for the reader of the Revolution to consider at the outset of his reading of what nature was Rousseau's abundant influence upon the men who remodelled the society of Europe between 1789 and 1794.
Why did he dominate those five years, and how was it that he dominated them increasingly?
An explanation of Rousseau's power merits a particular digression, for few who express themselves in the English tongue have cared to understand it, and in the academies provincial men have been content to deal with this great writer as though he were in some way inferior to themselves.
FOOTNOTES:
[1] We need not waste any time upon those who talk about such and such a form of government being good because "it works." The use of such language connotes that the user of it is fatigued by the effort of thought. For what is "working," i.e. successful action, in any sphere? The attainment of certain ends in that sphere. What are those ends in a State? If material well-being, then there is an end to talk of patriotism, the nation, public opinion and the rest of it which, as we all very well know, men always have regarded and always will regard as the supreme matters of public interest. If the end is not material well-being, but a sense of political freedom and of the power of the citizen to react upon the State, then to say that an institution "works" though apparently not democratic, is simply to say that under such and such conditions that institution achieves the ends of democracy most nearly. In other words, to contrast the good "working" of an institution superficially undemocratic with democratic theory is meaningless. The institution "works" in proportion as it satisfies that political sense which perfect democracy would, were it attainable, completely satisfy.
II
ROUSSEAU
In order to appreciate what Rousseau meant to the revolutionary movement, it is necessary to consider the effect of style upon men.
Men are influenced by the word. Spoken or written, the word is the organ of persuasion and, therefore, of moral government.
Now, degraded as that term has become in our time, there is no proper term to express the exact use of words save the term "style."
What words we use, and in what order we put them, is the whole matter of style; and a man desiring to influence his fellow men has therefore not one, but two co-related instruments at his disposal. He cannot use one without the other. The weakness of the one will ruin the other. These two instruments are his idea and his style.
However powerful, native, sympathetic to his hearers' mood or cogently provable by reference to new things may be a man's idea, he cannot persuade his fellow men to it if he have not words that express it. And he will persuade them more and more in proportion as his words are well chosen and in the right order, such order being determined by the genius of the language whence they are drawn.
Whether the idea of which Rousseau made himself the exponent in his famous tract be true or false, need not further concern us in this little book. We all know that the difficult attempt to realise political freedom has attracted various communities of men at various times and repelled others. What English readers rarely hear is that the triumph of Rousseau depended not only on the first element in persuasion, which is vision, but also upon the second of the two co-related instruments by which a man may influence his fellows—to wit, style. It was his choice of French words and the order in which he arranged them, that gave him his enormous ascendancy over the generation which was young when he was old.
I have alluded to his famous tract, the Contrat Social, and here a second point concerning it may be introduced. This book which gave a text for the Revolution, the document to which its political theory could refer, was by no means (as foreign observers have sometimes imagined) the whole body of writing for which Rousseau was responsible. To imagine that is to make the very common error of confusing a man with his books.
Rousseau wrote on many things: his character was of an exalted, nervous and diseased sort. Its excessive sensibility degenerated with advancing years into something not distinguishable from mania. He wrote upon education, and the glory of his style carried conviction both where he was right and where the short experience of a hundred years has proved him to have been wholly wrong. He wrote upon love, and half the lessons to be drawn from his writing will be condemned by the sane. He wrote upon botany at vast length; he wrote also upon music—with what success in either department I am incompetent to determine. He wrote upon human inequality: and though the sentences were beautiful and the sentiment just, the analysis was very insufficient and the historical conception bad. He wrote upon a project for perpetual peace, which was rubbish; and he wrote upon the government of Poland an essay which was a perfect masterpiece.
But when a great writer writes, each of his great writings has a life of its own, and it was not any of these other writings of Rousseau, on love or botany, which were the text of the Revolution. The text of the Revolution was his Contrat Social.
Now it is not too much to say that never in the history of political theory has a political theory been put forward so lucidly, so convincingly, so tersely or so accurately as in this short and wonderful book. The modern publisher in this country would be ashamed to print it: not for its views (which would now seem commonplace), nor for its excellence, which would ensure it a failure, but for its brevity. It is as short as a gospel, and would cover but a hundred pages of one of our serious reviews. A modern publisher in this city would not know what price to set upon such a work, and the modern reader in this country would be puzzled to understand how a great thing could be got within so narrow a compass. A debate in Parliament or the libretto of a long pantomime is of greater volume.
Nevertheless, if it be closely read the Contrat Social will be discovered to say all that can be said of the moral basis of democracy. Our ignorance of the historical basis of the State is presumed in the very opening lines of it. The logical priority of the family to the State is the next statement. The ridiculous and shameful argument that strength is the basis of authority—which has never had standing save among the uninstructed or the superficial—is contemptuously dismissed in a very simple proof which forms the third chapter, and that chapter is not a page of a book in length. It is with the fifth chapter that the powerful argument begins, and the logical precedence of human association to any particular form of government is the foundation stone of that analysis. It is this indeed which gives its title to the book: the moral authority of men in community arises from conscious association; or, as an exact phraseology would have it, a "social contract." All the business of democracy as based upon the only moral authority in a State follows from this first principle, and is developed in Rousseau's extraordinary achievement which, much more than any other writing not religious, has affected the destiny of mankind.
It is indeed astonishing to one who is well acquainted not only with the matter, but with the manner of the Contrat Social, to remark what criticisms have been passed upon it by those who either have not read the work or, having read it, did so with an imperfect knowledge of the meaning of French words. The two great counter arguments, the one theoretic the other practical, which democracy has to meet, stand luminously exposed in these pages, though in so short a treatise the author might have been excused from considering them. The theoretical argument against democracy is, of course, that man being prone to evil, something external to him and indifferent to his passions must be put up to govern him; the people
