are the dead," he said.
"We're not dead yet," said Julia prosaically.
"Not physically. Six months, a year—five years, conceivably. I am afraid of death. You are young, so presumably you're more afraid of it than I am. Obviously we shall put it off as long as we can. But it makes very little difference. So long as human beings stay human, death and life are the same thing."
"Oh, rubbish! Which would you sooner sleep with, me or a skeleton? Don't you enjoy being alive? Don't you like feeling: This is me, this is my hand, this is my leg, I'm real, I'm solid, I'm alive! Don't you like this?"
She twisted herself round and pressed her bosom against him. He could feel her breasts, ripe yet firm, through her overalls. Her body seemed to be pouring some of its youth and vigor into his.
"Yes, I like that," he said.
"Then stop talking about dying. And now listen, dear, we've got to fix up about the next time we meet. We may as well go back to the place in the wood. We've given it a good long rest. But you must get there by a different way this time. I've got it all planned out. You take the train—but look, I'll draw it out for you."
And in her practical way she scraped together a small square of dust, and with a twig from a pigeon's nest began drawing a map on the floor.
IV
Winston looked round the shabby little room above Mr. Charrington's shop. Beside the window the enormous bed was made up, with ragged blankets and a coverless bolster. The old-fashioned clock with the twelve-hour face was ticking away on the mantelpiece. In the corner, on the gateleg table, the glass paperweight which he had bought on his last visit gleamed softly out of the half-darkness.
In the fender was a battered tin oilstove, a saucepan and two cups, provided by Mr. Charrington. Winston lit the burner and set a pan of water to boil. He had brought an envelope full of Victory Coffee and some saccharine tablets. The clock's hands said seven-twenty; it was nineteen-twenty really. She was coming at nineteen-thirty.
Folly, folly, his heart kept saying: conscious, gratuitous, suicidal folly! Of all the crimes that a Party member could commit, this one was the least possible to conceal. Actually the idea had first floated into his head in the form of a vision of the glass paperweight mirrored by the surface of the gateleg table. As he had foreseen, Mr. Charrington had made no difficulty about letting the room. He was obviously glad of the few dollars that it would bring him. Nor did he seem shocked or become offensively knowing when it was made clear that Winston wanted the room for the purpose of a love affair. Instead he looked into the middle distance and spoke in generalities, with so delicate an air as to give the impression that he had become partly invisible. Privacy, he said, was a very valuable thing. Everyone wanted a place where they could be alone occasionally. And when they had such a place, it was only common courtesy in anyone else who knew of it to keep his knowledge to himself. He even, seeming almost to fade out of existence as he did so, added that there were two entries to the house, one of them through the backyard, which gave on an alley.
Under the window somebody was singing. Winston peeped out, secure in the protection of the muslin curtain. The June sun was still high in the sky, and in the sun-filled court below a monstrous woman, solid as a Norman pillar, with brawny red forearms and a sacking apron strapped about her middle, was stumping to and fro between a washtub and a clothesline, pegging out a series of square white things which Winston recognized as babies' diapers. Whenever her mouth was not corked with clothes pegs she was singing in a powerful contralto:
"It was only an 'opeless fancy, It passed like an Ipril dye, But a look an' a word an' the dreams they stirred They 'ave stolen my 'eart awye!"
The tune had been haunting London for weeks past. It was one of countless similar songs published for the benefit of the proles by a sub-section of the Music Department. The words of these songs were composed without any human intervention whatever on an instrument known as a versificator. But the woman sang so tunefully as to turn the dreadful rubbish into an almost pleasant sound. He could hear the woman singing and the scrape of her shoes on the flagstones, and the cries of the children in the street, and somewhere in the far distance a faint roar of traffic, and yet the room seemed curiously silent, thanks to the absence of a telescreen.
Folly, folly, folly! he thought again. It was inconceivable that they could frequent this place for more than a few weeks without being caught. But the temptation of having a hiding place that was truly their own, indoors and near at hand, had been too much for both of them. For some time after their visit to the church belfry it had been impossible to arrange meetings. Working hours had been drastically increased in anticipation of Hate Week. It was more than a month distant, but the enormous, complex preparations that it entailed were throwing extra work onto everybody. Finally both of them managed to secure a free afternoon on the same day. They had agreed to go back to the clearing in the wood. On the evening beforehand they met briefly in the street. As usual Winston hardly looked at Julia as they drifted toward one another in the crowd, but from the short glance he gave her it seemed to him that she was paler than usual.
"It's all off," she murmured as soon as she judged it safe to speak. "Tomorrow, I mean."
"What?"
"Tomorrow afternoon. I can't come."
"Why not?"
"Oh, the usual reason. It's started early this time."
For a moment he was violently angry. During the month that he had known her the nature of his desire for her had changed. At the beginning there had been little true sensuality in it. Their first love-making had been simply an act of the will. But after the second time it was different. The smell of her hair, the taste of her mouth, the feeling of her skin seemed to have got inside him, or into the air all round him. She had become a physical necessity, something that he not only wanted but felt that he had a right to. When she said that she could not come, he had the feeling that she was cheating him. But just at this moment the crowd pressed them together and their hands accidentally met. She gave the tips of his fingers a quick squeeze that seemed to invite not desire but affection. It struck him that when one lived with a woman this particular disappointment must be a normal, recurring event; and a deep tenderness, such as he had not felt for her before, suddenly took hold of him. He wished that they were a married couple of ten years' standing. He wished that he were walking through the streets with her just as they were doing now, but openly and without fear, talking of trivialities and buying odds and ends for the household. He wished above all that they had some place where they could be alone together without feeling the obligation to make love every time they met. It was not actually at that moment, but at some time on the following day, that the idea of renting Mr. Charrington's room had occurred to him. When he suggested it to Julia she had agreed with unexpected readiness. Both of them knew that it was lunacy. It was as though they were intentionally stepping nearer to their graves. As he sat waiting on the edge of the bed he thought again of the cellars of the Ministry of Love. It was curious how that predestined horror moved in and out of one's consciousness. There it lay, fixed in future time, preceding death as surely as 99 precedes 100. One could not avoid it, but one could perhaps postpone it; and yet instead, every now and again, by a conscious, willful act, one chose to shorten the interval before it happened.
At this moment there was a quick step on the stairs. Julia burst into the room. She was carrying a tool bag of coarse brown canvas, such as he had sometimes seen her carrying to and fro at the Ministry. He started forward to take her in his arms, but she disengaged herself rather hurriedly, partly because she was still holding the tool bag.
"Half a second," she said. "Just let me show
