The Greatest Works of Gustave Flaubert. Gustave Flaubert

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The Greatest Works of Gustave Flaubert - Gustave Flaubert

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Mars, and behind the hospital gardens, where old men in black coats were walking in the sun along the terrace all green with ivy. It went up the Boulevard Bouvreuil, along the Boulevard Cauchoise, then the whole of Mont-Riboudet to the Deville hills.

      It came back; and then, without any fixed plan or direction, wandered about at hazard. The cab was seen at Saint-Pol, at Lescure, at Mont Gargan, at La Rougue-Marc and Place du Gaillardbois; in the Rue Maladrerie, Rue Dinanderie, before Saint-Romain, Saint-Vivien, Saint-Maclou, Saint-Nicaise — in front of the Customs, at the “Vieille Tour,” the “Trois Pipes,” and the Monumental Cemetery. From time to time the coachman, on his box cast despairing eyes at the public-houses. He could not understand what furious desire for locomotion urged these individuals never to wish to stop. He tried to now and then, and at once exclamations of anger burst forth behind him. Then he lashed his perspiring jades afresh, but indifferent to their jolting, running up against things here and there, not caring if he did, demoralised, and almost weeping with thirst, fatigue, and depression.

      And on the harbour, in the midst of the drays and casks, and in the streets, at the corners, the good folk opened large wonder-stricken eyes at this sight, so extraordinary in the provinces, a cab with blinds drawn, and which appeared thus constantly shut more closely than a tomb, and tossing about like a vessel.

      Once in the middle of the day, in the open country, just as the sun beat most fiercely against the old plated lanterns, a bared hand passed beneath the small blinds of yellow canvas, and threw out some scraps of paper that scattered in the wind, and farther off lighted like white butterflies on a field of red clover all in bloom.

      At about six o’clock the carriage stopped in a back street of the Beauvoisine Quarter, and a woman got out, who walked with her veil down, and without turning her head.

      Chapter Two

       Table of Contents

      On reaching the inn, Madame Bovary was surprised not to see the diligence. Hivert, who had waited for her fifty-three minutes, had at last started.

      Yet nothing forced her to go; but she had given her word that she would return that same evening. Moreover, Charles expected her, and in her heart she felt already that cowardly docility that is for some women at once the chastisement and atonement of adultery.

      She packed her box quickly, paid her bill, took a cab in the yard, hurrying on the driver, urging him on, every moment inquiring about the time and the miles traversed. He succeeded in catching up the “Hirondelle” as it neared the first houses of Quincampoix.

      Hardly was she seated in her corner than she closed her eyes, and opened them at the foot of the hill, when from afar she recognised Felicite, who was on the lookout in front of the farrier’s shop. Hivert pulled in his horses and, the servant, climbing up to the window, said mysteriously —

      “Madame, you must go at once to Monsieur Homais. It’s for something important.”

      The village was silent as usual. At the corner of the streets were small pink heaps that smoked in the air, for this was the time for jam-making, and everyone at Yonville prepared his supply on the same day. But in front of the chemist’s shop one might admire a far larger heap, and that surpassed the others with the superiority that a laboratory must have over ordinary stores, a general need over individual fancy.

      She went in. The large armchair was upset, and even the “Fanal de Rouen” lay on the ground, outspread between two pestles. She pushed open the lobby door, and in the middle of the kitchen, amid brown jars full of picked currants, of powdered sugar and lump sugar, of the scales on the table, and of the pans on the fire, she saw all the Homais, small and large, with aprons reaching to their chins, and with forks in their hands. Justin was standing up with bowed head, and the chemist was screaming —

      “Who told you to go and fetch it in the Capharnaum.”

      “What is it? What is the matter?”

      “What is it?” replied the druggist. “We are making preserves; they are simmering; but they were about to boil over, because there is too much juice, and I ordered another pan. Then he, from indolence, from laziness, went and took, hanging on its nail in my laboratory, the key of the Capharnaum.”

      It was thus the druggist called a small room under the leads, full of the utensils and the goods of his trade. He often spent long hours there alone, labelling, decanting, and doing up again; and he looked upon it not as a simple store, but as a veritable sanctuary, whence there afterwards issued, elaborated by his hands, all sorts of pills, boluses, infusions, lotions, and potions, that would bear far and wide his celebrity. No one in the world set foot there, and he respected it so, that he swept it himself. Finally, if the pharmacy, open to all comers, was the spot where he displayed his pride, the Capharnaum was the refuge where, egoistically concentrating himself, Homais delighted in the exercise of his predilections, so that Justin’s thoughtlessness seemed to him a monstrous piece of irreverence, and, redder than the currants, he repeated —

      “Yes, from the Capharnaum! The key that locks up the acids and caustic alkalies! To go and get a spare pan! a pan with a lid! and that I shall perhaps never use! Everything is of importance in the delicate operations of our art! But, devil take it! one must make distinctions, and not employ for almost domestic purposes that which is meant for pharmaceutical! It is as if one were to carve a fowl with a scalpel; as if a magistrate — ”

      “Now be calm,” said Madame Homais.

      And Athalie, pulling at his coat, cried “Papa! papa!”

      “No, let me alone,” went on the druggist “let me alone, hang it! My word! One might as well set up for a grocer. That’s it! go it! respect nothing! break, smash, let loose the leeches, burn the mallow-paste, pickle the gherkins in the window jars, tear up the bandages!”

      “I thought you had — ” said Emma.

      “Presently! Do you know to what you exposed yourself? Didn’t you see anything in the corner, on the left, on the third shelf? Speak, answer, articulate something.”

      “I — don’t — know,” stammered the young fellow.

      “Ah! you don’t know! Well, then, I do know! You saw a bottle of blue glass, sealed with yellow wax, that contains a white powder, on which I have even written ‘Dangerous!’ And do you know what is in it? Arsenic! And you go and touch it! You take a pan that was next to it!”

      “Next to it!” cried Madame Homais, clasping her hands. “Arsenic! You might have poisoned us all.”

      And the children began howling as if they already had frightful pains in their entrails.

      “Or poison a patient!” continued the druggist. “Do you want to see me in the prisoner’s dock with criminals, in a court of justice? To see me dragged to the scaffold? Don’t you know what care I take in managing things, although I am so thoroughly used to it? Often I am horrified myself when I think of my responsibility; for the Government persecutes us, and the absurd legislation that rules us is a veritable Damocles’ sword over our heads.”

      Emma no longer dreamed of asking what they wanted her for, and the druggist went on in breathless phrases —

      “That is your return for all the kindness we have shown you! That is how you recompense me for the really paternal care that I lavish on you! For without

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