or a half-finished story completed, but 11 A.m. is not the hour at which to invent.
Jerry Garnet wandered restlessly about his sitting room. Rarely had it seemed so dull and depressing to him as it did then. The photographs on the mantelpiece irritated him. There was no change in them. They struck him as the concrete expression of monotony. His eye was caught by a picture hanging out of the straight. He jerked it to one side, and the effect became worse. He jerked it back again, and the thing looked as if it had been hung in a dim light by an astigmatic drunkard. Five minutes' pulling and hauling brought it back to a position only a shade less crooked than that in which he had found it, and by that time his restlessness had grown like a mushroom.
He looked out of the window. The sunlight was playing on the house opposite. He looked at his boots. At this point conscience prodded him sharply.
"I won't," he muttered fiercely, "I will work. I'll turn out something, even if it's the worst rot ever written."
With which admirable sentiment he tracked his blotting pad to its hiding place (Mrs. Medley found a fresh one every day), collected ink and pens, and sat down.
There was a distant thud from above, and shortly afterwards a thin tenor voice made itself heard above a vigorous splashing. The young gentleman on the top floor was starting another day.
"Oi'll—er—sing thee saw-ongs"—brief pause, then in a triumphant burst, as if the singer had just remembered the name—"ovarraby."
Mr. Garnet breathed a prayer and glared at the ceiling.
The voice continued:
"Ahnd—er—ta-ales of fa-arr Cahsh-meerer."
Sudden and grewsome pause. The splashing ceased. The singer could hardly have been drowned in a hip bath, but Mr. Garnet hoped for the best.
His hopes were shattered.
"Come," resumed the young gentleman persuasively, "into the garden, Maud, for ther black batter nah-eet hath—er—florn."
Jerry Garnet sprang from his seat and paced the room.
"This is getting perfectly impossible," he said to himself. "I must get out of this. A fellow can't work in London. I'll go down to some farmhouse in the country. I can't think here. You might just as well try to work at a musical 'At Home.'"
Here followed certain remarks about the young man upstairs, who was now, in lighter vein, putting in a spell at a popular melody from the Gaiety Theater.
He resumed his seat and set himself resolutely to hammer out something which, though it might not be literature, would at least be capable of being printed. A search through his commonplace book brought no balm. A commonplace book is the author's rag bag. In it he places all the insane ideas that come to him, in the groundless hope that some day he will be able to convert them with magic touch into marketable plots.
This was the luminous item which first met Mr. Garnet's eye:
Mem. Dead body found in railway carriage under seat. Only one living occupant of carriage. He is suspected of being the murderer, but proves that he only entered carriage at twelve o'clock in the morning, while the body has been dead since the previous night.
To this bright scheme were appended the words:
This will want some working up.
J. G.
"It will," thought Jerry Garnet grimly, "but it will have to go on wanting as far as I'm concerned."
The next entry he found was a perfectly inscrutable lyric outburst.
There are moments of annoyance,
Void of every kind of joyance,
In the complicated course of Man's affairs;
But the very worst of any
He experiences when he
Meets a young, but active, lion on the stairs.
Sentiment unexceptionable. But as to the reason for the existence of the fragment, his mind was a blank. He shut the book impatiently. It was plain that no assistance was to be derived from it.
His thoughts wandered back to the idea of leaving London. London might have suited Dr. Johnson, but he had come to the conclusion that what he wanted to enable him to give the public of his best (as the reviewer of the Academy, dealing with his last work, had expressed a polite hope that he would continue to do) was country air. A farmhouse by the sea somewhere … cows … spreading boughs … rooks … brooks … cream. In London the day stretches before a man, if he has no regular and appointed work to do, like a long, white, dusty road. It seems impossible to get to the end of it without vast effort. But in the country every hour has its amusements. Up with the lark. Morning dip. Cheery greetings. Local color. Huge breakfast. Long walks. Flannels. The ungirt loin. Good, steady spell of work from dinner till bedtime. The prospect fascinated him. His third novel was already in a nebulous state in his brain. A quiet week or two in the country would enable him to get it into shape.
He took from the pocket of his blazer a letter which had arrived some days before from an artist friend of his who was on a sketching tour in Devonshire and Somerset. There was a penciled memorandum on the envelope in his own handwriting:
Mem. Might work K. L.'s story about M. and the W—s's into comic yarn for one of the weeklies.
He gazed at this for a while, with a last hope that in it might be contained the germ of something which would enable him to turn out a morning's work; but having completely forgotten who K. L. was, and especially what was his (or her) story about M., whoever he (or she) might be, he abandoned this hope and turned to the letter in the envelope.
The earlier portions of the letter dealt tantalizingly with the scenery. "Bits," come upon by accident at the end of disused lanes and transferred with speed to canvas, were described concisely but with sufficient breadth to make Garnet long to see them for himself. There were brief résumés of dialogues between Lickford (the writer) and weird rustics. The whole letter breathed of the country and the open air. The atmosphere of Garnet's sitting room seemed to him to become stuffier with every sentence he read.
The postscript interested him.
" … By the way, at Yeovil I came across an old friend of yours. Stanley Featherstonhaugh Ukridge, of all people. As large as life—quite six foot two, and tremendously filled out. I thought he was abroad. The last I heard of him was that he had started for Buenos Ayres in a cattle-ship. It seems he has been in England sometime. I met him in the refreshment room at Yeovil station. I was waiting for a down train; he had changed on his way to town. As I opened the door I heard a huge voice in a more or less violent altercation, and there was S. F. U., in a villainous old suit of gray flannels (I'll swear it was the same one that he had on last time I saw him), and a mackintosh, though it was a blazing hot day. His pince-nez were tacked onto his ears with wire as usual. He greeted me with effusive shouts, and drew me aside. Then after a few commonplaces of greeting, he fumbled in his pockets, looked pained and surprised.
"'Look here, Licky,' he said. 'You know I never borrow. It's against my principles. But I must have a shilling, or I'm a ruined man. I seem to have had my pocket picked by some scoundrelly blackguard. Can you, my dear fellow, oblige me with a shilling until next
