by its feathers from a distance. Thus, my gentleman, not knowing what to do with his hands, was compelled to spend the evening stroking his whiskers. His whiskers were really fine, but he stroked them so assiduously that one got the feeling that the whiskers had come into the world first and afterwards the man in order to stroke them.
There was another guest who interested me. But he was of quite a different order. He was a personage. They called him Julian Mastakovich. At first glance one could tell he was an honoured guest and stood in the same relation to the host as the host to the gentleman of the whiskers. The host and hostess said no end of amiable things to him, were most attentive, wining him, hovering over him, bringing guests up to be introduced, but never leading him to any one else. I noticed tears glisten in our host’s eyes when Julian Mastakovich remarked that he had rarely spent such a pleasant evening. Somehow I began to feel uncomfortable in this personage’s presence. So, after amusing myself with the children, five of whom, remarkably well-fed young persons, were our host’s, I went into a little sitting-room, entirely unoccupied, and seated myself at the end that was a conservatory and took up almost half the room.
The children were charming. They absolutely refused to resemble their elders, notwithstanding the efforts of mothers and governesses. In a jiffy they had denuded the Christmas tree down to the very last sweet and had already succeeded in breaking half of their playthings before they even found out which belonged to whom.
One of them was a particularly handsome little lad, dark-eyed, curly-haired, who stubbornly persisted in aiming at me with his wooden gun. But the child that attracted the greatest attention was his sister, a girl of about eleven, lovely as a Cupid. She was quiet and thoughtful, with large, full, dreamy eyes. The children had somehow offended her, and she left them and walked into the same room that I had withdrawn into. There she seated herself with her doll in a corner.
“Her father is an immensely wealthy business man,” the guests informed each other in tones of awe. “Three hundred thousand rubles set aside for her dowry already.”
As I turned to look at the group from which I heard this news item issuing, my glance met Julian Mastakovich’s. He stood listening to the insipid chatter in an attitude of concentrated attention, with his hands behind his back and his head inclined to one side.
All the while I was quite lost in admiration of the shrewdness our host displayed in the dispensing of the gifts. The little maid of the many-rubied dowry received the handsomest doll, and the rest of the gifts were graded in value according to the diminishing scale of the parents’ stations in life. The last child, a tiny chap of ten, thin, red-haired, freckled, came into possession of a small book of nature stories without illustrations or even head and tail pieces. He was the governess’s child. She was a poor widow, and her little boy, clad in a sorry-looking little nankeen jacket, looked thoroughly crushed and intimidated. He took the book of nature stories and circled slowly about the children’s toys. He would have given anything to play with them. But he did not dare to. You could tell he already knew his place.
I like to observe children. It is fascinating to watch the individuality in them struggling for self-assertion. I could see that the other children’s things had tremendous charm for the red-haired boy, especially a toy theatre, in which he was so anxious to take a part that he resolved to fawn upon the other children. He smiled and began to play with them. His one and only apple he handed over to a puffy urchin whose pockets were already crammed with sweets, and he even carried another youngster pickaback — all simply that he might be allowed to stay with the theatre.
But in a few moments an impudent young person fell on him and gave him a pummelling. He did not dare even to cry. The governess came and told him to leave off interfering with the other children’s games, and he crept away to the same room the little girl and I were in. She let him sit down beside her, and the two set themselves busily dressing the expensive doll.
Almost half an hour passed, and I was nearly dozing off, as I sat there in the conservatory half listening to the chatter of the red-haired boy and the dowered beauty, when Julian Mastakovich entered suddenly. He had slipped out of the drawing-room under cover of a noisy scene among the children. From my secluded corner it had not escaped my notice that a few moments before he had been eagerly conversing with the rich girl’s father, to whom he had only just been introduced.
He stood still for a while reflecting and mumbling to himself, as if counting something on his fingers.
“Three hundred — three hundred — eleven — twelve — thirteen — sixteen — in five years! Let’s say four per cent — five times twelve — sixty, and on these sixty — . Let us assume that in five years it will amount to — well, four hundred. Hm — hm! But the shrewd old fox isn’t likely to be satisfied with four per cent. He gets eight or even ten, perhaps. Let’s suppose five hundred, five hundred thousand, at least, that’s sure. Anything above that for pocket money — hm—”
He blew his nose and was about to leave the room when he spied the girl and stood still. I, behind the plants, escaped his notice. He seemed to me to be quivering with excitement. It must have been his calculations that upset him so. He rubbed his hands and danced from place to place, and kept getting more and more excited. Finally, however, he conquered his emotions and came to a standstill. He cast a determined look at the future bride and wanted to move toward her, but glanced about first. Then, as if with a guilty conscience, he stepped over to the child on tip-toe, smiling, and bent down and kissed her head.
His coming was so unexpected that she uttered a shriek of alarm.
“What are you doing here, dear child?” he whispered, looking around and pinching her cheek.
“We’re playing.”
“What, with him?” said Julian Mastakovich with a look askance at the governess’s child. “You should go into the drawing-room, my lad,” he said to him.
The boy remained silent and looked up at the man with wide-open eyes. Julian Mastakovich glanced round again cautiously and bent down over the girl.
“What have you got, a doll, my dear?”
“Yes, sir.” The child quailed a little, and her brow wrinkled.
“A doll? And do you know, my dear, what dolls are made of?”
“No, sir,” she said weakly, and lowered her head.
“Out of rags, my dear. You, boy, you go back to the drawing-room, to the children,” said Julian Mastakovich looking at the boy sternly.
The two children frowned. They caught hold of each other and would not part.
“And do you know why they gave you the doll?” asked Julian Mastakovich, dropping his voice lower and lower.
“No.”
“Because you were a good, very good little girl the whole week.”
Saying which, Julian Mastakovich was seized with a paroxysm of agitation. He looked round and said in a tone faint, almost inaudible with excitement and impatience:
“If I come to visit your parents will you love me, my dear?”
He tried to kiss the sweet little creature, but the red-haired boy saw that she was on the verge of tears, and he caught her hand and sobbed out loud in sympathy. That enraged the man.
“Go away! Go away! Go back to the other room, to your playmates.”
“I don’t want him to. I don’t want him to! You go
