tion>Fergus Hume
The Mandarin's Fan
Published by Good Press, 2019
EAN 4064066141974
Table of Contents
CHAPTER I
The Advertisement
One July evening in the first year of the present century, two gentlemen were seated on the terrace of the mansion, known as Royabay. A small rose-wood table was placed between the deep arm-chairs, and thereon appeared wine, coffee, and a box of cigars. The young host smoked a briar and sipped coffee, but his guest, very wisely, devoted himself to superlative port and a fragrant cigar. Major Tidman was a battered old soldier of fortune, who appreciated good quarters and made the most of civilised luxuries, when other people paid for them. He had done full justice to a dinner admirably cooked and served, while Ainsleigh, the master of the feast had merely trifled with his food. Now, the wary Tidman gave himself up to the perfect enjoyment of wine, cigar and the quiet evening, while his host restlessly changed his position a dozen times in ten minutes and gloomed misanthropically at the beautiful surroundings.
And these were very beautiful. From the moss-grown terrace shallow steps descended to smooth lawns and rainbow-hued flower-beds, and solemn pines girdled the open space, wherein the house was set. And under the radiance of a saffron coloured sky, stood the house, grey with centuries of wind and weather, bleaching sun and drenching rains. With its Tudor battlements, casements, diamond-paned and low oriel windows, half obliterated escutcheons; its drapery of green ivy, and heavy iron-clamped doors, it looked venerable, picturesque and peaceful. Tennyson sang in the Palace of Art of just such a quiet "English home the haunt of ancient peace."
On the left, the circle of trees receded to reveal the majestic ruins of an abbey, which had supplied the stones used to construct the mansion. Built by the weak but pious Henry III., the Norman-French name Royabbaye (King's Abbey) still designated the house of the courtier who had obtained the monastery from another Henry, less pious, and more prone to destroy than to build. The country folk had corrupted the name to Royabay, and its significance was almost lost. But the owner of this fair domain knew its meaning, and loved the ancient place, which had been in the Ainsleigh family for over three hundred years. And he loved it the more, as there was a possibility of its passing away from him altogether.
Rupert was the last of the old line, poor in relations, and poorer still in money. Till the reign of George the first the Ainsleighs had been rich and famous: but from the time of the Hanovarian advent their fortunes declined. Charles Ainsleigh had thrown in his lot with the unlucky Stewarts, and paid for his loyalty so largely as to cripple those who succeeded him. Augustus, the Regency buck, wasted still further the diminished property he inherited, and a Victorian Ainsleigh proved to be just such another spendthrift. Followed this wastrel, Gilbert more thrifty, who strove, but vainly, to restore the waning fortunes of his race. His son Markham, endeavouring to acquire wealth for the same purpose, went to the far East. But he died in China—murdered according to family tradition—and on hearing the news, his widow sickened and died, leaving an only child to battle with the ancestral curse. For a curse there was, as dire as that which over-shadowed the House of Atreus, and the superstitious believed—and with much reason—that young Rupert as one of the Ainsleighs, had to bear the burden of the terrible anathema.
Major Tidman knew all these things very well, but being modern and sceptical and grossly material, he discredited such occult influence. Expressing his scornful surprise, that Rupert should trouble his head about such fantasies, he delivered his opinion in the loud free dictatorial speech, which was characteristic of the bluff soldier. "Bunkum," said the Major sipping his wine with relish, "because
