told the king that she was a married woman. Then—according to this representation—he sent her away with gifts, and even extended his complacency so far as to present her with his daughter Hagar as a handmaid—a legend savoring more of national pride than of probability.
In the few incidents related of Sarah she does not impress us as anything more than the beautiful princess of a nomadic tribe, with many virtues and the failings that usually attend beauty and power.
With all her advantages of person and station, Sarah still wanted what every woman of antiquity considered the crowning glory of womanhood. She was childless. By an expedient common in those early days, she gives her slave as second wife to her husband, whose child shall be her own. The Rabbinic tradition says that up to this time Hagar had been tenderly beloved by Sarah. The prospect, however, of being mother to the heir of the family seems to have turned the head of the handmaid, and broken the bonds of friendship between them.
In its usual naïve way, the Bible narrative represents Sarah as scolding her patient husband for the results which came from following her own advice. Thus she complains, in view of Hagar's insolence: "My wrong be upon thee. I have given my maid unto thy bosom, and when she saw that she had conceived, I was despised in her eyes. The Lord judge between thee and me."
We see here the eager, impulsive, hot-hearted woman, accustomed to indulgence, impatient of trouble, and perfectly certain that she is in the right, and that the Lord himself must think so. Abraham, as a well-bred husband, answers pacifically: "Behold, thy maid is in thy hand, to do as pleaseth thee." And so it pleased Sarah to deal so hardly with her maid that she fled to the wilderness.
Finally, the domestic broil adjusts itself. The Divine Father, who watches alike over all his creatures, sends back the impetuous slave from the wilderness, exhorted to patience, and comforted with a promise of a future for her son.
Then comes the beautiful idyl of the three angels, who announce the future birth of the long-desired heir. We could wish all our readers, who may have fallen out of the way of reading the Old Testament, to turn again to the eighteenth chapter of Genesis, and see the simple picture of those olden days. Notice the beautiful hospitality of reception. The Emir rushes himself to his herd to choose the fatted calf, and commands the princess to make ready the meal, and knead the cakes. Then comes the repast. The announcement of the promised blessing, at which Sarah laughs in incredulous surprise; the grave rebuke of the angels, and Sarah's white lie, with the angel's steady answer—are all so many characteristic points of the story. Sarah, in all these incidents, is, with a few touches, made as real flesh and blood as any woman in the pages of Shakespeare—not a saint, but an average mortal, with all the foibles, weaknesses, and variabilities that pertain to womanhood, and to womanhood in an early age of imperfectly developed morals.
We infer from the general drift of the story, that Sarah, like most warm-hearted and passionate women, was, in the main, a kindly, motherly creature, and that, when her maid returned and submitted, she was reconciled to her. At all events, we find that the son of the bondwoman was born and nurtured under her roof, along with her own son Isaac. It is in keeping with our conception of Sarah, that she should at times have overwhelmed Hagar with kindness, and helped her through the trials of motherhood, and petted the little Ishmael till he grew too saucy to be endured.
The Jewish mother nursed her child three years. The weaning was made a great fête, and Sarah's maternal exultation at this crisis of her life, displayed itself in festal preparations. We hear her saying: "God hath made me to laugh, so that all that hear will laugh with me. Who would have said unto Abraham that Sarah should have given children suck? for I have borne him a son in his old age."
In the height of this triumph, she saw the son of the Egyptian woman mocking, and all the hot blood of the woman, mother, and princess flushed up, and she said to her husband: "Cast out this bondwoman and her son; for the son of this bondwoman shall not be heir with my son, even with Isaac."
We are told "the thing was very grievous in Abraham's sight because of his son." But a higher power confirms the hasty, instinctive impulse of the mother. The God of nations saw in each of these infant boys the seed-forms of a race with a history and destiny apart from each other, and Abraham is comforted with the thought that a fatherly watch will be kept over both.
Last of all we come to the simple and touching announcement of the death of this woman, so truly loved to the last. "And Sarah was a hundred and seven and twenty years old: these were the years of the life of Sarah. And Sarah died in Kirjath-arba; the same is Hebron in the land of Canaan; and Abraham came to mourn for Sarah, and to weep for her." It is a significant token of the magnificent physical vigor with which that early age was endowed, that now, for the first time, the stroke of death has fallen on the family of Abraham, and he is forced to seek a burial-place. Sarah, the beautiful princess, the crowned mother of a great nation, the beloved wife, is dead; and Abraham, constant lover in age as youth, lays her away with tears. To him she is ever young; for love confers on its object eternal youth.
A beautiful and peculiar passage in the history describes the particulars of the purchase of this burial-place. All that love can give to the fairest, most beautiful, and dearest is a tomb; and Abraham refuses to take as a gift from the nobles of the land so sacred a spot. It must be wholly his own, bought with his own money. The sepulchre of Machpelah, from the hour it was consecrated by the last sleep of the mother of the tribe, became the calm and sacred resting-place to which the eyes of children's children turned. So Jacob, her grandson, in his dying hour, remembered it:—
"Bury me with my fathers in the cave that is in the field of Ephron the Hittite. There they buried Abraham and Sarah his wife; there they buried Isaac and Rebekah his wife, and there I buried Leah."
Two powerful and peculiar nations still regard this sepulchre with veneration, and cherish with reverence the memory of Sarah the Princess.
Hagar the Slave
HAGAR THE SLAVE.
A striking pendant to the picture of Sarah the Princess is that of Hagar the Slave.
In the Bible narrative she is called simply Hagar the Egyptian; and as Abraham sojourned some time in the land of Egypt, we are to suppose that this acquisition to the family was then made. Slavery, in the early patriarchal period, had few of the horrors which beset it in more modern days. The condition of a slave more nearly resembled that of the child of the house than that of a modern servant. The slave was looked upon, in default of children, as his master's heir, as was the case with Eliezer of Damascus, the confidential servant of Abraham; the latter, when speaking to God of his childless condition says: "Lo! one born in my house is mine heir." In like manner there is a strong probability in the legend which represents Hagar as having been the confidential handmaid of Sarah, and treated by her with peculiar tenderness.
When the fear of being childless seized upon her, Sarah was willing to exalt one, who was as a second self to her, to the rank of an inferior wife, according to the customs of those early days; intending to adopt and treat as her own the child of her handmaid. But when the bondwoman found herself thus exalted, and when the crowning honor of prospective motherhood was conferred upon her, her ardent tropical blood boiled over in unseemly exultation—"her mistress was despised in her eyes."
Probably under the flapping curtains of the pastoral tent, as under the silken hangings
