advanced, the worldly passions other nature—the jungle passions—she had no others—saluted him with enthusiasm. His head and neck and bearing, stature and figure, family and family history, house and lands—she inventoried them all once more and discovered no lack. When he had rung the bell, she leaned back; in her chair and eavesdropped with sparkling eyes.

      "Is Miss Conyers at home?"

      The maid replied apologetically:

      "She wished to be excused to-day, Mr. Meredith."

      A short silence followed. Then he spoke as a man long conscious of a peculiar footing:

      "Will you tell her Mr. Meredith would like to see her," and without waiting to be invited he walked into the library across the hall.

      She heard the maid go upstairs with hesitating step.

      Some time passed before she came down. She brought a note and handed it to him, saying with some embarrassment:

      "She asked me to give you this note, Mr. Meredith."

      Listening with sudden tenseness of attention, Mrs. Conyers heard him draw the sheet from the envelope and a moment later crush it.

      She placed her eyes against the shutters and watched him as he walked away; then she leaned back in her chair, thoughtful and surprised. What was the meaning of this? The events of the day were rapidly reviewed: that Isabel had not spoken with her after breakfast; that she had gone to service at an unusual hour and had left the church before the sermon; that she had effaced herself at dinner and at once thereafter had gone up to her rooms, where she still remained.

      Returning to the sofa she lay down, having first rung her bell. When the maid appeared, she rubbed her eyelids and sat sleepily up as though just awakened: she remembered that she had eavesdropped, and the maid must be persuaded that she had not. Guilt is a bad logician.

      "Where is your Miss Isabel?"

      "She is in her room, Miss Henrietta."

      "Go up and tell her that I say come down into the parlors: it is cooler down here. And ask her whether she'd like some sherbet. And bring me some—bring it before you go."

      A few moments later the maid reentered with the sherbet. She lifted the cut-glass dish from the silver waiter with soft purrings of the palate, and began to attack the minute snow mountain around the base and up the sides with eager jabs and stabs, depositing the spoonfuls upon a tongue as fresh as a child's. Momentarily she forgot even her annoyance; food instantly absorbed and placated her as it does the carnivora.

      The maid reentered.

      "She says she doesn't wish any sherbet, Miss Henrietta."

      "Did she say she would come down?"

      "She did not say, Miss Henrietta."

      "Go back and tell her I'd like to see her: ask her to come down into the parlors." Then she hurried hack to the sherbet. She wanted her granddaughter, but she wanted that first.

      Her thoughts ascended meantime to Isabel in the room above. She finished the sherbet. She waited. Impatience darkened to uneasiness and anger. Still she waited; and her finger nails began to scratch audibly at the mahogany of her chair and a light to burn in the tawny eyes.

      In the room overhead Isabel's thoughts all this time were descending to her grandmother. Before the message was delivered it had been her intention to go down. Once she had even reached the head of the staircase; but then had faltered and shrunk back. When the message came, it rendered her less inclined to risk the

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