rel="nofollow" href="#ulink_27e153a5-6e72-5d78-adf0-24f272fffd0f">CHAPTER XI
IN WHICH MIRANDA ADOPTS A NEW LINE OF CONDUCT AND THE MAJOR EXPRESSES SOME DISCONTENT
THE HERO, LIKE ALL HEROES, FINDS HIMSELF IN A FOG
WHEREIN THE HERO'S PERPLEXITIES INCREASE
MIRANDA PROFESSES REGRET FOR A PRACTICAL JOKE
IN WHICH THE MAJOR LOSES HIS TEMPER AND RECOVERS IT
EXPLAINS WHY CHARNOCK SAW MIRANDA'S FACE IN HIS MIRROR
SHOWS HOW A TOMBSTONE MAY CONVINCE WHEN ARGUMENTS FAIL
IN WHICH THE TAXIDERMIST AND A BASHA PREVAIL OVER A BLIND MAN
TELLS OF CHARNOCK'S WANDERINGS IN MOROCCO AND OF A WALNUT-WOOD DOOR
CHARNOCK, LIKE THE TAXIDERMIST, FINDS WARRINER ANYTHING BUT A COMFORTABLE COMPANION
COMPLETES THE JOURNEYINGS OF THIS INCONGRUOUS COUPLE
IN WHICH CHARNOCK ASTONISHES RALPH WARRINER
RELATES A SECOND MEETING BETWEEN CHARNOCK AND MIRANDA
A MIST IN THE CHANNEL ENDS, AS IT BEGAN, THE BOOK
CHAPTER I
IN WHICH A SHORT-SIGHTED TAXIDERMIST FROM TANGIER MAKES A DISCOVERY UPON ROSEVEAR.
CHAPTER II
PRESENTS THE HERO IN THE UNHEROIC ATTITUDE OF A SPECTATOR.
CHAPTER III
TREATS OF A GENTLEMAN WITH AN AGREEABLE COUNTENANCE AND OF A WOMAN'S FACE IN A MIRROR.
CHAPTER IV
TREATS OF THE FIRST MEETING BETWEEN CHARNOCK AND MIRANDA.
CHAPTER V
WHEREIN CHARNOCK AND MIRANDA IMPROVE THEIR ACQUAINTANCESHIP IN A BALCONY.
CHAPTER VI
WHILE CHARNOCK BUILDS CASTLES IN SPAIN, MIRANDA RETURNS THERE.
CHAPTER VII
