Sailor and beachcomber. A. Safroni-Middleton
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That night we left Maitland behind and slept on the scrub by the Hunter River and then tramped across country. The heat was terrific and reminded me of my Queensland experience. We got work at homesteads and pulled pumpkins, examined creeks carefully, dug holes, gazed for sparkling running water that might reveal the precious metal as it ran over the pockets in the hills; but we found no gold, only hard work and toil. We soon sickened of the life, only suitable to the Chinamen who toiled about us on the stations. Grim, rum-looking things these men were. They looked so stolid and emotionless as they tramped in Indian file across the slopes at sunset back to their sweltering huts that it would require very little imagination to dream that they were stuffed mummies of the Pyramids walking in some long sleep, exiled to the dried-up Australian Bush, and they smelt so strong that when the wind blew from their direction my comrade and I at once lit our pipes!
We soon made tracks for Sydney, where once more I tried to get a berth on an English ship. I had received several letters from home and longed to see them all again; but it was not to be, all the home boats were full up that week and money was getting scarce. My comrade and I determined to get a job somewhere, and going on board the Lubeck, a German ship, I was taken on as mess-room steward, and my mate secured a job in the saloon. We were delighted at such a companionable bit of luck. Next morning she sailed, and as I was walking along the deck next day I saw the Pacific Ocean all around us, and gazing over the bulwark side by the saloon leaned Robert Louis Stevenson. He did not notice me as I stood there by the engine-room door, and I stared on and had a good opportunity of examining the man who had just begun to be interesting to me, as I had a faint idea that he stood apart from ordinary mortals and wrote books of poetry, and so I examined him with interest. He was a good deal like the photographs which I have since seen of him in books and elsewhere, though he looked somewhat older. His face seemed very much sunburnt, and its outline struck me as though it expressed Jewish origin.
The voyage to Samoa, as far as I can now remember, only took about a week or ten days. We called at Tonga and stayed, I think, only a few hours. I slept among the sailors in the fo’c’sle. They were all Germans and they spoke very little English. I discovered that one of them had a violin and, mine being in pawn in Sydney, I borrowed it from him and started to entertain the crew by playing old English songs, and some sea chanteys, one of which was the good stirring old Capstan song “Blow the Man Down.” As I sat on the hatchway at night and two German sea-salts shouted songs in German as I played, Robert Louis Stevenson came and spoke to me, and seemed very much interested in my playing. He remembered seeing me in the Islands and asked me if I was an Australian. I told him I came from England. He became interested in me and just as I was losing my first embarrassment, and had played him once again a Scottish melody which seemed to please him very much, I heard the wretched German chief steward shouting for me, and I had to make a bolt. I did not see him again till we arrived near the Islands, then one night as I was sitting on the hatchway picking the fiddle strings, sweating a good deal, for it was a sweltering hot night, Stevenson came through the alley-way by the engine-room, and sat beside me and another sailor who was humming as I strummed away. I saw his face outlined distinctly; it was a calm night, the moon right overhead flooded the sea with a silver sheen as the screw whirled steadily round and the vessel sped along leaving a long silver wake which could easily be seen for miles behind as the sparkling foam drifted with the glassy swell.
Stevenson was one of those men with a keen face that made you feel a bit reticent until he spoke, and then you discovered a human note in the voice that put you thoroughly at your ease, and as he spoke to a German sailor he picked my violin up and started to try and play some old folk melody. I told him how to hold the bow correctly and hold the head of the violin level with his chin, which he at once attempted to do and made several efforts to perform, upon which I smiled approvingly at my illustrious pupil! He had long delicate fingers and looked well as he stood in the Maestro fashion and did all I told him to do in an obedient way as though I were Stevenson and he the humble sailor-lad. He asked me many questions about music and seemed to know more about the history of celebrated violinists and the history of musical notation than I did, but he spoke modestly and did not take the least advantage of my inferior knowledge as he walked to and fro restlessly and then sat down again. He seemed fond of looking over the ship’s side, gazing out to sea, and up at the stars. He was very friendly with all the sailors, went into the fo’c’sle, talked to the crew and was greatly interested in ship life. I did not see him again till I arrived on the Islands. I did not care about travelling with Germans whom I could not speak to, my knowledge of German being no more than “nein,” and “jah,” and so I left the Lubeck and once more came in contact with old Hornecastle. My chum, though I did all I could to persuade him to leave the boat, would not do so, and so we parted, and the last I heard of him was that he had shipped before the mast of a sailing ship bound for San Francisco and during terrible weather got lost overboard. Poor Ned, I often think of him and even regret leaving the Lubeck, otherwise he might not have gone off on the ill-fated ship, for she too got lost later on with “All Hands.”
Hornecastle[1] had also been away from the Islands somewhere or other, I forget now where, but I remember his pleasure at seeing me again as he smacked me on the back, and shouted “Hello, my hearty.”
1. Hornecastle was a successful trader and always gave me employment if I required it, and paid well.
It was about that time that I spent a good deal of my time in practising the fiddle and studying music, and Hornecastle and another old shell-back would sit on a chest and say, “Shut it, youngster, give us a toon!” I had got hold of Kreutzer’s violin studies, and some of the double-stopping strains, I must admit, got very monotonous even to me as I played them over and over again hundreds of times, and when I think of the old chap’s temper at my persistence, and the way he got out of his bed one night, as I was practising, and said, “By Christ, if yer don’t stop that hell of a row, I’ll smash yer fiddle,” I can hardly blame him.
View of Apia from Mulinu
One night a schooner arrived from Honolulu and the crew came ashore and had a fine spree. She brought as passengers two missionaries. I do not remember their names, only that we all called them the “reverends”; the elder one of the two, who looked like a German, was a real “knock-out”; he had succumbed to more women, and had made more devoted mothers on that Isle than Hornecastle had in all his populating career! But he was a good fellow withal, and after he had been to the missionary school and done his duties he would come to us and talk about our evil ways, and try to reform old Hornecastle, who was dead against the Church. Hornecastle would listen to him, blinking his grey eyes all the time. He would tug his beard, put his finger to his beak-like nose and say, “Look ye here, Missy” (which was an abbreviation for missionary). “It’s no good yer trying to come your old swank over me, you’d best start to reform yerself, old cock.” But that missionary was oblivious,