The Guardian Angel. Oliver Wendell Holmes
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If we would know anything about the persons now living at the Withers Homestead, or The Poplars, as it was more commonly called of late years, we must take a brief inventory of some of their vital antecedents. It is by no means certain that our individual personality is the single inhabitant of these our corporeal frames. Nay, there is recorded an experience of one of the living persons mentioned in this narrative—to be given in full in its proper place, which, so far as it is received in evidence, tends to show that some, at least, who have long been dead, may enjoy a kind of secondary and imperfect, yet self-conscious life, in these bodily tenements which we are in the habit of considering exclusively our own. There are many circumstances, familiar to common observers, which favor this belief to a certain extent. Thus, at one moment we detect the look, at another the tone of voice, at another some characteristic movement of this or that ancestor, in our relations or others. There are times when our friends do not act like themselves, but apparently in obedience to some other law than that of their own proper nature. We all do things both awake and asleep which surprise us. Perhaps we have cotenants in this house we live in. No less than eight distinct personalities are said to have coexisted in a single female mentioned by an ancient physician of unimpeachable authority. In this light we may perhaps see the meaning of a sentence, from a work which will be repeatedly referred to in this narrative, viz.: “This body in which we journey across the isthmus between the two oceans is not a private carriage, but an omnibus.”
The ancestry of the Withers family had counted a martyr to their faith before they were known as Puritans. The record was obscure in some points; but the portrait, marked “Ann Holyoake, burned by ye bloudy Papists, ano 15..” (figures illegible), was still hanging against the panel over the fireplace in the west parlor at The Poplars. The following words were yet legible on the canvas: “Thou hast made a covenant O Lord with mee and my Children forever.”
The story had come down, that Ann Holyoake spoke these words in a prayer she offered up at the stake, after the fagots were kindled. There had always been a secret feeling in the family, that none of her descendants could finally fall from grace, in virtue of this solemn “covenant.”
There had been also a legend in the family, that the martyred woman's spirit exercised a kind of supervision over her descendants; that she either manifested herself to them, or in some way impressed them, from time to time; as in the case of the first pilgrim before he cast his lot with the emigrants—of one Mrs. Winslow, a descendant in the third generation, when the Indians were about to attack the settlement where she lived—and of another, just before he was killed at Quebec.
There was a remarkable resemblance between the features of Ann Holyoake, as shown in the portrait, and the miniature likeness of Myrtle's mother. Myrtle adopted the nearly obsolete superstition more readily on this account, and loved to cherish the fancy that the guardian spirit which had watched over her ancestors was often near her, and would be with her in her time of need.
The wife of Selah Withers was accused of sorcery in the evil days of that delusion. A careless expression in one of her letters, that “ye Parson was as lyke to bee in league with ye Divell as anie of em,” had got abroad, and given great offence to godly people. There was no doubt that some odd “manifestations,” as they would be called nowadays, had taken place in the household when she was a girl, and that she presented many of the conditions belonging to what are at the present day called mediums.
Major Gideon Withers, her son, was of the very common type of hearty, loud, portly men, who like to show themselves at militia trainings, and to hear themselves shout orders at musters, or declaim patriotic sentiments at town-meetings and in the General Court. He loved to wear a crimson sash and a military cap with a large red feather, in which the village folk used to say he looked as “hahnsome as a piny,”—meaning a favorite flower of his, which is better spelt peony, and to which it was not unnatural that his admirers should compare him.
If he had married a wife like himself, there might probably enough have sprung from the alliance a family of moon-faced children, who would have dropped into their places like posts into their holes, asking no questions of life, contented, like so many other honest folks, with the part of supernumeraries in the drama of being, their wardrobe of flesh and bones being furnished them gratis, and nothing to do but to walk across the stage wearing it. But Major Gideon Withers, for some reason or other, married a slender, sensitive, nervous, romantic woman, which accounted for the fact that his son David, “King David,” as he was called in his time, had a very different set of tastes from his father, showing a turn for literature and sentiment in his youth, reading Young's “Night Thoughts,” and Thomson's “Seasons,” and sometimes in those early days writing verses himself to Celia or to Chloe, which sounded just as fine to him as Effie and Minnie sound to young people now, as Musidora, as Saccharissa, as Lesbia, as Helena, as Adah and Zillah, have all sounded to young people in their time—ashes of roses as they are to us now, and as our endearing Scotch diminutives will be to others by and by.
King David Withers, who got his royal prefix partly because he was rich, and partly because he wrote hymns occasionally, when he grew too old to write love-poems, married the famous beauty before mentioned, Miss Judith Pride, and the race came up again in vigor. Their son, Jeremy, took for his first wife a delicate, melancholic girl, who matured into a sad-eyed woman, and bore him two children, Malachi and Silence.
When she died, he mourned for her bitterly almost a year, and then put on a ruffled shirt and went across the river to tell his grief to Miss Virginia Wild, there residing. This lady was said to have a few drops of genuine aboriginal blood in her veins; and it is certain that her cheek had a little of the russet tinge which a Seckel pear shows on its warmest cheek when it blushes.—Love shuts itself up in sympathy like a knife-blade in its handle, and opens as easily. All the rest followed in due order according to Nature's kindly programme.
Captain Charles Hazard, of the ship Orient Pearl, fell desperately in love with the daughter of this second wife, married her, and carried her to India, where their first and only child was born, and received the name of Myrtle, as fitting her cradle in the tropics. So her earliest impressions—it would not be exact to call them recollections—besides the smiles of her father and mother, were of dusky faces, of loose white raiment, of waving fans, of breezes perfumed with the sweet exhalations of sandal-wood, of gorgeous flowers and glowing fruit, of shady verandas, of gliding palanquins, and all the languid luxury of the South. The pestilence which has its natural home in India, but has journeyed so far from its birth place in these later years, took her father and mother away, suddenly, in the very freshness of their early maturity. A relation of Myrtle's father, wife of another captain, was returning to America on a visit, and the child was sent back, under her care, while still a mere infant, to her relatives at the old homestead. During the long voyage, the strange mystery of the ocean was wrought into her consciousness so deeply, that it seemed to have become a part of her being. The waves rocked her, as if the sea had been her mother; and, looking over the vessel's side from the arms that held her with tender care, she used to watch the play of the waters, until the rhythm of their movement became a part of her, almost as much as her own pulse and breath.
The instincts and qualities belonging to the ancestral traits which predominated in the conflict of mingled