ideas of particular points strongly tinctured with mistakes and errors, which were the fault rather of the general want of physical information of the age than of any narrowness of view on his own part; of this he was fully aware. It has been attempted by some to lessen the merit of this great achievement, by showing that the inductive method had been practised in many instances, both ancient and modern, by the mere instinct of mankind; but it is not the introduction of inductive reasoning, as a new and hitherto untried process, which characterizes the Baconian philosophy, but his keen perception, and his broad and spirit-stirring, almost enthusiastic, announcement of its paramount importance, as the alpha and omega of science, as the grand and only chain for the linking together of physical truths, and the eventual key to every discovery and every application. Those who would deny him his just glory on such grounds would refuse to Jenner or to Howard their civic crowns, because a few farmers in a remote province had, time out of mind, been acquainted with vaccination, or philanthropists, in all ages, had occasionally visited the prisoner in his dungeon.”
“It is to our immortal countryman Bacon,” says he, again, “that we owe the broad announcement of this grand and fertile principle; and the development of the idea, that the whole of natural philosophy consists entirely of a series of inductive generalizations, commencing with the most circumstantially stated particulars, and carried up to universal laws, or axioms, which comprehend in their statements every subordinate degree of generality and of a corresponding series of inverted reasoning from generals to particulars, by which these axioms are traced back into their remotest consequences, and all particular propositions deduced from them, as well those by whose immediate consideration we rose to their discovery, as those of which we had no previous knowledge. …
“It would seem that a union of two qualities almost opposite to each other—a going forth of the thoughts in two directions, and a sudden transfer of ideas from a remote station in one to an equally distant one in the other—is required to start the first idea of applying science. Among the Greeks, this point was attained by Archimedes, but attained too late, on the eve of that great eclipse of science which was destined to continue for nearly eighteen centuries, till Galileo in Italy, and Bacon in England, at once dispelled the darkness; the one, by his inventions and discoveries; the other, by the irresistible force of his arguments and eloquence.”33
His style is copious, comprehensive, and smooth; it does not flow with the softness of the purling rill, but rather with the strength, fulness, and swelling of a majestic river, and the rude harmony of the mountain stream. His images are replete with poetry and thought; they always illustrate his subject. Hallam is of opinion that the modern writer that comes nearest to him is Burke. “He had,” said Addison, “the sound, distinct, comprehensive knowledge of Aristotle, with all the beautiful lights, graces, and embellishments of Cicero. One does not know which to admire most in his writings, the strength of reason, force of style, or brightness of imagination.”34
Bacon improved so much the melody, elegance, and force of English prose, that we may apply to him what was said of Augustus with regard to Rome: lateritiam invenit, marmoream reliquit; he found it brick, and he left it marble. Mr. Hallam’s opinion differs somewhat from this; it is as follows:—
“The style of Bacon has an idiosyncrasy which we might expect from his genius. It can rarely indeed happen, and only in men of secondary talents, that the language they use is not, by its very choice and collocation, as well as its meaning, the representative of an individuality that distinguishes their turn of thought. Bacon is elaborate, sententious, often witty, often metaphorical; nothing could be spared; his analogies are generally striking and novel; his style is clear, precise, forcible; yet there is some degree of stiffness about it, and in mere language he is inferior to Raleigh.”35
It is a most remarkable characteristic of Bacon, and one in which Burke resembled him, that his imagination grew stronger with his increasing years, and his style richer and softer. “The fruit came first,” says Mr. Macaulay, “and remained till the last; the blossoms did not appear till late. In eloquence, in sweetness and variety of expression, and in richness of illustration, his later writings are far superior to those of his youth.” His earliest Essays have as much truth and cogent reasoning as his latest; but these are far superior in grace and beauty. A most striking illustration of this is afforded by one of the last Essays, added a year before Bacon’s death, that of Adversity (Essay V.), than which naught can be more graceful and beautiful.
The account of Bacon’s works will necessarily be very succinct, and, we fear, imperfect. We shall, however, for each of them, call in the aid of the most competent judges, whose award public opinion will not reverse.
ESSAYS.
Bacon published his Essays in 1597. They were, in the estimation of Mr. Hallam, the first in time and in excellence of English writings on moral prudence. Of the fifty-eight Essays, of which the work is now composed, ten only appeared in the first edition. But to these were added Religious Meditations, Places of Perswasion and Disswasion, Seene and allowed; many of which were afterwards embodied in the Essays. These Essays were: 1. Of Studie; 2. Of Discourse; 3. Of Ceremonies and Respects; 4. Of Followers and Friends; 5. Of Sutors; 6. Of Expence; 7. Of Regiment of Health; 8. Of Honor and Reputation; 9. Of Faction; 10. Of Negociating. In the edition of 1612, “The Essaies of Sr Francis Bacon Knight, the King’s Atturny Generall,” were increased to forty-one.
The new Essays added are: 1. Of Religion; 2. Of Death; 3. Of Goodnesse, and Goodnesse of Nature; 4. Of Cunning; 5. Of Marriage and Single Life; 6. Of Parents and Children; 7. Of Nobility; 8. Of Great Place; 9. Of Empire; 10. Of Counsell; 11. Of Dispatch; 12. Of Love; 13. Of Friendship; 14. Of Atheism; 15. Of Superstition; 16. Of Wisedome for a Man’s selfe; 20. Of seeming wise; 21. Of Riches; 22. Of Ambition; 23. Of Young Men and Age; 24. Of Beauty; 25. Of Deformity; 26. Of Nature in Men; 27. Of Custom and Education; 28. Of Fortune; 35. Of Praise; 36. Of Judicature; 37. of Vaine-Glory; 38. Of Greatnesse of Kingdomes; 39. Of the Publique; 40. Of Warre and Peace.
These forty-one Essays were afterwards again augmented to fifty-eight, with the new title of The Essaies or Covnsels, Civill and Morall; they were likewise improved by corrections, additions, and illustrations. By the peculiarity of Bacon, already noticed, the later Essays rise in beauty and interest.
Bacon considered his Essays but as “the recreations of his other studies.” He has entitled them, in the Latin translation, Sermones fideles, sive Interiora rerum. The idea of them, as has been already mentioned, was suggested by those of Montaigne; but there is but little resemblance between the two productions. Montaigne is natural, ingenuous, sportive. Bacon’s “Essays or Counsels, civil and moral,” “the fragments of his conceits,” as he styles them, are all study, art, and gravity; but the reflections in them are true and profound. Montaigne confessedly painted himself, declared that he was the matter of his own book,36 while with Bacon the man was merged in the author and the philosopher, who propounded like Seneca, and somewhat in Seneca’s style, the maxims of practical wisdom, that, to use Bacon’s own language, “come home to men’s business and bosoms,” and clothed them in a garb, new, elegant, and rich, hitherto unknown in England. But our author, if we may judge by the matter and even manner of his Essays, may have had in view, not so much Montaigne’s Essais as Seneca’s Letters to Lucilius. The Essay of Death is obviously founded on Seneca’s Epistles on this subject. That he was well acquainted with Seneca’s Letters, is incontrovertible. He alludes to them thus in the dedication to Prince Henry, in 1612: “The word (Essays),” says he, “is late, but the thing is ancient; for Seneca’s Epistles to Lucilius, if you mark them well, are but Essays, that is, dispersed meditations, though conveyed in the form of epistles.” Bacon justly foretold of his Essays that they “would live as long as books last.”
The
