CHAPTER TWENTY-SEVENTH.
CHAPTER TWENTY-EIGHTH.
NOTES
NOTE A.—AUTHOR’S CONNECTION WITH QUAKERISM
NOTE B.—TOMBSTONE TO HELEN WALKER.
NOTE C.—THE OLD TOLBOOTH.
NOTE D—THE PORTEOUS MOB.
NOTE E.—CARSPHARN JOHN.
NOTE F.—PETER WALKER.
NOTE G.—MUSCHAT’S CAIRN.
NOTE H.—HANGMAN, OR LOCKMAN.
NOTE I.—THE FAIRY BOY OF LEITH,
NOTE J.—COVENANTERS WITH THE INVISIBLE WORLD.
NOTE K.—CHILD-MURDER.
NOTE L.—CALUMNIATOR OF THE FAIR SEX.
NOTE M.—Sir William Dick of Braid.
NOTE N.—Doomster, or Dempster, of Court.
NOTE O.—John Duke of Argyle and Greenwich.
NOTE P.—Expulsion of the Bishops.
NOTE Q.—Half-hanged Maggie Dickson.
NOTE R.—Madge Wildfire.
NOTE S.—Death of Francis Gordon.
NOTE T.—Tolling to Service in Scotland.
VOLUME II.
Jeanie and the Laird of Dumbiedykes
Jennie in the Outlaws Hut
Madge and Jennie
A “summat” to Eat and Drink
Jeanie and Queen Caroline
The Captain of Knockdunder
Death of Sir George Staunton
Jeanie Dean’s Cottage
THE HEART OF MID-LOTHIAN.
Hear, Land o’ Cakes and brither Scots,
Frae Maidenkirk to Johnny Groat’s,
If there’s a hole in a’ your coats,
I rede ye tent it;
A chiel’s amang you takin’ notes,
An’ faith he’ll prent it!
Burns.
EDITOR’S INTRODUCTION TO THE HEART OF MID-LOTHIAN.
SCOTT began to work on “The Heart of Mid-Lothian” almost before he had completed “Rob Roy.” On Nov. 10, 1817, he writes to Archibald Constable announcing that the negotiations for the sale of the story to Messrs. Longman have fallen through, their firm declining to relieve the Ballantynes of their worthless “stock.” “So you have the staff in your own hands, and, as you are on the spot, can manage it your own way. Depend on it that, barring unforeseen illness or death, these will be the best volumes which have appeared. I pique myself on the first tale, which is called ‘The Heart of Mid-Lothian.’ ” Sir Walter had thought of adding a romance, “The Regalia,” on the Scotch royal insignia, which had been rediscovered in the Castle of Edinburgh. This story he never wrote. Mr. Cadell was greatly pleased at ousting the Longmans—“they have themselves to blame for the want of the Tales, and may grumble as they choose: we have Taggy by the tail, and, if we have influence to keep the best author of the day, we ought to do it.”—[Archibald Constable, iii. 104.]
Though contemplated and arranged for, “The Heart of Mid-Lothian” was not actually taken in hand till shortly after Jan. 15, 1818, when Cadell writes that the tracts and pamphlets on the affair of Porteous are to be collected for Scott. “The author was in great glee … he says that he feels very strong with what he has now in hand.” But there was much anxiety concerning Scott’s health. “I do not at all like this illness of Scott’s,” said James Ballantyne to Hogg. “I have eften seen him look jaded of late, and am afraid it is serious.” “Hand your tongue, or I’ll gar you measure your length on the pavement,” replied Hogg. “You fause, down-hearted loon, that ye are, you daur to speak as if Scott were on his death-bed! It cannot be, it must not be! I will not suffer you to speak that gait.” Scott himself complains to Charles Kirkpatrick Sharpe of “these damned spasms. The merchant Abudah’s hag was a henwife to them when they give me a real night of it.”
“The Heart of Mid-Lothian,” in spite of the author’s malady, was published in June 1818. As to its reception, and the criticism which it received, Lockhart has left nothing to be gleaned. Contrary to his custom, he has published, but without the writer’s name, a letter from Lady Louisa Stuart, which really exhausts what criticism can find to say about the new novel. “I have not only read it myself,” says Lady Louisa, “but am in a house where everybody is tearing it out of each other’s hands, and talking of nothing else.” She preferred it to all but “Waverley,” and congratulates him on having made “the perfectly good character the most interesting. … Had this very story been conducted by a common hand, Effie would have attracted all our concern and sympathy, Jeanie only cold approbation. Whereas Jeanie, without youth, beauty, genius, warns passions, or any other novel-perfection, is here our object from beginning to end.” Lady Louisa, with her usual frankness, finds the Edinburgh lawyers tedious, in the introduction, and thinks that Mr. Saddletree “will not entertain English readers.” The conclusion “flags”; “but the chief fault I have to find relates to the reappearance and shocking fate of the boy. I hear on all sides ‘Oh, I do not like that!’ I cannot say what I would have had instead, but I do not like it either; it is a lame, huddled conclusion. I know you so well in it, by-the-by! You grow tired yourself, want to get rid of the story, and hardly care how.” Lady Lousia adds that Sir George Staunton would never have hazarded himself in the streets of Edinburgh. “The end of poor Madge Wildfire is most pathetic. The meeting at Muschat’s Cairn tremendous. Dumbiedikes and Rory Beau are delightful. … I dare swear many of your readers never heard of the Duke of Argyle before.”
