got its living from the kitchens in the neighborhood. Madame Sauviat used about three francs’ worth of candles in the course of the year.
The sober, toilsome life of these persons was brightened by one joy, but that was a natural joy, and for it they made their only known outlays. In May, 1802, Madame Sauviat gave birth to a daughter. She was confined all alone, and went about her household work five days later. She nursed her child in the open air, seated as usual in her chair by the corner pillar, continuing to sell old iron while the infant sucked. Her milk cost nothing, and she let her little daughter feed on it for two years, neither of them being the worse for the long nursing.
Veronique (that was the infant’s name) became the handsomest child in the Lower town, and every one who saw her stopped to look at her. The neighbors then noticed for the first time a trace of feeling in the old Sauviats, of which they had supposed them devoid. While the wife cooked the dinner the husband held the little one, or rocked it to the tune of an Auvergnat song. The workmen as they passed sometimes saw him motionless gazing at Veronique asleep on her mother’s knees. He softened his harsh voice when he spoke to her, and wiped his hands on his trousers before taking her up. When Veronique tried to walk, the father bent his legs and stood at a little distance holding out his arms and making little grimaces which contrasted funnily with the rigid furrows of his stern, hard face. The man of iron, brass, and lead became a being of flesh and blood and bones. If he happened to be standing with his back against the corner pillar motionless, a cry from Veronique would agitate him and send him flying over the mounds of iron fragments to find her; for she spent her childhood playing with the wreck of ancient castles heaped in the depths of that old shop. There were other days on which she went to play in the street or with the neighboring children; but even then her mother’s eye was always on her.
It is not unimportant to say here that the Sauviats were eminently religious. At the very height of the Revolution they observed both Sunday and fete-days. Twice Sauviat came near having his head cut off for hearing mass from an unsworn priest. He was put in prison, being justly accused of helping a bishop, whose life he saved, to fly the country. Fortunately the old-iron dealer, who knew the ways of bolts and bars, was able to escape; nevertheless he was condemned to death by default, and as, by the bye, he never purged himself of that contempt, he may be said to have died dead.
His wife shared his piety. The avariciousness of the household yielded to the demands of religion. The old-iron dealers gave their alms punctually at the sacrament and to all the collections in church. When the vicar of Saint-Etienne called to ask help for his poor, Sauviat or his wife fetched at once without reluctance or sour faces the sum they thought their fair share of the parish duties. The mutilated Virgin on their corner pillar never failed (after 1799) to be wreathed with holly at Easter. In the summer season she was feted with bouquets kept fresh in tumblers of blue glass; this was particularly the case after the birth of Veronique. On the days of the processions the Sauviats scrupulously hung their house with sheets covered with flowers, and contributed money to the erection and adornment of the altar, which was the pride and glory of the whole square.
Veronique Sauviat was, therefore, brought up in a Christian manner. From the time she was seven years old she was taught by a Gray sister from Auvergne to whom the Sauviats had done some kindness in former times. Both husband and wife were obliging when the matter did not affect their pockets or consume their time—like all poor folk who are cordially ready to be serviceable to others in their own way. The Gray sister taught Veronique to read and write; she also taught her the history of the people of God, the catechism, the Old and the New Testaments, and a very little arithmetic. That was all; the worthy sister thought it enough; it was in fact too much.
At nine years of age Veronique surprised the whole neighborhood with her beauty. Every one admired her face, which promised much to the pencil of artists who are always seeking a noble ideal. She was called “the Little Virgin” and showed signs already of a fine figure and great delicacy of complexion. Her Madonna-like face—for the popular voice had well named her—was surrounded by a wealth of fair hair, which brought out the purity of her features. Whoever has seen the sublime Virgin of Titian in his great picture of the “Presentation” at Venice, will know that Veronique was in her girlhood—the same ingenuous candor, the same seraphic astonishment in her eyes, the same simple yet noble attitude, the same majesty of childhood in her demeanor.
At eleven years of age she had the small-pox, and owed her life to the care of Soeur Marthe. During the two months that their child was in danger the Sauviats betrayed to the whole community the depth of their tenderness. Sauviat no longer went about the country to sales; he stayed in the shop, going upstairs and down to his daughter’s room, sitting up with her every night in company with his wife. His silent anguish seemed so great that no one dared to speak to him; his neighbors looked at him with compassion, but they only asked news of Veronique from Soeur Marthe. During the days when the child’s danger reached a crisis, the neighbors and passers saw, for the first and only time in Sauviat’s life, tears in his eyes and rolling down his hollow cheeks; he did not wipe them, but stood for hours as if stupefied, not daring to go upstairs to his daughter’s room, gazing before him and seeing nothing, so oblivious of all things that any one might have robbed him.
Veronique was saved, but her beauty perished. Her face, once exquisitely colored with a tint in which brown and rose were harmoniously mingled, came out from the disease with a myriad of pits which thickened the skin, the flesh beneath it being deeply indented. Even her forehead did not escape the ravages of the scourge; it turned brown and looked as though it were hammered, like metal. Nothing can be more discordant than brick tones of the skin surrounded by golden hair; they destroy all harmony. These fissures in the tissues, capriciously hollowed, injured the purity of the profile and the delicacy of the lines of the face, especially that of the nose, the Grecian form of which was lost, and that of the chin, once as exquisitely rounded as a piece of white porcelain. The disease left nothing unharmed except the parts it was unable to reach—the eyes and the teeth. She did not, however, lose the elegance and beauty of her shape—neither the fulness of its lines nor the grace and suppleness of her waist. At fifteen Veronique was still a fine girl, and to the great consolation of her father and mother, a good and pious girl, busy, industrious, and domestic.
After her convalescence and after she had made her first communion, her parents gave her the two chambers on the second floor for her own particular dwelling. Sauviat, so course in his way of living for himself and his wife, now had certain perceptions of what comfort might be; a vague idea came to him of consoling his child for her great loss, which, as yet, she did not comprehend. The deprivation of that beauty which was once the pride and joy of those two beings made Veronique the more dear and precious to them. Sauviat came home one day, bearing a carpet he had chanced upon in some of his rounds, which he nailed himself on Veronique’s floor. For her he saved from the sale of an old chateau the gorgeous bed of a fine lady, upholstered in red silk damask, with curtains and chairs of the same rich stuff. He furnished her two rooms with antique articles, of the true value of which he was wholly ignorant. He bought mignonette and put the pots on the ledge outside her window; and he returned from many of his trips with rose trees, or pansies, or any kind of flower which gardeners or tavern-keepers would give him.
If Veronique could have made comparisons and known the character, past habits, and ignorance of her parents she would have seen how much there was of affection in these little things; but as it was, she simply loved them from her own sweet nature and without reflection.
The girl wore the finest linen her mother could find in the shops. Madame Sauviat left her daughter at liberty to buy what materials she liked for her gowns and other garments; and the father and mother were proud of her choice, which was never extravagant. Veronique was satisfied with a blue silk gown for Sundays and fete-days, and on working-days she wore merino in winter and striped cotton dresses in summer. On Sundays she went to church with her father and mother, and took a walk after vespers along the banks of the Vienne or about the environs. On other days she stayed at home, busy in filling worsted-work patterns, the payment for which she gave to the poor—a life
